Robert Deutsch

Sort By: Post Date | Title | Publish Date
Robert Deutsch Posted: Feb 28, 2008 Published: Apr 28, 1994 0 comments
"DAL firmly believes that a full set of credible measurements, made by qualified engineering staff using state-of-the-art equipment and facilities, can reliably predict the potential of a loudspeaker to accurately reproduce the complex sounds of music."—Dunlavy Audio Labs
Robert Deutsch Posted: Sep 09, 2006 Published: Feb 09, 1993 0 comments
My first encounter with the Acarian Alón IV was at the 1992 Las Vegas WCES. I was doing the show report dealing with speakers, and there was already enough advance buzz about the Alón IV that I put it on my "Speakers I Must Listen To" list. And listen I did, at some length, and came away impressed with their open quality and well-defined soundstage. In discussing reviewing assignments with John Atkinson, I told him that the Alón IV was one of the speakers I wouldn't mind spending some time with. (The list also includes the WAMM, the MartinLogan Statement, and the Apogee Grand, but I'm not holding my breath.)
Filed under
Robert Deutsch Posted: Sep 24, 1992 1 comments
"Equipment Reports," "Record Reviews," "Letters," "Industry Update," "Sam's Space," "As We See It," "The Final Word"---I read and enjoy them all. But the section of Stereophile I especially look forward to reading is "Manufacturers' Comments." How is the manufacturer going to respond to a review that's considerably less than 100% positive? Can they take criticism gracefully, or do they have an attitude? If I were a consumer considering purchase of one of their products, would their comments convince me that they'd be a good company to deal with? Are they uptight beyond reason, or do they have a sense of humor? Can they respond to a positive review without gloating?
Filed under
Robert Deutsch Posted: Dec 27, 2011 Published: Dec 01, 1991 3 comments
I must admit that, for a long time, I found it difficult to accept the idea that a major portion of one's audio budget should be spent on the preamplifier. Speakers, yes—they produce the sound; amps drive the speakers, so they're important. And source components? Well, everyone knows it's garbage in/garbage out. But a preamp? Even the name suggests something that's not quite the real thing, like pre-school, pre-med, or premature. Unlike amplifiers, they don't have to contend with loads that sometimes approach a short circuit, and heat dissipation is not normally a problem. What's the big deal?
Robert Deutsch Posted: Jan 30, 2012 Published: Dec 01, 1991 0 comments
The Threshold FET nine/e ($2595) is the junior sibling of the FET ten/e, a solid-state preamp that has earned a rave review in March 1991 from noted tubeophile Dick Olsher (Vol.14 No.3), itself a development of the FET ten that J. Gordon Holt reviewed in September 1987 (Vol.10 No.6). Would my ears, accustomed as they are to the pitter-patter of electrons traveling through a vacuum, have a similarly positive response to the FET nine/e?
Robert Deutsch Posted: Dec 05, 2008 Published: Jul 05, 1991 0 comments
The Phantom of the Opera: Original Canadian Cast
Jeffrey Huard, cond.; Andrew Lloyd Webber, music; Charles Hart, lyrics; Richard Stilgoe, additional lyrics
PolyGram 847 689-1 (LP), -2 (CD*). Martin Levan, David Caddick, prods.; Martin Levan, eng. DDA/DDD. TTs: 57:03, 69:45*
Robert Deutsch Posted: Feb 06, 2009 Published: May 06, 1991 0 comments
DICK HYMAN: Dick Hyman Plays Fats Waller
Dick Hyman, piano
Reference Recordings RR-33DCD (CD*), RR-33CD (CD**), RR-33LP (LP). Keith O. Johnson, recording eng.; Robert Harley, mastering eng. (RR-33DCD); J. Tamblyn Henderson, Jr., prod. D/DDD/AAA. TTs: 59:28,* 59:22,** 59:22
Filed under
Robert Deutsch Posted: Nov 29, 1990 0 comments
Tweaks have acquired a bad reputation in certain sectors of the audio world, probably with some justification. Warming the cartridge to exactly the right temperature, suspending cables from the ceiling (but not with cotton string; it sounds grainy and dry), stroking CD cases with a "magic" brush, drinking "polarized" (or is it de-polarized?) water before a listening session---gimme a break!
Filed under
Robert Deutsch Posted: Mar 26, 2012 Published: Dec 31, 1969 0 comments
The Light Harmonic DaVinci USB is perhaps the most unusual-looking DAC I've seen, with the top of the unit that can be rotated. It's a non-upsampling, non-oversampling, no-negative-feedback design, with up to 384kHz/32-bit capability. The DaVinci uses three transformers in the power supply: one for digital, one for analog, and one for USB and control. This looks like a very serious design, and the price is correspondingly serious $20,000.
Filed under
Robert Deutsch Posted: May 05, 2014 Published: Dec 31, 1969 0 comments
It's no secret that brick-and-mortar stores have had a rough time lately, with closures at an alarming rate. It's rare to encounter a new store that is devoted to high-performance audio and video. A store that fits this description opened recently in the picturesque village of Unionville, just outside Toronto.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading