Jason Victor Serinus

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Jason Victor Serinus Posted: Jun 06, 2014 44 comments
Stephen Mejias, formerly of Stereophile, now VP of Communications at AudioQuest, performed a most convincing cable comparison using the company's top-of-the-line AudioQuest Diamond Ethernet cable ($695 for 0.75m, $1195 for 1.5m). In a system whose JRiver-equipped MacBook Pro fed CD-quality files to an Audio Research Reference DAC, Audio Research Reference 75 amplifier, and Vandersteen Treos outfitted with a double bi-wire pair of AQ WEL Signature cabling, Roy Orbison's "Crying" sounded one-dimensionally flat and a little bright on top via a generic Ethernet cable. When Stephen switched to the AQ Diamond Ethernet cable, voice and instruments suddenly and dramatically acquired depth, air, dimensionality, and subtlety.
Jason Victor Serinus Posted: Jun 05, 2014 8 comments
Ever the audio expert, and always the music lover, Philip O'Hanlon of On a Higher Note distribution managed to produce enough top end in his smaller, mood-lit room to go a long way toward compensating for the ground floor's acoustically-generated grayness. Baritone Matthias Goerne's voice sounded very warm and simply gorgeous, as did a cut from Illinois Jacquet's fabulous Birthday Party LP. Images were huge and deep, with surprisingly profound bass.
Jason Victor Serinus Posted: Jun 05, 2014 16 comments
Another great singer/songwriter at the Atrium Poolside was Audra Lee. Check her out on YouTube or her Facebook page. Gratitude to Richard Beers and Bob Levi for such great entertainment.
Jason Victor Serinus Posted: Jun 05, 2014 2 comments
Hands down, the most impressive full-range system I encountered during my first hours in T.H.E. Hilton on Day 2 of T.H.E. Show Newport Beach was jointly sponsored by Synergistic Research and Scott Walker Audio of Anaheim. Held in the freezing Crystal Ballroom, which definitely called for hot music as an antidote to potential hyperthermia, the system paired Magico Q7 loudspeakers ($185,000/pair), VAC's Master Signature preamp w/phono ($40,000) and State monoblocks ($78,000/pair) with an unidentified computer audio/music server set-up and unauditioned Kronos Sparta turntable with arm ($28,000) and Sonorus ATR open-reel machine ($17,500).
Jason Victor Serinus Posted: Jun 04, 2014 28 comments
Entering the first of four rooms sponsored by Brian Berdan's Audio Element of Pasadena felt like coming home. Not only was I among familiar friends—Wilson Audio Sasha Series 2 loudspeakers ($29,950/pair); mighty VTL Siegfried Reference monoblocks Series II ($65,000/pair), accompanied by VTL's TL-7.5 Reference line preamplifier Series III ($25,000) and TP-6.5 Signature phono stage ($12,000); dCS four-stack, state-of-the-art Vivaldi Digital Playback System ($108,996 total); Transparent Opus MM and Reference cables ($105,500 total); Grand Prix Audio Silverstone 4-shelf Isolation system ($19,175), Monaco-5 shelf Isolation system ($8400), and Formula Platforms ($6900); Audience AdeptResponse aR12TSS power conditioner ($11,545); and, a bit less familiar, Grand Prix Audio Monaco 1.5 turntable ($23,500) with new Tri-Planar SE tonearm ($7500) and luscious Lyra Etna cartridge ($6995)—but I also finally heard a quality of musical presentation that decades upon decades of attending live performance have led me to hunger for.
Jason Victor Serinus Posted: Jun 03, 2014 3 comments
Friday morning, May 30, was Day One of T.H.E Show Newport Beach. With the opening bell struck, as it were, by a ribbon-cutting ceremony in the lobby of the Hilton that I miss due to a very slow kitchen at the adjacent Atrium hotel, I dash from hotel to hotel to discover, instead of a frayed red Mylar ribbon or a row of hot, class-A amplifiers, a line of audio hot-rodded classic and contemporary cars.
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Jason Victor Serinus Posted: May 26, 2014 0 comments
Wilson Audio Specialties' Sasha Series 2 loudspeaker ($29,500/pair), which began shipping in March, celebrated its formal California debut on Saturday, May 24, at Music Lovers Audio in San Francisco. Handsomely accompanied by recording engineer Peter McGrath (above), Wilson's Director of Sales for North America, and Rich Maez of Boulder Amplifiers, whose electronics joined a dCS front end and cabling from Shunyata, Transparent, and Synergistic Research, the Sasha Series 2, aka Sasha 2, more than lived up to its promise in a less-than-ideal room whose set-up included Synergistic Research’s HFTs and FEQ and Grand Prix Audio’s Monaco equipment racks.
Jason Victor Serinus Posted: May 26, 2014 8 comments
No sooner has the Munich Show ended than T.H.E. Show Newport Beach is set to commence. Running from May 30 through June 1 in the Hilton/Atrium hotel complex that lies directly across the street from Orange County's John Wayne Airport, Southern California's installment of T.H.E. Show promises well over 300 exhibitors in 180 active sound rooms, 40–45 additional headphone exhibits scattered over two Headphoniums and other locations, and at least 15 vendor booths crammed with goodies galore.
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Jason Victor Serinus Posted: May 01, 2014 5 comments
Not one to think small, Brian Walsh of Essential Audio in Barrington, IL needed a very big room to house the Sound Lab Majestic 845 electrostatic loudspeakers ($35,840/pair), Atma-Sphere MP-1 Mk.III.2 preamplifier ($16,940) and MA-2 Mk III.2 output transformer-less amplifiers ($41,600/pair), Aurender W20 reference music server ($16,800), Bricasti M1 DAC ($8995), Kuzma Stabi XL 2-motor turntable with all the trimmings ($32,280 total), Teo Audio equipment racks, and cabling from Teo Audio, Clarity Cable, and Creative Cable Concepts.
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Jason Victor Serinus Posted: May 01, 2014 0 comments
Ammar Jadusingh began his loudspeaker company, Soundfield Audio, in late 2010, not long before he exhibited at AXPONA Jacksonville. Sold direct via the internet, his brand new Variable Soundfield Tower 3 four-way loudspeaker ($8500/pair), aka VSFT-3, contains two different, active woofers: a 10" sealed, high-excursion woofer and a 12" dipole woofer. With a claimed frequency response of 20Hz—23kHz, 8 ohms nominal impedance, and 92dB sensitivity, the speakers exhibited quite good balance and a warm midrange on a Red Book version of Dave Brubeck's "Take 5," live from the UK.

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