Jason Victor Serinus
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RMAF 2006
Jason Victor Serinus Oct 21, 2006 1 comments
In a room tuned and focused by a fascinating assortment of diminutive Acoustic Resonators, Behold's modular electronics and Ascendo's loudspeakers offered a great sense of air and depth, albeit with an at times oversized sense of proportion on the Reference Recordings Rachmaninoff Symphonic Dances. Ralf Ballmann, designer of the Behold audiophile product line, assures me that the name Behold was not chosen for its biblical connotations. The line was first introduced at CES 2004, and is now distributed by Behold USA of New York. The preamp-to-amp connection is accomplished by a narrow, unobtrusive 50 ohm cable that ranks high for spouse acceptance factor. I’d love to hear this system in larger quarters.
RMAF 2006
Jason Victor Serinus Oct 21, 2006 1 comments
As a fan of VTL electronics, I was quite eager to hear their new autobias, 400W MB-450 tube monoblocks ($13,500/pair) and TL-6.5 preamp ($8500) paired with hardly broken-in, not exactly the same as the final product prototypes of the Thiel CS3.7. While the sound was fabulously fast, tight, and full-ranged on Patricia Barber’s new CD, Mythologies, the highs were crackling sharp to the point of irritation. Wondering what was up, I took my photo of Thiel’s Ken Dawkins and bid a hasty, but hardly final, retreat.
RMAF 2006
Jason Victor Serinus Oct 21, 2006 2 comments
Rapidly approaching the staggering state observed among inveterate show attendees on Friday evening, I stumbled upon the debut of Duke Lejeune’s $4000/pair Jazz Modules. Note that the speakers were not intended specifically for jazz; the name came to Duke in a dream as he was preparing to graduate from amateur speaker builder to fledgling audiophile professional. With a claimed sensitvity of 92dB, the speakers extend from the upper 30s to about 17.5kHz. Port tuning is changeable according to listening position. Even with only two days of break-in—the woofers require several hundred hours to sound their best, Duke told me—the speakers threw a huge soundstage, and sounded remarkably full, warm and luscious in the midrange, I felt.
RMAF 2006
Jason Victor Serinus Oct 21, 2006 1 comments
The combo of Einstein NK60, 60W OTL monoblocks, Einstein The Tube preamp, Electric CDP7T Mk.II CD player, Adept Response power conditioning, A Cappella High Violin Mk.III horn speakers and cabling mated mellow, warm, nurturing sound with a lovely, sweet presentation. Playing the Ebony Wind Band’s take on the music of Silvestre Revueltas, the sound was especially beautiful and airy. Although not the greatest in the slam department, this system was not afraid of open, high extension. It also presented the midrange in correct proportion, which is no mean feat.
RMAF 2006
Jason Victor Serinus Oct 21, 2006 1 comments
At the advice of Jeff Wilson and Bob Kuehn, two highly discriminating members of the Bay Area Audiophile Society back home, I auditioned a system with truly enviable, openness and three-dimensionality. The combination of the ART Audio Adagio 26Wpc stereo amplifier ($13,000 with the eye-catching canister light), Gill DAC/preamp ($7500), Audio Excellence power supply, Silversmith Platinum cables, Pranawire power cables, and Ars Aures Midi Sensorial speakers ($19,000/pair—where do they come up with these names?) offered a glimpse of the grace and vulnerability rarely exhibited by many of the brutes of the industry. As Karina Gauvin shared a bit of her soul on Canteloube’s Songs of the Auvergne, I basked in the system’s all-enveloping warmth. The Bill Evans track chosen by Lee Landesberg of Landes Imports sounded fabulous. Definitely one of the high points of my Saturday morning at the RMAF.
RMAF 2006
Jason Victor Serinus Oct 21, 2006 5 comments
I confess. The Ferguson Hill mini horn speaker system from England ($1195), distributed in the US by Ron, Ginny, and Rob Lapporte of Chicago’s Ultimate Audio Video, caught more than my eye. To compare their mellow sound with that of the hideous computer speakers that currently deface my home desktop was enough to make me weep. Instead, I entered their totally random drawing for a pair. Note the separate little woofers. A perfect combination for an iPod or a computer.
RMAF 2006
Jason Victor Serinus Oct 21, 2006 1 comments
I confess. There’s a special place in my heart for Kara and George of deHavilland. Happily, the sound of their GM-70 amps and Mercury preamp deserves equal praise. Beautiful and mellow on the right music, with a simply lovely core to the sound, deHavilland electronics were sounding quite fine with Wilson Benesch ACT speakers, Audio Aero Prima CD player, Cardas Golden Reference cabling, and Custom Isolation Products. The Torus sub may have been connected, but it was being overly polite. Perhaps the Sonic Fusion speakers paired with deHavilland at T.H.E Show in January 2006 offered richer sound, but there was plenty to love here as well. I’d love to return to this set-up with some decent power conditioning in place.
RMAF 2006
Jason Victor Serinus Oct 21, 2006 0 comments
I’ve eagerly awaited the opportunity to hear APL Hi-FI’s NOW-2.5, the no-hold-barred, top-of-the line model in their frighteningly named New World Order series of Universal Players. A redesigned Esoteric UX-1, featuring a 6H30 dual-tube output stage, the $21,000 unit threw an exceptionally three-dimensional soundstage mated with the ESP Concert Grand S1 speakers and Shoreline 300 monoblocks. My sense, however, is that the unit is capable of offering far more than what I was able to hear in the Show setting. With the assistance of Alex Peychev’s new Service Manager, Brent Rainwater, I look forward to eventually auditioning the NOW-2.5 in my reference system.
RMAF 2006
Jason Victor Serinus Oct 20, 2006 0 comments
Welcome to Virtual Rocky Mountain.
RMAF 2006
Jason Victor Serinus Oct 20, 2006 1 comments
PS Audio was showing a pre-production version of the almost available Power Plant Premier ($2195), paired with the Trio C100 Control amps ($1795), Digital Link 3 DAC ($995), Usher 6311 ($2000), and PS Audio cabling. Most impressive, besides the exceptional depth of presentation, was the computer-generated comparison between the amount of noise eliminated by a $2500 power conditioner and the PS Audio Quintet Power Distribution Center, a passive line conditioner that lists for $695. (The photo shows a member of the PS Audio team gloating over the results). The new power plant, by the way, doubles the output of the old P1000, and offers significantly better efficiency and current output.
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