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Jason Victor Serinus Posted: Oct 16, 2014 8 comments
The big news—the really big news at RMAF—was the "before winter" US launch of five-year old Tidal of Oslo's full CD-quality, (lossless 1411kbps) music streaming service. Demonstrated in a fine sounding room with Electrocompaniet equipment, the sound was convincingly good when we cued up a track from pianist Leif Ove Andsnes' recording of Beethoven's "Emperor" Concerto. (More on the sound in another blog, where Hegel was using Tidal's service to source music for their room.)
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Jason Victor Serinus Posted: Oct 16, 2014 0 comments
GoldenEar's Sandy Gross may be an audio legend of sorts, but it was not until the last day of RMAF 2014 that I finally met the man and discovered two things: 1) His Triton One loudspeakers ($4998/pair) are amazing-sounding, especially given their price, and 2) He is an absolutely delightful individual.
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Jason Victor Serinus Posted: Oct 15, 2014 0 comments
My biggest surprises at RMAF were delivered by lower-priced systems that sounded mind-blowingly good. One of the biggest delights came from the new Emerald Physics EP-X three-way dynamic dipole loudspeakers ($1795/pair, or $2595/pair in the marbleized Rosewood finish shown in the photo). These small floorstanders, which were designed by Mark Schifter in collaboration with Dan Mullins, have a sensitivity of 93dB, and an amazing frequency range of 34Hz–20kHz. Shown at T.H.E. Show in prototype form, they made their formal production debut at RMAF.
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Jason Victor Serinus Posted: Oct 15, 2014 7 comments
For John Atkinson, Michael Fremer (above, eating up a rare platter), and myself, RMAF 2014 ascended to a higher dimension with the opportunity to compare pristine pressings of three tracks on original Beatles stereo LPs with their mono equivalents in the new Beatles mono box set. To say that the stereos, which were provided by music lover Shane Buettner of Brinkmann USA and Vandersteen, paled before mono remasters is an understatement. The stereo tracks sounded like a hack job embarrassment.
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Jason Victor Serinus Posted: Oct 12, 2014 4 comments
When I entered room 1102, Greg Roberts of Volti Audio was in the midst of describing the Volti Audio 3-way Vittora system, complete with separate Extended Low Frequency cabinet ($25,000/five-piece set) that kicks in below 50Hz. In the familiar pairing with BorderPatrol Audio Electronics' S20 ESC + EXS dual-mono parallel 18Wpc SET amplifiers ($25,750/pair with new EXS power supply units), EXT1 triode line stage ($12,500), and USB DAC ($975); and Triode Wire Labs cabling, the system scored as another midrange winner . . . perhaps too much of a winner for some tastes, given that the exceptionally smooth midrange seemed to dominate the frequency extremes.
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Jason Victor Serinus Posted: Oct 11, 2014 3 comments
Anyone who thinks the high-end is on its last legs need only have passed the registration table for Rocky Mountain Audio Fest 20 minutes before the show officially opened. The lobby was mobbed, with the line literally going out the front door of the Marriott Denver Tech Center. Nor were these folks just from Colorado. On my first trip up the Tower elevator, I confirmed that my fellow passengers were audiophile visitors—not industry people—from Oregon and New Jersey.
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Jason Victor Serinus Posted: Oct 06, 2014 1 comments
Could it only be the 11th time the annual Rocky Mountain Audio Fest has welcomed thousands of audiophiles to Denver? The three-day gathering, which takes place Friday, October 10–Sunday, October 12 at its comfortable location, the Marriott Denver Tech Center, has become such an essential part of the international audio scene that it feels like it's been here forever.
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Jason Victor Serinus Posted: Sep 29, 2014 0 comments
Come Wednesday evening, October 1, at 7:30pm EDT, jazz lovers throughout the greater New York City environs—that includes Brooklyn—will flock to Jazz at Lincoln Center to groove to triple Grammy-nominated composer/pianist David Chesky's quintet, Jazz in the New Harmonic. Folks unable to join Stereophile editor John Atkinson and others in the audience for the first show, or the second at 9:30pm, can listen to a live stream of the initial set here.
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Jason Victor Serinus Posted: Sep 22, 2014 26 comments
It may be just a subway ride away from the biggest Apple, but to some inveterate Manhattanites, an audio show in Brooklyn sounds like it's from another planet. In reality, the third New York Audio Show, which opens to the public on Friday, September 26 at 2pm and continues through Sunday, September 28 at 5pm, takes place at the Marriott at the Brooklyn Bridge, just a short distance across the East River from Manhattan.
Jason Victor Serinus Posted: Sep 20, 2014 9 comments
Move over John, George, Ringo, and Paul. There's another remastering that's come on the scene, and it's every bit as important as the Beatles Mono Edition. It's Warner Classics' high-resolution, 24/96 digital remastering of soprano Maria Callas' entire studio-sourced discography. Consisting of arias, recitals and complete operas recorded 1949–1969, the remasterings reach the international public on September 22, and US music lovers on September 23. Their sound, whether in the 69-CD box set of her entire studio recordings, or HDtracks' 24/96 downloads of its individual components, is revelatory.


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