Jason Victor Serinus

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Jason Victor Serinus Posted: Mar 04, 2015 3 comments
Nearly 500 audiophiles descended upon Definitive Audio's Seattle location on Thursday, February 26 for the 10th Music Matters event in the Pacific Northwest. The "mother" of all Music Matters, and inspiration for all the other similarly named events that happen around the country, Definitive Audio's definitive four-hour gathering was so large in scope that it qualified as a mini-audio show. With major industry presenters including Stereophile's Michael Fremer (above) and John Atkinson, the evening also offered sufficient food and drink to satiate the most ravenous, and enough interesting music to ensure that even an inveterate show attender named Serinus never once experienced that "if I hear this cut one more time" feeling.
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Jason Victor Serinus Posted: Feb 24, 2015 Published: Mar 01, 2015 31 comments
To put it mildly, Jack Vad (second row in photo, orange shirt) was dismayed. The Grammy Award–winning media producer and chief engineer for the San Francisco Symphony had just returned from the 2014 Rocky Mountain Audio Fest, and was trying to make sense of his experiences there. When he'd carried his latest recordings, which I think are superbly recorded, into rooms at the show and asked if he could play them, exhibitors were anything but enthusiastic.
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Jason Victor Serinus Posted: Mar 01, 2015 7 comments
Within a 24-hour time span this past weekend, two important audiophile establishments in CA suffered major burglaries. On the morning of February 28, headphone manufacturer Audeze in Costa Mesa lost perhaps $250,000 in headphones, plus an undetermined amount of raw material from its operating and manufacture headquarters. At around 4am on February 27, and approximately 425 miles north, retailer AudioVision San Francisco experienced $100,000 worth of damage to their new headquarters plus the loss of much expensive gear when a truck rammed through their storefront (above).
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Jason Victor Serinus Posted: Feb 09, 2015 18 comments
In what may be the first collaboration of its kind, the San Francisco Audiophile Society (SFAS) has partnered with a major urban arts presenter, the SFJAZZ Center, to offer its members a prime block of "audiophile-approved" seats to major SFJAZZ Center events. The instant success of the SFAS Concert Series collaboration is reflected in the fact that all 30 tickets to the first event, a March 1 concert with Taj Mahal, sold out in four hours.
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Jason Victor Serinus Posted: Jan 17, 2015 1 comments
What better way to end a day than to move from Magico/Soulution/Baetis/BAD/Vovox to a system in which dCS's digital statement, the ne plus ultra Vivaldi four-stack marvel (something like $108,496 plus all those cables to power and connect it), Dan D'Agostino Momentum monoblock amplifiers ($55,000/pair), Transparent MM2 cabling, and the new Rockport Cygnus loudspeakers ($62,500/pair). The sound was very different than Magico's on the next floor of the Mirage, and equally extraordinary.
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Jason Victor Serinus Posted: Jan 17, 2015 3 comments
Is it an "implosive sound center" that offers, in Devialet's words, "The Best Sound in the World—1000 Times Superior to Current Systems," or is it an overblown puffer fish? Such thoughts crossed my mind as a young, computer-happy Devialeter, standing behind a curtain, fed techno music to the Phantom ($1990) and Silver Phantom ($2390), whose side panels in turn pumped in and out as it flooded a large suite in the Mirage with the driving beat of increasingly loud music that, if pumped through the water, might lead a poor puffer to puff its last.
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Jason Victor Serinus Posted: Jan 17, 2015 0 comments
With its forthcoming BHK Signature 250 amplifier ($7500), PS Audio's Paul McGowan (above) has stepped outside his own self-imposed price point box. By inviting his longtime friend and colleague, Bascom H. King (Constellation, Infinity, Infinity class-A, Conrad-Johnson, and Marantz), to create his magnum opus without regard to price, his goal was to make, in his own words, "one of the top five amplifiers in the world."
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Jason Victor Serinus Posted: Jan 17, 2015 0 comments
"What kills me is that in my own showroom I have the same Wilson Alexia loudspeakers that Nagra is using, but they sound better in their set-up, and they aren't even using room treatment," lamented a retailer whose identity shall forever remain unspoken. What better compliment can one pay to Nagra's forthcoming HD amplifiers?
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Jason Victor Serinus Posted: Jan 17, 2015 8 comments
Photo: John Atkinson

On one level, this was just "another CES." The barrage of humanity, traffic, flashing lights, cigarette smoke, hawkers, gawkers, noise masquerading as music, and the ever-present Las Vegas Strip above was such that, as I entered the Venetian on the last day, all I could think of was the promise that, before the night was over I would be back amongst the trees, silence, and rejuvenating peace of our home...The Age of the Audiophile is far from over. As CES 2015 has made abundantly clear, the show may be over, but the fun has just begun.

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Jason Victor Serinus Posted: Jan 17, 2015 0 comments
In the first system to which I took a serious listen at CES, Alon Wolf could have made no more major a statement than by pairing his Magico Q7 loudspeakers ($185,000/pair) and new active QSub-18 ($36,000) with Soulution 701 monoblock amplifiers ($150,000/pair), Soulution 720 preamp (discontinued—the current 725 line stage is $50,000), Berkeley Audio Design Reference DAC ($16,000), Baetis Audio music server, Vovox cabling from Switzerland, Magico MRack ($50,000), and superb Magico QPOD equipment supports.

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