Jason Victor Serinus

Sort By: Post Date | Title | Publish Date
Filed under
Jason Victor Serinus Posted: Apr 29, 2014 2 comments
The truly superior sound in the room co-sponsored by Paragon Sight and Sound of Ann Arbor gave me my first listen to Wilson Audio's Sasha 2 loudspeakers ($30,900/pair) and Doshi Audio electronics. First up was an LP of Ray Brown on bass, performing three days after Thelonious Monk died. Played on a Brinkmann Audio Balanced turntable package with Koetsu Azule Platinum cartridge ($46,500 total), the sound through Doshi Audio 3.0 phono stage and line stage preamplifiers ($31,990 combined) and Doshi Audio 3.0 Jhor 160W monoblocks ($26,995/pair) was warm and inviting, as in "I must hear more" (even if Brown occasionally strayed from pitch).
Filed under
Jason Victor Serinus Posted: Apr 29, 2014 12 comments
As if an impressive array of products, great seminars, and lots of other goodies were not enough, AXPONA capped its first day with an hour-long presentation by PONO CEO and confirmed audiophile, John Hamm (above). Even before the talk began, John walked through the audience, giving sneak peak, hi-resolution listens to attendees via Sennheiser HD650 headphones.
Filed under
Jason Victor Serinus Posted: Apr 29, 2014 1 comments
Show attendees have grown accustomed to hearing Sony's SSAR-1 loudspeakers ($27,000/pair) and other components mated with Pass Labs electronics. This time, however, their appearance with Rogue Audio's Hera II preamp ($8995) and Apollo Dark monoblocks ($14,995/pair), with Nordost Valhalla 2 cabling and power treatment, made for a unique and most successful pairing. This room sponsored by Holm Audio of Chicago was a definite best-of-show contender.
Filed under
Jason Victor Serinus Posted: Apr 28, 2014 1 comments
ProMusica Audio Specialists of Chicago demmed a Naim/Dynaudio system that was initially hard to hear over all the shouting. When things settled down, I enjoyed the lovely warmth and excellent midrange on a bit of the Norwegian Chamber Orchestra's recording of Schubert's Symphony 5.
Filed under
Jason Victor Serinus Posted: Apr 28, 2014 5 comments
I spent a lot of time trying to get a handle on the sound in the "Ambassador System" room, one of four rooms sponsored by distributor Musical Surroundings and Chicago retailer Quintessence Audio. My very brief taste of vinyl was warm and inviting when sourced from Clearaudio's Innovation Wood turntable and Stradivari V2 MC cartridge ($18,750 total). Sharing the analog honors were Simaudio's Moon 810LP phono stage ($12,000), whose performance was upgraded by the new Moon 820S external power supply ($8000) that can simultaneously power two Simaudio components.
Filed under
Jason Victor Serinus Posted: Apr 28, 2014 1 comments
The midrange on Christian McBride's "Hallelujah Time" was excellent, and the deep bass pretty damn fabulous. Ditto for the depth on a recording by Amber Rubarth, and the air on Reference Recordings' hi-resolution version of dance from Tchaikovsky's Mazeppa (you know, the one everyone plays at audio shows). Instrumental timbres were also spot on. Even though Alan Eichelbaum and Sunny Umrao had not been able to successfully tame all the problems in their very slap-happy room—Alan called it "echo chamber"—their set-up persistence allowed the music to come through loud and clear.
Filed under
Jason Victor Serinus Posted: Apr 28, 2014 4 comments
"We're headed into a new era where you can have music delivered your own way," AIX's Mark Waldrep told the assembled throng.
Filed under
Jason Victor Serinus Posted: Apr 27, 2014 2 comments
Even if I couldn't get far enough back to either take a decent photo or appreciate the sonics at their best, I could admire the warm, eminently pleasing sound of Acoustic Zen's Crescendo Mk.II loudspeakers ($18,000/pair) mated with Triode Corporation's TRX-M845 monoblocks ($22,500/pair), new TRX-2 tube preamplifier with MC/MM ($5000), TRX-DAC 1.0 Tube ($2500), and TRV-CD5SE ($3200).
Filed under
Jason Victor Serinus Posted: Apr 27, 2014 4 comments
A lucky 13 exhibitors held forth in the Audiophile Marketplace in the Westin O'Hare's LaSalle Ballroom, with another eight, including Stereophile, positioned in the foyer. Even on Friday, the areas were packed. Unfortunately, LP purveyors such as Analogue Productions, Acoustic Sounds, Music Direct, and Elusive Disc dispensed their goodies in the world's crinkliest plastic bags. Given how popular vinyl was at AXPONA, you can imagine the racket each time a new person walked into an exhibit room.
Filed under
Jason Victor Serinus Posted: Apr 27, 2014 0 comments
Our own Michael Fremer of Stereophile and AnalogPlanet.com, in whom the serious and hilarious often vie for supremacy, was quite busy at AXPONA. In addition to covering all things analog for both publications, he also led two installments of "Michael Fremer's Internationally Renowned Turntable Set-up Seminar," moderated a "Vinyl Lives!" panel, and spoke on a "Meet the Editors" panel. One of Mikey's unforgettable lines: "I once did this smashed on Tequila, but I wouldn't recommend it."

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading