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Jason Victor Serinus Posted: Mar 10, 2010 4 comments
At last, after 16 years, the South East has again hosted an audio show of considerable merit. Even more significant than the number of attendees, which according to many seasoned observers exceeded attendees at the first Rocky Mountain Audio Fest six years ago, the first of what will hopefully be many Axponas connected dealers, distributors, and manufacturers with music lovers in deep and satisfying ways.
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Jason Victor Serinus Posted: Mar 10, 2010 1 comments
After much too long a hiatus, Stereophile again pierced the digital shield with the return of its “Meet the Editors” panel. Although a poorly publicized schedule shift from Friday to Saturday afternoon diminished attendance in the seminar room, those present asked about everything from Stereophile's influence on the High End and integrity amongst audiophile publications to our favorite rooms at the show. While an objective report is impossible —as far as I know, there are no prices on our heads that we can list—it's fair to say that attendees got a pretty good sense of who we are as both dedicated listener/reviewer/critics and as human beings. Seen in the photo are (left to right): senior editor Michael Fremer, editor John Atkinson, and yours truly.
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Jason Victor Serinus Posted: Mar 10, 2010 0 comments
Mistral, a registered trademark in the UK and China, is a Chinese company, based near Canton, that began marketing its audio products overseas in 2002. According to their PR, they are recognized "all over the world for creativity, reliability and credibility." Judging from the rest of their written copy, they must believe that their credibility is so strong that they can dispense with the services of a bilingual writer with a firm command of English grammar.
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Jason Victor Serinus Posted: Mar 09, 2010 0 comments
In the Audiowood/Glow room, I again made the acquaintance of the diminutive, low-priced amps that were playing across the hall with Sonist speakers. This time, I had the opportunity to hear the story behind them.
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Jason Victor Serinus Posted: Mar 09, 2010 1 comments
If the Soundsmith exhibit invariably brings a light show, the EgglestonWorks/Arte Forma Audio room created the opposite effect. All of the horrible energy-saving fluorescents were turned off, leaving the room lit only by what came through the window.
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Jason Victor Serinus Posted: Mar 09, 2010 1 comments
To anyone who has committed my blogs to memory, or treated them with the same reverence as passages from the Bible, my love for mbl speakers and electronics will come as no surprise. Listens at CES 2010, RMAF 2009, and CES 2009 left me in awe. If only the newest mbl speakers on the market had been on active rather than static display, I expect I'd be waxing ecstatic once again.
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Jason Victor Serinus Posted: Mar 09, 2010 1 comments
One of several low-cost, high quality exhibits at Axpona came from Jaton. Based in Fremont, CA, Jaton sources its speaker components from Germany and other parts of Europe, but assembles them in China. It amps, which include 14 Mundorf caps in the amp proper and four more in the power sector, are assembled in Fremont. Everything is designed by the company's unnamed and extremely secretive CEO, who only began to enter the high-end market a few years ago.
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Jason Victor Serinus Posted: Mar 09, 2010 5 comments
Sonist of Studio City, CA was touting the premier of the Recital 3 all-wood floorstanders ($2195/pair), with a lower-price black textured finish model ($1795/pair) also available. . Featuring a 6" woofer and ribbon tweeter, the 8 ohm speaker has 93dB sensitivity, and a frequency response of 45Hz–40kHz. Audience and Cardas parts point to high quality. Shown next to the larger Concerto 3 ($4195/pair with all-wood cabinets, otherwise $3495 and reviewed by Art Dudley in April 2009), the Recital 3 is an 8 ohm, 95dB-sensitivity speaker with a frequency response of 30Hz–40kHz. Current production of the Concerto 3 has fixed the cabinet resonance problem JA found in our review.
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Jason Victor Serinus Posted: Mar 09, 2010 0 comments
You can always count on several things from Soundsmith: rich, luscious, extremely seductive sound (especially from the moderately romantic Strain Gauge cartridge/phono preamp), and a flashing light show from multiple components that is curiously at odds with the refinement of most of the vinyl Peter Ledermann plays.
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Jason Victor Serinus Posted: Mar 09, 2010 0 comments
Although I didn't get a chance to audition them—Roy Hall tried to ply me and just about everyone present with Scotch or something to get me to linger, but this extremely moderate drinker decided I could do a better job if I didn't stumble from room to room, dragging cables behind me—I was quite intrigued by the AktiMate Mini ($695/pair) in the Music Hall room. This Australian baby, engineered by folks from Creek Audio and Epos, is an active speaker, similar to the popular AudioEngines, and the master unit is equipped with an iPod dock as well as stereo RCA phono and mini-jack inputs. There is even an RCA stereo out to enable connection to a subwoofer, as well as a volume remote.

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