Jason Victor Serinus

Sort By: Post Date | Title | Publish Date
Jason Victor Serinus Posted: Jun 04, 2014 28 comments
Entering the first of four rooms sponsored by Brian Berdan's Audio Element of Pasadena felt like coming home. Not only was I among familiar friends—Wilson Audio Sasha Series 2 loudspeakers ($29,950/pair); mighty VTL Siegfried Reference monoblocks Series II ($65,000/pair), accompanied by VTL's TL-7.5 Reference line preamplifier Series III ($25,000) and TP-6.5 Signature phono stage ($12,000); dCS four-stack, state-of-the-art Vivaldi Digital Playback System ($108,996 total); Transparent Opus MM and Reference cables ($105,500 total); Grand Prix Audio Silverstone 4-shelf Isolation system ($19,175), Monaco-5 shelf Isolation system ($8400), and Formula Platforms ($6900); Audience AdeptResponse aR12TSS power conditioner ($11,545); and, a bit less familiar, Grand Prix Audio Monaco 1.5 turntable ($23,500) with new Tri-Planar SE tonearm ($7500) and luscious Lyra Etna cartridge ($6995)—but I also finally heard a quality of musical presentation that decades upon decades of attending live performance have led me to hunger for.
Jason Victor Serinus Posted: Jun 03, 2014 3 comments
Friday morning, May 30, was Day One of T.H.E Show Newport Beach. With the opening bell struck, as it were, by a ribbon-cutting ceremony in the lobby of the Hilton that I miss due to a very slow kitchen at the adjacent Atrium hotel, I dash from hotel to hotel to discover, instead of a frayed red Mylar ribbon or a row of hot, class-A amplifiers, a line of audio hot-rodded classic and contemporary cars.
Jason Victor Serinus Posted: May 26, 2014 8 comments
No sooner has the Munich Show ended than T.H.E. Show Newport Beach is set to commence. Running from May 30 through June 1 in the Hilton/Atrium hotel complex that lies directly across the street from Orange County's John Wayne Airport, Southern California's installment of T.H.E. Show promises well over 300 exhibitors in 180 active sound rooms, 40–45 additional headphone exhibits scattered over two Headphoniums and other locations, and at least 15 vendor booths crammed with goodies galore.
Filed under
Jason Victor Serinus Posted: May 26, 2014 0 comments
Wilson Audio Specialties' Sasha Series 2 loudspeaker ($29,500/pair), which began shipping in March, celebrated its formal California debut on Saturday, May 24, at Music Lovers Audio in San Francisco. Handsomely accompanied by recording engineer Peter McGrath (above), Wilson's Director of Sales for North America, and Rich Maez of Boulder Amplifiers, whose electronics joined a dCS front end and cabling from Shunyata, Transparent, and Synergistic Research, the Sasha Series 2, aka Sasha 2, more than lived up to its promise in a less-than-ideal room whose set-up included Synergistic Research’s HFTs and FEQ and Grand Prix Audio’s Monaco equipment racks.
Filed under
Jason Victor Serinus Posted: May 01, 2014 2 comments
"I really wanted people not to say that the electronics are why the speakers sound good, so I brought a very minimalistic set-up," said Milwaukee-based Jeff Permanian of his very first display at an audio show. Granted, his imposing, Internet-direct JTR Noesis 215RT ($7000/pair), a 3-way loudspeaker with a claimed 95dB sensitivity and impressive frequency response of 18Hz–24kHz, may not be a visual work of art. But in the company of an Oppo BDP-95, Adcom integrated, and Cardas cabling, its reproduction of Norah Jones' "Come Away with Me" exhibited sufficient warmth to make me want to hear the Noesis loudspeakers in superior company next time around.
Filed under
Jason Victor Serinus Posted: May 01, 2014 0 comments
I don't want to wax biblical here, but in Stereophile's world of show reports, the last shall be first, and the first, last. Thus we begin our coverage of the final day with the last system I auditioned at AXPONA 2014. Welcome to Goerner Communications' room on the Westin O'Hare's third floor.
Filed under
Jason Victor Serinus Posted: May 01, 2014 5 comments
Not one to think small, Brian Walsh of Essential Audio in Barrington, IL needed a very big room to house the Sound Lab Majestic 845 electrostatic loudspeakers ($35,840/pair), Atma-Sphere MP-1 Mk.III.2 preamplifier ($16,940) and MA-2 Mk III.2 output transformer-less amplifiers ($41,600/pair), Aurender W20 reference music server ($16,800), Bricasti M1 DAC ($8995), Kuzma Stabi XL 2-motor turntable with all the trimmings ($32,280 total), Teo Audio equipment racks, and cabling from Teo Audio, Clarity Cable, and Creative Cable Concepts.
Filed under
Jason Victor Serinus Posted: May 01, 2014 0 comments
Ammar Jadusingh began his loudspeaker company, Soundfield Audio, in late 2010, not long before he exhibited at AXPONA Jacksonville. Sold direct via the internet, his brand new Variable Soundfield Tower 3 four-way loudspeaker ($8500/pair), aka VSFT-3, contains two different, active woofers: a 10" sealed, high-excursion woofer and a 12" dipole woofer. With a claimed frequency response of 20Hz—23kHz, 8 ohms nominal impedance, and 92dB sensitivity, the speakers exhibited quite good balance and a warm midrange on a Red Book version of Dave Brubeck's "Take 5," live from the UK.
Filed under
Jason Victor Serinus Posted: May 01, 2014 7 comments
"Whatever you do, don't miss the speaker company around the corner at the end of the third floor," a dealer who had no connection with the room selflessly told me. "The sound is terrific." Thus I scurried along to the exhibit sponsored by Audio Limits of Colorado Springs and Polymer Audio Research of Florida. There I encountered the new, eye-catching Polymer MKS-X loudspeaker system ($60,000/pair), whose 365 lb loudspeakers boast a pure-diamond, acoustic-suspension tweeter and midrange, plus two 6.5" composite-cone, rear-ported woofers connected in parallel.
Filed under
Jason Victor Serinus Posted: May 01, 2014 0 comments
I have no idea exactly what was in use in the McIntosh room, because both times I paid a visit, the exhibitor was too involved in demonstrating the system's "Room Correction" component to stop to chat. Regardless, the sound was very, very good—just what you'd expect from a McIntosh system that can control challenging hotel acoustics—and the demo far more convincing than my mother's apple pie.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading