Jason Victor Serinus

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Jason Victor Serinus  |  Sep 21, 2022  |  22 comments
The text, from Gary Bruestle, a speaker-positioning wizard at Definitive Audio in Seattle, left my mouth watering: "Have you heard the Apex version of a Rossini or Vivaldi yet? It's stunningly good. Addictive, even. ... I usually have a hard time relaxing and listening to music in the showroom, but the Rossini Apex DAC had me in its thrall for a few hours yesterday."
Jason Victor Serinus, Stephen Francis Vasta  |  Sep 09, 2022  |  7 comments
Prism IV: Bach, Beethoven, Mendelssohn, Mahler: Symphony No.4, Žibuoklė Martinaitytė Ex Tenebris Lux and Consolations: Music by Bach, Chopin, Dushkin, Handel, Kreisler, Liszt, Massenet, and others.
Jason Victor Serinus  |  Aug 26, 2022  |  67 comments
When I was a young man, blind dates were always laced with anxiety. (Proms were even worse. Once, when I arrived in a rented tux and my father's prized dress gloves, my date's father ordered me to take out the trash.)
Kurt Gottschalk, Jason Victor Serinus, Stephen Francis Vasta  |  Aug 12, 2022  |  4 comments
Shiva Feshareki, Daphne Oram: Turning World, Mari Samuelsen: Lys, Maurice Ravel: Concertos Pour Piano, Mélodies, Shostakovich: Symphony No.11 and Various Artists: Creation.
Jason Victor Serinus  |  Aug 05, 2022  |  First Published: Aug 07, 2022  |  4 comments
One more straggling post from the Pacific Audiofest: As indicative of the New York / West Coast melting pot, internationalism was the bottom line in a system assembled by Bob Vineyard, proprietor of Rhapsody Out West's Portland, Oregon showroom.
Jason Victor Serinus  |  Aug 05, 2022  |  0 comments
The email read, in part, like an equipment list with Herb Reichert's name on it. The room had one raison d'être: to showcase Pure AudioProject's Trio15 Classic open-baffle speaker ($9740/pair), which includes a Voxativ AC-PiFe wooden-cone center driver and three 15" woofers custom-manufactured for PureAudioProject by Eminence. To do so, Ze'ev (Wolf) Schlik paired his speaker with Pass Labs' INT-25 integrated amplifier ($7500) and XP-17 phono preamp ($4300), the Denafrips Terminator Plus DAC ($6400), and VPI Industries' Avenger turntable ($12,000) with Shyla cartridge ($2000).
Jason Victor Serinus  |  Aug 05, 2022  |  0 comments
Of the two systems in Parasound's large room, time only allowed a listen to the big one. Given that room's entire front wall was composed of outward-facing glass, Parasound's Phil Jackson had no choice but to opt for heavy draping that, as with all heavy draping, nipped depth in the bud.

I initially typed "death" rather than depth. Whatever that may say about my own internal preoccupations, it does not reflect on the core of the system's sound, which was gratifying alive without being hot or splashy.

Jason Victor Serinus  |  Aug 05, 2022  |  2 comments
If any company's sonic signature has changed from the first time I encountered it, it's Dan Wright's ModWright. While Dan still does tube modifications to products from other companies—his Cambridge CXN V2 Tube Modification ($1500/mod only) to the Cambridge DAC was part of the show system—the KWH225i class-AB Hybrid Integrated ($9750), PH9.0X Tube Phono Stage ($4750), and world debut Analog Bridge (maybe $2900/TBD) are 100% ModWright.
Jason Victor Serinus  |  Aug 05, 2022  |  2 comments
As at T.H.E. Show in Long Beach, I was smitten by the round, colorful, and illumined sound of Thrax Spartacus 300B monoblocks ($97,500/pair). Seduced, won over, serenaded into submission. And then some.
Jason Victor Serinus  |  Aug 05, 2022  |  4 comments
How does anyone adequately and fairly evaluate a first-time audio show in a new location? Especially when it's handicapped by unusually hot, mid-90º weather and yet another COVID surge that was accompanied by admonishments to mask up indoors?

First, I rejoice that the show brought together so many old friends in such a convivial manner. A case in point: Marjorie Baumert, head of the former Rocky Mountain International Audio Fest (left above), headed west from Denver to support show organizers Gary Gill (right above) and Lou Hinkley (hard at work elsewhere) as volunteer coordinator. With such heart helping to guide the operation, the feeling in rooms and hallways was as positive as it gets.

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