It's "T plus A," not "T and A," I was told of the 35-year old German company whose products Dynaudio first began importing into the US three years ago. Supplying bright, incise sound, great bass, and really impressive dynamics was a full HV (High Voltage) Series Reference System that paired T+A's new A 3000 HV Reference power amplifiers ($37,000/pair), complete with new PS 3000 HV power supply upgrades for the A 3000 HV ($25,000/pair), with the new P 3000 HV Reference preamplifier ($15,000), MP 3000 HV CD transport/DAC/streaming client ($13,500), and new Solitaire CWT 1000 SE loudspeakers ($50,000/pair). Transparent Audio cabling enabled the system to deliver all it can.
In all my years of evaluating audio systems, I have never heard a more mesmerizing, realistically air-filled soundstage than that created by pairing VTL electronics with the recently reviewed Wilson Audio Alexia loudspeaker ($48,500/pair). Wishing to start my CES adventures on a positive note, I thus headed to the VTL room on the Venetian's 30th floor, where VTL's TP-6.5 Signature phono preamplifier MC Step Up ($10,500), new TL-6.5 Series II Signature line preamplifier ($13,500), and S-400 Series II Reference stereo amplifier ($33,500) sang with the Alexias, Transparent Opus MM interconnects and speaker cables, and Nordost Odin power cables. With the sources the superb Spiral Groove SG1.1 turntable with Centroid tonearm ($31,000) outfitted with Lyra Etna cartridge ($6995), a MacBook Pro running Audirvana, and dCS Puccini and U-Clock ($24,498), I was greeted by beautiful, extremely liquid, transparent, and, yes, remarkably airy sound that drew me deep into the music.
Although several of the biggest high-end PR firms didn't make it to CES 2014, Lucette and John Nicoll of Nicoll Public Relations were very much in evidence. Virtually every member of the press knows Lucette, because she's the person in the press office at T.H.E. Show Newport Beach. Given that her company also represents 14 brands, including Bowers & Wilkins, Classé, Clarus, Meridian, and Rotel, it's no wonder the couple was smiling.
In a marked reversal of brick and mortar decline, Tone of Music Audio became the second high-end audio retailer to open its doors in San Francisco within the last year or so. Ideally situated in the heart of trendy Noe Valley, at the busy intersection of Castro and 24th Streets, the store's combination of major brands and personable service bodes well for the future of "high-performance" audio in Northern California.
The idea was as cute as the chapeaux that Antonio Long, Randy Johnson, and Marlen Kirby (from left to right in photo above) invariably sport at AudioVision SF. Schedule a public demo on November 14 with two French manufacturers, Triangle Loudspeakers and Devialet, and call it "French Fries." Then, however, reality intervened, and an evening that included debuts of two products, Triangle's Signature line Alpha loudspeakers and Nordost's Sort Füt Premium Kit, morphed into a Franco-American feast complete with Norwegian-American trimmings.
The long-anticipated opening of Brian Berdan’s high-performance audio store, Audio Element, took place on November 1 and 2 in Pasadena, CA. The store’s prime location in the heart of Pasadena’s retail- and restaurant-rich Oldtown helped sweeten the unveiling of America’s newest high-end emporium.
Thanksgiving will mark two years since Charles died. I still miss him.
I first met Charles in the 1990s, around the time I began to review recordings and audio equipment. I had just left my apartment and was driving slowly down the street when I spied a somewhat bent-over, wizened-looking man carrying a copy of Stereophile under his arm. My astonishment at discovering another Stereophile reader whom, it turned out, living just two buildings away, brought my car to a sudden halt.
For some, the Toronto Audio Video Entertainment Show (TAVES 2013) is the show of the future. For others, it may signal a possible decline in the supremacy of two-channel audio. Either way, just two weeks after RMAF in Denver, with hardly any space between Stereophile's comprehensive coverage of that major two-channel show, TAVES 2013 takes place November 13 in the classy King Edward Hotel in downtown Toronto.
“It’s all on this USB stick,” declared digital genius and Wavelength mastermind Gordon Rankin, as he pressed lots of data into my hand. Once accessed, I learned that I had enjoyed a MacBook Pro Retina 15 16G-RAM/480G-SSD connected via Thunderbolt to a 4T library; Wavelength’s battery-powered Crimson + Denominator DAC ($9000) connected to the computer via an AudioQuest Diamond USB; Wavelength’s new Europa analog/digital preamplifier ($7500) with ESS ES9018 DAC chip, network support, three analog inputs, and either Ethernet or WiFi remote; Wavelength’s new all-silver Napoleon 300B amplifiers; Vaughn’s new Plasma loudspeakers ($15,000/pair, or $20,000/pair for the signature series w/upgraded power and MagneQuest custom modulation transformers); and Audioquest’s Sky interconnects and Redwood speaker cables.
Resonessencewhat a great name for the equipment that closed out my three days of blogging RMAF 2013. Happily it sounded really good as well, especially when JA pointed out that the reason this simple system’s top at first seemed rolled off was because the only way to align our ears with the tweeters of the 20-year old, unusually short B&W mini-towers was to either crouch way over or kneel on the floor.