At one end of the 11th floor sat the large, imposing Galibier Design Suite. It was dominated by several eye-catching products: Daedalus Audio loudspeakers, which replaced the scheduled and, from distant memory, fine Green Mountain Audio Calypso HD speakers ($14,900/pair) because the Daedalus babies were able to put out enough bass to fill the room; and Adona Master Reference stands (price not supplied) which supported the Galibier Design Stelvio-II turntable ($27,500) with its Durand Taiea tonearm ($7900) and Dynavector XV1s cartridge ($5250), and Atma-sphere MP-1 preamp ($15,000) and M-60 amplifiers ($13/600/pair). Equally important were Marigo Labs' VXi Mystery Feet ($779/set of 3), Analog 1 interconnects ($2000/pair), and Analog 1 SC speaker cable ($2000/pair).
Selah Audio, a North Carolina speaker manufacturer that sells its products direct on the net, was showing the Verita sealed box loudspeaker ($2000/pair, or $2650 with the veneer displayed at the show). A sealed box with 84dB sensitivity and a frequency range of 60Hz20kHz, it combines the excellent RAAL ribbon tweeter from Serbia's Aleksandar Rasisavijevic with a ScanSpeak woofer.
I confess. Ever since I heard Evolution Acoustics loudspeakers at T.H.E. Show Las Vegas some years back, I have lusted after a pair. In fact, one of the big excitements on my trip to China a few months backstory forthcoming sometime before the Twelfth of Neverwas visiting the same Aurum Cantus factory that manufactures Evolution's tweeter. The combination of Evolution Acoustics MMtwo loudspeakers ($35,000/pair), darTZeel NHB-458 monoblocks ($135,000/pair), and darTZeel NHB-18 NS reference preamplifier with MC phono section ($29,000) earned my personal best of the show for the systems I auditioned at CES and T.H.E. Show 2010.
Sam Laufer of Laufer Teknik was showing the German Physiks HRS-120 loudspeaker in high gloss finish ($33,500/pair). Helping this omnidirectional design sing were Abis Shuhgetsu monoblock amps (price to be determined), The Memory Player source and preamp ($22,500), Paul Kaplan cabling including speaker cables ($1995), Halcyonics Active Isolation Platform ($11,500), five LessLoss BlackBodys ($959 each), and the wonderful Stein Music Harmonizers (two A and two B units plus 12 stones for $4900) with their new matching stands (price not supplied). You can see one of the Stein Music Harmonizers, aka that little black box with the blue light that doesn't have to be on for the box to be working, peeking out from behind the loudspeaker.
I was delighted to discover that AudioPrism, originators of the infamous green pen (aka the AudioPrism CD Stoplight), is still in business. For newbies who do not know about the green pen, Collett and those who reviewed it shook skeptics to the core when they declared that painting the edge of CDs with the green pen lowered digital edge and improved data retrieval. The backlash was tremendous. Then Krell began bathing its CD tray in green light, some people found that green-tinted CD-Rs and then black discs sounded better, CD mats with green undersides made a demonstrable improvement in sound, and the skepticism was transferred to the next tweak on the horizon.
Making its debut was a platter that screamed for Michael Fremer: Kodo's The Beat MagDrive turntable ($24,000). Alas, the widely lamented "where is Michael Fremer" was starring in an opera entitled Home Remodeling Can't be Accomplished with Remote Control, and was back in New York.
Craig Oxford and William Carpenter, CEO of Consensus Biotechnology and Consensus Biolabs of Little Rock, happily introduced me to the successors to Pipe Dreams loudspeakers, the HighEmotion Audio Pyra Bella 7 monitors ($6000/pair), Bella Basso 28 subs ($4000/pair, with 2 pairs in use), and Passare XOL crossover ($3000). (I did not audition the second system with the HighEmotion Audio Festune Bass Module). The HighEmotion speakers, which employ "a substantial amount of new technology", are the result of years of research into brain imagining technology, and "the emotional responses to music, auditory system function, physics, and electrical engineering."
I first heard the Eficion F300 loudspeaker at RMAF or some other show perhaps two years ago. Bob Walters of the Bay Area Audiophile Society, who urged me to audition it, raved about the Eficion F300 and bought a pair. Two years later, the Eficion F-300 and Stillpoints amplifier stands and stainless steel supports have transformed my system.
At RMAF 2009, Nordost shook up quite a few audiophiles by announcing preliminary results of research that can measure and validate the positive effects after market cabling, supports, and power products. One year later, Nordost announced that the research, jointly conducted by Nordost's competitor, Vertex AQ of the UK in collaboration with military electronic-engineering consultant and sonar expert Gareth Humphries-Jones of North Wales, has taken a major step forward.
Ray Lombardi's international set-up was getting much better sound from JBL's 1400 Array ($11,500/pair) than at the first California Audio Show (CAS) a few months back. In fact, Diana Krall's semi-lethargic rendition of "Let's Face the Music and Dance" sounded much less doped-up than it did when I last heard it at the Aurum Cantus factory in China. The presentation featured crisp and sweet highs, and a natural midrange. Neither Sound Applications power treatment (model not specified) nor ASC Tube Traps could totally tighten up the speaker's soft bottom, but I don't recall it sounding very tight at CAS either.