A few years ago, SSI introduced Lifetime Achievement awards, honoring individuals who have made notable contributions to the audio business in Canada. This time, the honorees were Michel Girard, President of the Audio Group, and Saxe Brickenden, President of Evolution Audio. Girard's award was presented to him by his niece, and you can see from the picture what an emotional moment this was for both of them.
The revision of the Sasha to Mark II status involves a number of improvements, the cumulative effect of which, according to Peter McGrath, is quite significant. The Sasha II has the same midrange and woofer as the original Sasha, but the tweeter is all newa convex rather than a concave dome as used previously. The tweeter and midrange baffle materials are different from those in the original Sasha, and the effect is a 34% reduction in resonant modes. The mechanism allowing the mid/tweeter module to be tilted, to "focus" the sound, has been revised so that the focusing can be more precise.
A highlight of the Lifetime Achievement award party was another performance by soprano Sophie De Cruz, this time joined by baritone Julianne Horbatuck, her partner in an upcoming production of Lucia di Lammermoor. She sang Musetta's waltz song from La Bohème, tossing off high notes with abandon, and the two of them blew the roof off the place with a duet from Lucia. Pianist Dominic Boulianne provided unobtrusive but effective support.
Montreal dealer Coup de Foudre's Wilson/Dan D'Agostino room had Wilson's new Sasha II speakers ($29,900/pair), combined with Dan D'Agostino's Momentum Line stage preamp and stereo power amp ($32,000 and $29,000, respectively). The sound was truly excellent.
Evolution Audio's Saxe Brickenden was equally pleased with his awardeven though his name on the award statuette was mis-spelled. "I've seen my name mis-spelled so many ways over the years that I'm used to it."
Michel Plante, previously co-producer of SSI, and now doing marketing for Audio Plus/Plurison, sent me an invitation to a special Press Breakfast on Friday morning, at which a new project involving Rega turntables would be introduced. He seemed most disappointed when I told him that I would not be at the show until Friday afternoon, so I would not be able to attend the event. Fortunately, Art Dudley was there in time, and he has posted a report. All I can do is provide another picture.
One of the not-so-secret principles audio design is that no matter how good the design of the basic circuitry, the ultimate sound quality will be a major function of the power supply. Simaudio has taken this to heart with a new product that builds on the already-excellent power supplies of the Moon Evolution series. The new 820S ($8000), pictured here, can serve as power supply for any two products in the Evolution series, providing separate power supplies for digital and analog components.
I have a fondness for electrostatic transducers, and one of my early stretch-the-budget audio equipment purchases was a pair of Stax Lambda headphones. So I was happy to see the display of Stax headphones at SSI 2014. They even had one that looked like a descendent of my Lambda: the $3495 SRS-5170. My Lambda still works, but the foam inside the earpiece has deteriorated. I should get it fixed...
As reported previously in Stereophile, the Montreal Salon Son & Image is now owned by the UK-based Chester Group, but with Sarah Tremblay continuing as the director of the Montreal show. (Sarah is also the manager of the upcoming New York Audio Show.) On hand at the Montreal show were (left to right) show organizer Scott Humphrey, Chester Group Chairman and Founder Roy Bird, and Sarah Tremblay.