Nothing can beat starting off a morning in a state of grace. That's how it felt when Garth Leerer of Musical Surroundings warmed up the new Clearaudio Concept turntable ($1400) with Borodin's Quartet No.2, appropriately performed by the Borodin Quartet and reproduced on an immaculate Decca pressing. The sound was warm, liquid, and eminently pleasing - everything I would want from good vinyl reproduction.
I was real excited to hear the advanced prototype of the new the SMC-1, a fully balanced linestage preamp collaboration between Steve McCormack and Gary Koh of Genesis. The preamp will come in two versions, the higher-priced of the two probably coming in around $8000. For the extra money, you get higher quality parts and a different sonic signature, which amounts to quite a lot.
Irresistible warmth in the midrange. It's not what you usually associate with digital, but it's the only way to describe digital reproduction in the EAR USA room. Auditioned were the EAR Acute CD player ($5495), EAR 509 monoblocks ($14,000), and EAR 912 preamplifier ($11,500), played through the brand-new Marten Getz loudspeakers ($20,000/pair) and connected by Jorma Origo cabling. The new Marten Getz, part of the Marten Heritage series and seen hear in JA's photo with EAR's legendary designer Tim de Paravicini, is a three-way model that combines an active and passive woofer in a single box. The Getz boasts 87dB sensitivity, and a frequency response that extends from 30Hz (3dB) up to 40kHz.
If anyone could possibly bewitch me, it's Ella Fitzgerald. I found it impossible to resist her spell as she sang "Bewitched, Bothered and Bewildered" through the wonderful pairing of Karan Acoustics' KA L Ref MK2 line preamplifier ($17,500) and KA S 180 stereo power amplifier ($9700), Zanden Model 2500 Signature CD player ($20,000), Finite Elemente racks, Cardas Clear cabling, and new Avalon Acoustics TIME dynamic loudspeaker system with new diamond tweeter, ceramic mid, and two 11" Kevlar woofers ($47,000/pair). This system's intimacy, midrange warmth, and complete lack of barriers beckoned me deeper into the magic of Ella's delivery. Wonderful.
I've been a major fan of Echole Obsession cabling ever since hearing it paired with Kaiser Kawero loudspeakers at RMAF 2008. With those marvelous babies lamentably absent, here it was paired with a loudspeaker new to me, the towering, 500 lb Tidal Sunray ($178,600/pair), whose 6'8" designer, Jörn Janczak, is equally imposing.
At the last few Nordost demos I've witnessed, I've been amazed by the huge soundstage, deep bass, and tonal accuracy produced by Raidho's diminutive C-1.0 loudspeakers. Imagine my surprise when I learned that this little speaker, no larger than many a bookshelf design, lists for $18,000/pair. Then again, it produces a fuller, larger, and more coherent image than many a full-range floorstander of comparable price. It also has a pretty even 6 ohm impedance, and is said to be very tube friendly.
God, how I love mbl's demos. Their rooms at RMAF have been major highpoints of the last two shows for me, and their exhibit at CES 2010 is just as fine. There was an incredible warmth and inner glow to the midrange, a tremendous presence and clarity to the sound of cymbals, just the right weight to an electric bass, and a wonderful transparency throughout the range that made me want to stay forever.
I timed my arrival in Las Vegas for early afternoon on Wednesday, the day before the Consumer Electronics Show opened, so I'd have enough time to get from Stereophile staff's little of island of sanity in the smoke-free, gambling-free Hyatt Place Las Vegas to press registration at the mammoth Las Vegas Convention Center (LVCC). The traffic was considerably lighter than during the show, the lines for registration much shorter than I would have encountered on opening day.
When I entered the Nordost room, Roy Gregory and Lars Kristensen of Nordost were in the midst of preparing a demo of their Foundation Theory. Although the literature on the theory, which should be available on Nordost's website, consumes five small-print pages, the basic theory boils down to this: consistency in your brand of cabling, whatever the brand may be, produces greater rewards than mixing different lines of cabling.