Stephen Mejias

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Stephen Mejias Posted: Oct 16, 2013 0 comments
It’s no exaggeration to say that I love Harbeth’s Monitor 30.1 loudspeakers ($5995/pair). No matter where I hear them, regardless of music or associated gear, I’m always impressed by the warm, full-bodied, detailed sound. In Sam Tellig’s December 2012 review, he wrote of the Harbeths, “Whatever amp I used, the tonality was superb. Never, ever fatiguing.” My thoughts, exactly.
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Stephen Mejias Posted: Oct 16, 2013 0 comments
Founded in 2006, the Devon, UK–based Puresound audio company is distributed in the US by NYC’s High Water Sound. Puresound’s compact M845 monoblocks ($10,000/pair) were partnered with the company’s L300 line-level preamp ($8000) to drive a pair of Horning Aristotle loudspeakers ($15,000/pair). The source was a TW-Acustic Raven turntable with a Miyajima Shilabe phono cartridge going through Puresound's P10 phono preamp ($1000) and T10 MC step-up trannie ($500).
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Stephen Mejias Posted: Oct 16, 2013 0 comments
I walked away from Diana Krall only to run into Elvis Costello, this time thanks to T+A's new MP3000 HV digital media player ($12,500). (A couple of weeks ago, I saw the couple walking along Prince Street in SoHo. Apparently, they’re stalking me.)

In addition to the MP3000, this small, attractive system was made of Dynaudio’s Confidence C1 loudspeakers ($9000/pair), driven by T+A’s new PA3000 HV integrated amplifier ($16,500).

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Stephen Mejias Posted: Oct 15, 2013 1 comments
I’ve come to expect nothing but great and interesting music from Audioarts’ Gideon Schwartz. I walked in to Dead Can Dance’s Spirit Chaser, and, though the volume was much lower than that heard in most other rooms, the music was nevertheless engaging and in many ways more inviting: smooth and detailed, with exceptional image focus and superb stage balance.
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Stephen Mejias Posted: Oct 15, 2013 0 comments
Raven Audio is a relatively new audio company whose products are handmade in Groveton, Texas. This was the company’s first showing at RMAF.
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Stephen Mejias Posted: Oct 15, 2013 1 comments
“YFS” stands for Your Final System. The company’s founder, Kevin O’Brien, worked in the A/V installation business, doing audio consulting and building systems of all prices, until around 2011, when he decided he wanted to solve that problem once and for all. To that end, the YFS HD Ref3 LE “computer transport” ($15,500) combines an 8-core processor, 32GB of double data rate type 3 (DDR3) RAM, a 1TB solid-state drive (SSD), and a SOtM USB 3.0 PCI digital output card—all with heavily modified external power supply and audio circuitry.
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Stephen Mejias Posted: Oct 13, 2013 Published: Oct 14, 2013 10 comments
Familiar sights in the Music Hall room: stacks of LPs, beautiful women, Roy Hall, Leland Leard, and the Ikura turntable.
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Stephen Mejias Posted: Oct 13, 2013 4 comments
The Funk Firm’s new entry-level turntable, the Flamenca ($1495, without cartridge), will be available next month. The two-speed ‘table uses a DC motor and a very thin (0.15mm) thread-belt to drive its glass platter. Funk refers to their tonearm as a “pickup arm.” A tonearm, explained Pro Audio’s Brian Tucker, implies that the arm imparts its own sonic signature to the system. Funk aims to eliminate the arm from the system, thereby allowing the cartridge to perform optimally. In this case, the Flamenca’s new F6 tonearm is carrying a Dynavector DV 10X5—one of my fave cartridges. The F6’s detachable mounting block is meant to simplify cartridge installation. And, while the stock Flamenca is said to be specifically balanced for high-quality performance straight from the box, it can be easily upgraded with Funk’s Achromat platter mat and any of Funk’s higher-end tonearms.
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Stephen Mejias Posted: Oct 13, 2013 2 comments
Earlier this year, Michael Fremer gave us the scoop on Acoustic Signature’s new Wow turntable ($1950 with Rega 202 tonearm). It employs the same bearing design and AC motor found in all Acoustic Signature turntables, uses a 9-lb CNC-machined platter with a leather mat, and comes in high-gloss black or white acrylic. In person, the ‘table is very attractive and seems extremely well built.
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Stephen Mejias Posted: Oct 11, 2013 1 comments
I've been kicking myself for not making it out to Brooklyn to hear YG Acoustics' flagship Sonja 1.3 loudspeakers while they were in John Atkinson's system.

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