Jason Victor Serinus

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Jason Victor Serinus Posted: Oct 16, 2007 57 comments
Garth Leerer sure knows how to make a vocal lover happy. As soon as he spotted me entering the Musical Surroundings room, the Oakland-based distributor chose to demonstrate the supreme musicality of the Musical Surroundings’ "Audio Unlimited" system by playing an LP of mezzo-soprano Janet Baker. Recorded in her prime, and sensitively accompanied on piano by the great Gerald Moore, Baker began singing a grief-stricken Schubert song. To say I was blown away by the intensity of her expression, the beauty of her voice, her daring to sing with such naked emotion, and the system's ability to capture and integrate all the different colors and shadings of her instrument only begins to tell the tale. I was transfixed.
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Jason Victor Serinus Posted: Oct 16, 2007 0 comments
Aerospace engineer James M. Harrell, Jr. debuted his Jumping Cactus Loudspeakers at RMAF 2007. Only available from jumpingcactusloudspeakers.com, these tri-amped, 120lb loudspeakers are housed in sealed aluminum cabinets that feature a Bubinga wood front panel. The speakers are said to have a high measured sensitivity of 94dB. With a frequency range of 65Hz–20kHz., a subwoofer is recommended. The speakers also come with an active XM44 4-way crossover by Marchand Electronics.
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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 5 comments
It was 5:30 p.m. on Saturday. As Day Two was coming to a close, this sleep-deprived audiophile determined to end the day on a high note. Ah, the Cary/Dali room. That's sure to be a winner. Thank God, it was.
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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 12 comments
Mark Schifter is well on his way to becoming a legendary figure in high-end audio. From his small-box, low–price-point Audio Alchemy and Perpetual Technology components, Mark has gone on to found one of the first genuine bargain high-end websites, AV123, and build speaker cabinets for many major players. Here he stands next to one of his extremely fine-sounding, amazingly low-priced speakers and subs, all sourced from renewable forests and finished with eco-friendly veneers.
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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 5 comments
Mark Schifter and Walter Liederman of AV123 continue to blow my mind. To their astoundingly low-priced line of quality loudspeakers, only available through the AV123 website, they have added two large loudspeakers from GR Research. Designed by Danny Richie, who previously designed the Epiphany Loudspeakers and is now redoing the crossovers in the Ushers—I am told that Wes Phillips will be reviewing one of Danny’s Usher make-overs for Stereophile—Danny is shown standing next to the GR Research LS6. Priced at $4500/pair, the speakers feature eight 6.5” woofers and six planar magnetic drivers. The LS6 not only boasts a 20Hz–20kHz frequency response, but also features bass drivers that are adjustable according to what the room and system can handle.
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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 1 comments
Walter Liederman and Danny Richie next showed me the mammoth LS9 (named for its nine planar magnetic drivers). Priced at an unbelievable $6000/pair considering their size and complexity, the LS9s were coupled with Al Stiefel's fine Red Rock Audio 50Wpc Renaissance Monoblock amplifiers ($39,750/pair), Red Rock prototype preamplifier, Abbingdon Music Research CD-77 player ($8500), Grand Prix Audio Monaco turntable ($19,500), and Red Rock Audio cables. Components were supported by the Monaco Modular Isolation Rack ($4750) and Monaco Amplifier Isolation System ($1499). Grand Prix designer Alvin Lloyd says of these plexiglass shelf stands, "I will argue that our stands are the most efficient and highest-performing isolation products in the industry."
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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 1 comments
Driven by the Triode Corporation Japan's TRV-M300SE 20W 300B parallel single-ended monoblocks ($4199/pair) and TRV-4SE tube preamp ($1799), and fed by a very-slow-to-cue dCS SACD player, the Cain&Cain Wall-O-Sound (W3) ($3300), designed by Gordon Rankin of Wavelength Audio, did a superb job reproducing the true timbre of a piano. Throwing a huge soundstage, with wonderful height and depth, this little system had me writing "really beautiful" in my notebook.
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Jason Victor Serinus Posted: Oct 14, 2007 0 comments
Ayre and Vandersteen are two companies whose products have achieved an enviable reputation for excellence. I was, in fact, blown away by my listening experience in the Ayre room at RMAF 2006, and looked forward to an equally enveloping experience this year.
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Jason Victor Serinus Posted: Oct 14, 2007 3 comments
I've always wanted to hear Harbeth loudspeakers, but never before had the opportunity. All I knew about them was that they were quintessentially English, whatever that was supposed to mean.
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Jason Victor Serinus Posted: Oct 14, 2007 2 comments
Although he looks a bit burned from being asked to play one too many Columbia LPs, whose harsh string tone belies the myth that vintage analog recordings are de facto superior to CDs, Dan Meinwald has a lot to be happy about. The EAR Acute CD player ($5900), 890 Primary Drive 70W stereo amp, 868 preamp complete with phono stage ($6900), Discmaster turntable ($20,000 without tonearm), Dynavector XVIS cartridge, and debut 3-way, open-baffle dipole loudspeakers ($7000/pair—also available in a larger model) were creating a wonderful, magical soundstage on Stokowski’s monumental recording of Smetana’s The Moldau. It’s no wonder that so many dedicated audiophiles continue to be seduced for life by EAR’s vaunted sweetness and bloom.

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