Through the excellent Kingsound KingIII electrostats ($14,995/pair), Hegel H30 350Wpc amplifier ($15,000), Purity Audio Design new Reference class-A balanced linestage preamplifier ($10,995), Purity Audio Design Harmonia 300B tube buffer ($5500), M2Tech's new Young DSD/DCD DAC ($1699), Trigon CD II ($4250), and Dana Cables, music sounded very smooth but somewhat damped on top. A tenor sax sounded especially warm and inviting.
"Is this the same company whose A/D converter Jared Sacks of Channel Classics raves about?" I asked. When Bill Parish of GTT Audio & Video answered yes, I understood why. Grimm's LS1s three-way speaker system ($39,900/pair), which manages to fit hi-res ADC/DACs, a CC1 clock circuit, six amplifiers, DSP processor, integrated bass modules, cables and more into the two speaker cabinets pictured in the photo, is a virtually complete system that calls only for a source. In this case, the LS1s joined forces with a PC running JRiver Media Center and Kubala-Sosna power cords to produce gorgeous layering and tonality on Sacks' unedited DSD master of a Brahms Hungarian Dance.
With a name like Lampizator, as in Lukasz Fikus' "Audio from Poland with Love," who wouldn't be intrigued? The good news is, even paired with Vapor Audio's day-old Derecho loudspeakers ($7600/pair), which Ryan Scott builds behind his house in Hot Springs, MO, Lampizator's Level 7 DAC ($9650) and SQBX Based transport ($2650), Purity Audio's Silver Statement preamp ($35,000) with ultra power supply, and PSE300B 18W monoblocks ($26,000/pair with Sophia Electric 300B tubes), and Verastar cabling won me over with their beautiful sound.
Released in early April, Channel D's Pure Vinyl 4.0 ($299, or $139 for previous users) enables you to easily split tracks via automation. Rob Robinson (above) describes it as "a major upgrade in usability. We've smoothed the rough edges and made it easier to use, while retaining the same sound." (The list of at least 25 improvements takes up a full sheet.) The software also has a built-in crossover time-alignment feature for time alignment of subwoofers, thereby enabling the sounds of main speakers and subs to arrive at your ear at exactly the same time with maximum impact and slam.
Clayton Shaw, who designed Emerald Physics loudspeakers and founded the company, returned last year with Spatial Audio loudspeakers. The Spatial Hologram M2 standard ($1995/pair) contains a new Hologram Circuit, and is a completely passive, analog, high-efficiency, open-baffle speaker. Each baby contains two 12' mid/woofers and one coaxially mounted compression driver. Designed to eliminate floor bounce, it claims not to need DSP or bi-amping.
For the second year in a row, a fire alarm sounded in the middle of AXPONA's busiest afternoon. Although it seems that the warning didn't reach all floors, it sent some who did hear it scurrying. In my case, that meant grabbing my heavy jacket, computer, computer glasses, camera and monopod, and complete collection of show literature and notes and trudging down seven flights.
Since my focus was on new product introductions other than analog, which are being covered by Mikey Fremer on AnalogPlanet.com, all I'll say about the new Kronos Sparta turntable ($21,500) with Helena tonearm and AirTight PC-1 cartridge ($34,500 total) is that they sure sounded great in the context of the rest of GTT's system.
I've always admired the late Randy Bankert's Sonist Audio 3 loudspeakers. But now that the entire line, including the new Sonist Recital 2 bookshelf loudspeakers ($1895/pair), which are based on the Recital 3 have been upgraded with Snake River Audio internal wiring, their sound is exceptional for the price. The pairing with de Havilland's Mercury preamp and 50A monoblocks was a winner. I've always thought of the sound of Kara Chaffee's superb electronics as somewhat dark, but this presentation was quite illumined, colorful, and satisfying.
I expected this system to wow, and wow it did. As if to up to ante after presenting the US consumer show debut of Wilson Audio's supremely musical Sasha Series-2 loudspeaker, Paragon Sight and Sound's next room paired Dan D'Agostino Master Audio Systems' new Momentum integrated amplifier ($45,000) and, on other occasions, D'Agostino's Momentum monoblock amplifiers ($55,000/pair) and Momentum stereo preamplifier ($32,000) with the four-piece dCS Vivaldi stack ($108,496 total), Wilson Audio Alexia loudspeakers ($48,500/pair), a costly amount of Transparent Reference cabling, and HRS equipment stands.
The second showing of the Magico S3 loudspeakers ($22,600/pair), courtesy of Musical Surroundings and Chicago’s Quintessence Audio, palled them up with Pass Labs’ beautiful sounding XA100.5 monoblocks ($16,500/pair), XP30 linestage preamplifier ($16,500), HRS racks, and Kubala-Sosna Emotion cabling. Heard through a Clearaudio Ovation turntable with AMG 9W2 tonearm and AMG Teatro MC cartridge ($10,850 total), tonalities were gorgeous and warm. The strings on the Reference Recordings Minnesota Orchestra rendition of Richard Strauss? Dance of the Seven Veils from the opera Salome were to die for.