Jason Victor Serinus

Sort By: Post Date | Title | Publish Date
Filed under
Jason Victor Serinus Posted: May 01, 2014 0 comments
I don't want to wax biblical here, but in Stereophile's world of show reports, the last shall be first, and the first, last. Thus we begin our coverage of the final day with the last system I auditioned at AXPONA 2014. Welcome to Goerner Communications' room on the Westin O'Hare's third floor.
Filed under
Jason Victor Serinus Posted: May 01, 2014 1 comments
I enjoyed my short time with the Vienna Acoustics Imperial Series Liszt loudspeaker system ($15,000/pair). The Liszt incorporates Vienna Acoustics' flat-spider 6" coincident midrange driver and 1.2" vented silk-dome/neo-coated motor, as well as three 7" woofers that cover the 26–200Hz range of a speaker that extends up to 25kHz. Mated with a Primare I32 integrated amplifier ($4750), whose pre-installed full media board option allowed a wired LAN connection to a NAS drive, and AudioQuest cabling, the system depicted a file of a recording of Mahler's Symphony 3 with superior midrange, fine bass, and appropriate top-end bite. Percussive slam was tight, if a bit shallow, but that may have been due to the recording itself.
Filed under
Jason Victor Serinus Posted: May 01, 2014 7 comments
"Whatever you do, don't miss the speaker company around the corner at the end of the third floor," a dealer who had no connection with the room selflessly told me. "The sound is terrific." Thus I scurried along to the exhibit sponsored by Audio Limits of Colorado Springs and Polymer Audio Research of Florida. There I encountered the new, eye-catching Polymer MKS-X loudspeaker system ($60,000/pair), whose 365 lb loudspeakers boast a pure-diamond, acoustic-suspension tweeter and midrange, plus two 6.5" composite-cone, rear-ported woofers connected in parallel.
Filed under
Jason Victor Serinus Posted: May 01, 2014 0 comments
Some of the best sound at AXPONA filled Chicago-based dealer/concert pianist George Vatchnadze's room. With more than a little help from industry veteran Dan Meinwald, who not only claimed to have simply plunked everything down, but also called the large room at the end of the 3rd floor of the Westin O'Hare "the best hotel showroom I've ever been in," Ella's "Angel Eyes" from her universally lauded LP, Let No Man Write My Epitaph, sounded drop-dead gorgeous. The midrange felt like a warm embrace, inviting me in without fear of witnessing Fitzgerald's emotion drowned in a sea of euphonia.
Filed under
Jason Victor Serinus Posted: May 01, 2014 0 comments
I have no idea exactly what was in use in the McIntosh room, because both times I paid a visit, the exhibitor was too involved in demonstrating the system's "Room Correction" component to stop to chat. Regardless, the sound was very, very good—just what you'd expect from a McIntosh system that can control challenging hotel acoustics—and the demo far more convincing than my mother's apple pie.
Filed under
Jason Victor Serinus Posted: May 01, 2014 0 comments
Mated with the new Avid Ingenium turntable with Pro-ject tonearm ($1999), Marantz PM14S integrated amplifier, and Audioquest cabling, a not fully broken-in set of Wharfedale Jade 1 loudspeakers ($1199/pair) sounded very impressive for the price. On the Cowboy Junkies Whites Off Earth Now LP, a take-no-prisoners depiction of electric guitar was balanced by a decent midrange, good bass, and a fine depiction of female voice. Abetting bass response was Wharfedale's Diamond 10.2 subwoofer ($799), which filled in between 35 and 65Hz.
Filed under
Jason Victor Serinus Posted: Apr 30, 2014 0 comments
Since my focus was on new product introductions other than analog, which are being covered by Mikey Fremer on AnalogPlanet.com, all I'll say about the new Kronos Sparta turntable ($21,500) with Helena tonearm and AirTight PC-1 cartridge ($34,500 total) is that they sure sounded great in the context of the rest of GTT's system.
Filed under
Jason Victor Serinus Posted: Apr 30, 2014 2 comments
There was some booming in the bass, but the really nice highs and openness, as well as the large and engaging soundstage on a 24/96 version of Jennifer Warnes' "Nightingale" convinced me that Daedalus Audio, ModWright Instruments, and WyWires cabling are doing something very right. Reinforcement came from a very nice and smooth, albeit less than brilliantly illumined Red Book track by Chris Jones.
Filed under
Jason Victor Serinus Posted: Apr 30, 2014 2 comments
Designed by Art Powers Sr., who, I understand, manufactured some of the older Lamm amplifiers and designed their loudspeakers, Madison Fielding's second-generation Flagstone all-weather speakers ($3500/pair) include down-firing 10" Eminence 150W active custom-made woofers, and claim a frequency response of 44Hz–15kHz ±3dB. The Flagstone series consists of two models and three variations, and claims to cover an area of up to 1000 sq. feet.
Filed under
Jason Victor Serinus Posted: Apr 30, 2014 7 comments
Admittedly, the title seems almost melodramatic, if not messianic. But after Emerald Physics' handicapped presentation at, I believe, the last Rocky Mountain Audio Fest, I was not expecting to hear such fine and pleasing sounds. While ample credit is due PS Audio's brand new DirectStream pure 1-bit DSD-decoding DAC ($6000), thanks also be to Mark Schifter's canny programming of the DSP2.4 DSP crossover/equalizer ($850) that comes with Emerald Physics' CSE MK2 Controlled Dispersion, DSP-controlled, open-baffle loudspeakers ($3500/pair). Thanks as well to the new Emerald Physics EP 100.2 power amplifier ($1600), DSPeaker preamp/DAC ($1200), and REL T9 active subwoofer that filled in from 25Hz to 48Hz.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading