Stephen Mejias

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Stephen Mejias Posted: Feb 06, 2013 18 comments
I couldn't have known it at the time, but Swans' "Lunacy" (see last month's column) would be the very last song I'd ever enjoy in my cozy listening room. Last times—whether with things, people, places, or, I suppose, especially with ideas—can be difficult to accept, tending to overshadow all other times, their lingering memories leading to remorse and games of "what if."
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Stephen Mejias Posted: Jan 25, 2013 0 comments
Because it's rad.

I found this over at Mark Betcher's "Unearthed in the Atomic Attic" blog, where you can actually hear the album's entire second side. Fun stuff.

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Stephen Mejias Posted: Jan 24, 2013 46 comments
While we contemplate high-end audio’s long, slow, and stinking death, Magico, manufacturer of high-performance, high-priced loudspeakers, is in the mainstream press: USA Today ran an article earlier this week, which asked, “How much would you pay to bring music to life?
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Stephen Mejias Posted: Jan 24, 2013 1 comments
From now until the end of time, 15% of all record purchases made at In Living Stereo will be credited toward stereo equipment and accessories.
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Stephen Mejias Posted: Jan 17, 2013 0 comments
While the sound and music in Philip O’Hanlon’s On A Higher Note systems is uniformly excellent, I had an especially good time listening to his smaller desktop system: MacBook running Audirvana, a pair of passive Eclipse desktop speakers, and Luxman’s new DA-200 USB DAC/preamp and M-200 stereo amp ($2790 each).
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Stephen Mejias Posted: Jan 17, 2013 1 comments
Over the last several years, whenever I’ve run into High Water Sound’s Jeffrey Catalano at a show, he reminds me that I have an invitation to visit his NYC salon for a proper listen. I smile, thank him, and honestly agree: Yes, we definitely have to get together soon. It’s gotten to the point now that we don’t even have to talk about it. I know what he’s going to say, he knows what I’m going to say. For no good reason at all, I still haven’t made it down to 274 Water Street.
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Stephen Mejias Posted: Jan 17, 2013 6 comments
Earlier in this show report, I mentioned that the excellent music played in Jeffrey Catalano’s High Water Sound room served as a reminder of my passion for the high-end audio hobby. And it’s true: From time to time, I do need those gentle reminders. So much of high-end audio remains so completely foreign and unobtainable that I sometimes feel entirely out of place.

But in the Music Hall room, I always feel right at home. . .

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Stephen Mejias Posted: Jan 17, 2013 0 comments
In our November 2012 issue, Michael Fremer reviewed the Spiral Groove SG1.1 turntable ($25,000) with its complementary Centroid tonearm ($6000), an interesting unipivot design that places the pivot point and stylus in the same plane to increase the system’s overall stability. At CES, Spiral Groove showed the new universal version of the Centroid tonearm, a 10” arm with a standard mount. With the supplied setup jig and the Centroid’s easily accessible pivot point, users should be able to determine the correct spindle-to-pivot distance and “accurately set the geometry for overhang and offset angle,” said Immedia’s Stirling Trayle. The universal version of the Centroid tonearm is available now; price remains $6000.
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Stephen Mejias Posted: Jan 15, 2013 1 comments
I’m a big fan of Thinksound’s in-ear designs, but lately I’ve been listening more to on-ear and over-the-ear headphones—I find them more attractive, much more comfortable, and far easier to enjoy overall. So I was happy to learn that Thinksound is now working on its own on-ear design. The yet-to-be-named headphone will cost somewhere between $200 and $300, and should be available sometime this spring. Here we see an early prototype—Thinksound is still working to perfect the overall ergonomics.
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Stephen Mejias Posted: Jan 15, 2013 0 comments
Pro-Ject’s Media Box S ($359) is “basically a mini-computer,” Sumiko’s Norbert Schmied told me. It accepts a USB thumb drive (as shown), hard drive, or SD card containing MP3, WMA, AAC, or variable-bit-rate files up to 384kbps compression. It uses a 24-bit/96kHz upsampling D/A converter, and album metadata can be displayed and navigated via the front-panel display. Here we see it partnered with Pro-Ject’s Head Box S ($159) and the extremely lightweight and comfortable Hear It Two headphones ($79).

In his entry on Pro-Ject’s impressive DAC Box DS, Jon Iverson noted that the Sumiko suite showed an entire wall of the company’s cute but powerful Box components. Schmied gave me a detailed tour of the offerings. I’ve got three pages of notes on these nearly bite-sized components and every scribble is interesting, but here are the main points:

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