Stephen Mejias

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Stephen Mejias Posted: Jan 06, 2005 Published: Jan 07, 2005 0 comments
After my first full day of weaving my way around the Consumer Electronics Show, I'm happy to be back in my hotel room, ready to open the laptop and type. I've got a tote bag (everyone has a tote bag) gorged fat with press releases, CDs, magazines, directories, scribbled notes, a fortune cookie. . .. What's going on here? Am I really the newest writer for Stereophile? And what's the deal with this fortune cookie?
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Stephen Mejias Posted: Jan 07, 2005 0 comments
"Don't be shy," Jon tells me.
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Stephen Mejias Posted: Jan 04, 2005 Published: Jan 05, 2005 0 comments
Editor's Note: Stephen Mejias has never attended CES before, and does not claim to be an audiophile. But he's distinquished himself enough around the Stereophile office that it seemed a good idea to register his first-time impressions of audio's greatest show on earth.
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John Atkinson Stephen Mejias Posted: Dec 12, 2004 0 comments
Stereophile's "Products of the Year," now in its 13th year, recognizes those rare components that prove capable of giving musical pleasure beyond the formal review period. These are the components that can be recommended with no ifs or buts, that will grace any system in which they are used.
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John Atkinson Stephen Mejias Posted: Dec 15, 2003 Published: Dec 01, 2003 0 comments
Since 1992, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period by naming its "Products of the Year." These are the components that can be recommended without any ifs or buts, that will grace any system in which they used.
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John Atkinson Stephen Mejias Posted: Dec 08, 2002 0 comments
For more than a decade now, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period by naming its "Products of the Year."
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Stephen Mejias Posted: Jul 17, 2008 Published: Sep 26, 1999 7 comments
In a sense, DJ Shadow and Cut Chemist are music historians and preservationists. In "The Hard Sell," they take us on a scratching, mixing, looping journey through musical genres and fads, from the wildly obscure to the completely commercial, while employing not one, not two, but eight turntables and a collection of original 45rpm seven-inch singles that would make Mikey Fremer's hair go straight.
Stephen Mejias Posted: Mar 12, 2014 8 comments
In his article on the future of audio engineering in this issue, John La Grou tells us—succinctly and correctly, I think—that we are rapidly moving from a culture of handheld devices to one of headworn devices. He postulates that by perhaps as early as 2025, rather than being actively sought out, most audio/video media will be delivered, like milk or the newspaper—but delivered not to our front doors, but more or less straight to our brains. Fascinating? Sure. Frightening? Kinda, yeah.
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Stephen Mejias Posted: Oct 14, 2012 1 comments
First of all, I’d like to point out that, though I probably should have, I did not take this picture. This picture was taken by VPI’s young Mathew Weisfeld, who is way cooler than me.

Now, the turntable is VPI’s Traveler, which I review in our November issue. What turntable, you ask? That turntable there—the one behind the girl in the red glasses. (The red glasses, she told me, weren’t hers, but instead belonged to Music Hall’s Leland Leard. But that’s another story.)

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Stephen Mejias Posted: Apr 17, 2013 1 comments
In his report of the Rutherford Audio room, Ariel Bitran wrote, “There was something magical about this sound, and there was a sweet-spot to be found everywhere.”

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