Jason Victor Serinus

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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 1 comments
Walter Liederman and Danny Richie next showed me the mammoth LS9 (named for its nine planar magnetic drivers). Priced at an unbelievable $6000/pair considering their size and complexity, the LS9s were coupled with Al Stiefel's fine Red Rock Audio 50Wpc Renaissance Monoblock amplifiers ($39,750/pair), Red Rock prototype preamplifier, Abbingdon Music Research CD-77 player ($8500), Grand Prix Audio Monaco turntable ($19,500), and Red Rock Audio cables. Components were supported by the Monaco Modular Isolation Rack ($4750) and Monaco Amplifier Isolation System ($1499). Grand Prix designer Alvin Lloyd says of these plexiglass shelf stands, "I will argue that our stands are the most efficient and highest-performing isolation products in the industry."
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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 1 comments
Driven by the Triode Corporation Japan's TRV-M300SE 20W 300B parallel single-ended monoblocks ($4199/pair) and TRV-4SE tube preamp ($1799), and fed by a very-slow-to-cue dCS SACD player, the Cain&Cain Wall-O-Sound (W3) ($3300), designed by Gordon Rankin of Wavelength Audio, did a superb job reproducing the true timbre of a piano. Throwing a huge soundstage, with wonderful height and depth, this little system had me writing "really beautiful" in my notebook.
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Jason Victor Serinus Posted: Oct 14, 2007 0 comments
Ayre and Vandersteen are two companies whose products have achieved an enviable reputation for excellence. I was, in fact, blown away by my listening experience in the Ayre room at RMAF 2006, and looked forward to an equally enveloping experience this year.
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Jason Victor Serinus Posted: Oct 14, 2007 3 comments
I've always wanted to hear Harbeth loudspeakers, but never before had the opportunity. All I knew about them was that they were quintessentially English, whatever that was supposed to mean.
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Jason Victor Serinus Posted: Oct 14, 2007 2 comments
Although he looks a bit burned from being asked to play one too many Columbia LPs, whose harsh string tone belies the myth that vintage analog recordings are de facto superior to CDs, Dan Meinwald has a lot to be happy about. The EAR Acute CD player ($5900), 890 Primary Drive 70W stereo amp, 868 preamp complete with phono stage ($6900), Discmaster turntable ($20,000 without tonearm), Dynavector XVIS cartridge, and debut 3-way, open-baffle dipole loudspeakers ($7000/pair—also available in a larger model) were creating a wonderful, magical soundstage on Stokowski’s monumental recording of Smetana’s The Moldau. It’s no wonder that so many dedicated audiophiles continue to be seduced for life by EAR’s vaunted sweetness and bloom.
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Jason Victor Serinus Posted: Oct 14, 2007 10 comments
In Hebrew, the number 18 is called "chai," which also means "life." As my final (and 18th) blog entry from Day One at RMAF, I was happy to report how thrilled Jeff Wilson and I were with the sound in the Gill/Art Audio/Daedalus room.
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Jason Victor Serinus Posted: Oct 14, 2007 0 comments
The sound in the large PS Audio room was impressive. Despite, at one point, my trying to listen to music over three conversations at once, the system on display,—all PS Audio save for the Avalon Ascendant speakers and JL Audio subs—was distinguished by its full midrange and inviting warmth. The sign on the poster behind the system—"Perfect Power Without the Box"—refers to the company’s forthcoming rack, which will have a power conditioner built into the bottom, additional power filters for every component, and the power itself carried by the tails of the rack. The initial plan is for an 11" wide rack designed for smaller, "lifestyle" components. (I’m one of those folks more concerned with having a life than displaying a lifestyle, but a chacun son gout). A desktop version is also planned.
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Jason Victor Serinus Posted: Oct 14, 2007 1 comments
I've always wanted to win the lottery so I could buy a pair of Jed Barber's much-coveted Joule Electra tube amps. I've spent hours in the Joule-Elrod room at several CESes, always entranced by the sound, but have never before heard the Joule LA150 Mk.2 preamp ($7000) and VZN 100 OTL monoblocks ($19,000/pair) paired with Merlin VSM MXE loudspeakers ($10,500.pair) and the Audio Aero Prestige CD player ($14,000). Wired with Cardas Golden Reference, this system did a superb job of bringing out the lovely, warm, full-range sound and delicious richness of Gary Karr's double bass on his Cisco Systems Adagio d’Albinoni CD.
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Jason Victor Serinus Posted: Oct 14, 2007 1 comments
The Manley Snapper monoblocks ($4250/pair) sure have snap. Playing one of those classic percussion demo CDs with drum thwacks galore, the combo of Manley amplification, Bel Canto DAC/preamp, Joseph Audio RM25XL speakers ($4400/pair), Apple iBook transport, and Cardas Golden Reference interconnects was as sharp and crisp as could be. But they were also far more. With the system playing an LP of La Fille Mal Gardée on the VPI Super Scout Reference Master Turntable (one of only two available) equipped with a Silversmith phono cartridge, the sound was beautifully warm and sweet, the soundstage all-enveloping.
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Jason Victor Serinus Posted: Oct 14, 2007 0 comments
Audio Federation doesn't play around. Its top-of-the-line, no-holds-barred system centers around the Marten Coltrane Supreme loudspeaker ($250,000/pair), Audio Note UK Ongaku amplifier ($85,000), EMM Labs/Meitner Design CDSD SE transport ($8400) and DCC2 SE DAC ($13,500), Brinkmann Balance turntable ($29,900), Lamm LP2 Deluxe phono preamp ($6990), and, for this system, modestly priced Lyra Titan cartridge ($5000). Cabling is no less than Nordost Valhalla, Stealth Indra, Jorma Design No.1 and PRIME, while power cords and distributors include Nordost Valhalla, Elrod Statement II and Signature III, and Acrolink Mexcel 7N-7100.

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