Jason Victor Serinus

Sort By: Post Date | Title | Publish Date
Filed under
Jason Victor Serinus Posted: Oct 22, 2006 2 comments
It's hardly news to see Moscode’s 401HR 200Wpc hybrid amplifier ($4995, factory-direct price until January 1) heaped with praise. But let me tell you, after walking in and out of countless rooms powered by single-ended triode amplification that got some things right while they pretended others simply didn’t exist, encountering Moscode’s full-range sound was tantamount to setting foot on terra firma. Mated with Joseph Audio RM33LE speakers ($10,500/pair) and Cardas Golden Reference cabling, the configuration had me smiling. Three cheers to the show attendee who played the song about pay phones by the Hunger Mountain Boys.
Filed under
Jason Victor Serinus Posted: Oct 22, 2006 2 comments
Peter Ledermann, former Director of Engineering at the Bozak Corporation and winner of numerous IBM awards, has spent the last 16 years developing the Soundsmith Corporation product line. Amplifier, preamplifier, phono cartridges, and now speakers—Soundsmith has it all. Available factory-direct from the Soundsmith website, the Strain Gauge cartridge and preamp and just-introduced loudspeakers especially caught my ear. The most expensive speaker, the Mantis 300, lists for $5800/pair and is equipped with dual 10" high-power woofers, a 6" long-throw midrange unit, and "zero diffraction," time-aligned 1" tweeters. Specs include 42Hz–22kHz frequency range and 91dB sensitivity. All speakers include amplifier clipping indicators and tweeter protection circuitry. Next January or so promises a $3800, 100Wpc integrated amp. This is exceptionally fine-sounding gear, a must hear for vinyl lovers.
Filed under
Jason Victor Serinus Posted: Oct 22, 2006 0 comments
My photo of the system in the Acoustic Sounds room featured the Manley Labs Snapper monoblock amplifiers. This was the system front-end, comprising (from top to bottom): Funk Firm Vector Turntable with MK3 tonearm and Lyra Dorian phono cartridge; Sutherland Direct Line Stage; Sutherland's new battery-powered Ph3D phono preamp; and Silver Circle Audio Pure Power One 5.0 power transformer. Rack is the Symposium Acoustics Isis.
Filed under
Jason Victor Serinus Posted: Oct 22, 2006 0 comments
Having read and heard copious praise of the two-chassis Metronome T2i-Signature CD player ($20,600), at times accompanied by claims that it can make CDs sound as good as SACDs reproduced in two-channel mode, I was eager to hear the new one-piece Metronome CD5-Signature player, distributed in the US by Jim Ricketts of tmh audio (above). The CD5-Signature, whose somewhat plain Jane appearance conceals both a tube output stage and variable volume control that can obviate the need for a preamp, retails for a "mere" $18,000. Introduced at the RMAF, it was powered by borrowed-at-the-last-minute Boulder monoblocks feeding Zerobox 109 loudspeakers (40Hz–35kHz response for $7500/pair) via Xindak cabling.
Filed under
Jason Victor Serinus Posted: Oct 21, 2006 2 comments
Rapidly approaching the staggering state observed among inveterate show attendees on Friday evening, I stumbled upon the debut of Duke Lejeune’s $4000/pair Jazz Modules. Note that the speakers were not intended specifically for jazz; the name came to Duke in a dream as he was preparing to graduate from amateur speaker builder to fledgling audiophile professional. With a claimed sensitvity of 92dB, the speakers extend from the upper 30s to about 17.5kHz. Port tuning is changeable according to listening position. Even with only two days of break-in—the woofers require several hundred hours to sound their best, Duke told me—the speakers threw a huge soundstage, and sounded remarkably full, warm and luscious in the midrange, I felt.
Filed under
Jason Victor Serinus Posted: Oct 21, 2006 1 comments
I confess. There’s a special place in my heart for Kara and George of deHavilland. Happily, the sound of their GM-70 amps and Mercury preamp deserves equal praise. Beautiful and mellow on the right music, with a simply lovely core to the sound, deHavilland electronics were sounding quite fine with Wilson Benesch ACT speakers, Audio Aero Prima CD player, Cardas Golden Reference cabling, and Custom Isolation Products. The Torus sub may have been connected, but it was being overly polite. Perhaps the Sonic Fusion speakers paired with deHavilland at T.H.E Show in January 2006 offered richer sound, but there was plenty to love here as well. I’d love to return to this set-up with some decent power conditioning in place.
Filed under
Jason Victor Serinus Posted: Oct 21, 2006 0 comments
In a room tuned and focused by a fascinating assortment of diminutive Acoustic Resonators, Behold's modular electronics and Ascendo's loudspeakers offered a great sense of air and depth, albeit with an at times oversized sense of proportion on the Reference Recordings Rachmaninoff Symphonic Dances. Ralf Ballmann, designer of the Behold audiophile product line, assures me that the name Behold was not chosen for its biblical connotations. The line was first introduced at CES 2004, and is now distributed by Behold USA of New York. The preamp-to-amp connection is accomplished by a narrow, unobtrusive 50 ohm cable that ranks high for spouse acceptance factor. I’d love to hear this system in larger quarters.
Filed under
Jason Victor Serinus Posted: Oct 21, 2006 1 comments
The combo of Einstein NK60, 60W OTL monoblocks, Einstein The Tube preamp, Electric CDP7T Mk.II CD player, Adept Response power conditioning, A Cappella High Violin Mk.III horn speakers and cabling mated mellow, warm, nurturing sound with a lovely, sweet presentation. Playing the Ebony Wind Band’s take on the music of Silvestre Revueltas, the sound was especially beautiful and airy. Although not the greatest in the slam department, this system was not afraid of open, high extension. It also presented the midrange in correct proportion, which is no mean feat.
Filed under
Jason Victor Serinus Posted: Oct 21, 2006 0 comments
I’ve eagerly awaited the opportunity to hear APL Hi-FI’s NOW-2.5, the no-hold-barred, top-of-the line model in their frighteningly named New World Order series of Universal Players. A redesigned Esoteric UX-1, featuring a 6H30 dual-tube output stage, the $21,000 unit threw an exceptionally three-dimensional soundstage mated with the ESP Concert Grand S1 speakers and Shoreline 300 monoblocks. My sense, however, is that the unit is capable of offering far more than what I was able to hear in the Show setting. With the assistance of Alex Peychev’s new Service Manager, Brent Rainwater, I look forward to eventually auditioning the NOW-2.5 in my reference system.
Filed under
Jason Victor Serinus Posted: Oct 21, 2006 1 comments
In a room tuned and focused by a fascinating assortment of diminutive Acoustic Resonators, Behold's modular electronics and Ascendo's loudspeakers offered a great sense of air and depth, albeit with an at times oversized sense of proportion on the Reference Recordings Rachmaninoff Symphonic Dances. Ralf Ballmann, designer of the Behold audiophile product line, assures me that the name Behold was not chosen for its biblical connotations. The line was first introduced at CES 2004, and is now distributed by Behold USA of New York. The preamp-to-amp connection is accomplished by a narrow, unobtrusive 50 ohm cable that ranks high for spouse acceptance factor. I’d love to hear this system in larger quarters.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading