Robert Deutsch

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Robert Deutsch Posted: Mar 27, 2006 1 comments
No show report can be considered complete without at least one picture of an esoteric tube amplifier, and I wouldn't want to break with this tradition. The Wavac HE 833Ver 1.3 is the stripped-down version of the $350,000/pair SH-833 that was reviewed by Michael Fremer and caused some readers apoplexy. This one is a mere $140,000/pair, the lower price reflecting less elaborate power supplies. A bargain, I'm telling you! I have no reason to believe that this would measure any better than the one reviewed by Mikey, but I must say that the sound of the Verity Lohengrins driven by these amps, using a dCS digital source, was—apart from some bass softness, which could even have been room-related-absolutely terrific, certainly one of the best sounds at the show. Go figure.
Robert Deutsch Posted: Mar 27, 2006 0 comments
Aside from a few grumbles about the small size of some of the rooms, the 2006 FSI was a resounding success with exhibitors as well as attendees. Show organizer Marie-Christine Prin has managed to maintain the show's appeal to hard-core audiophiles while broadening the show's coverage to include products for the video/MP3/iPod generation. As always, Marie-Christine and her stalwart assistants, Céline Roy, and Diane Hébert, joined for this show by Sarah Bouhali and Elisa Fernandez, ran the show with grace and efficiency. Merci!
Robert Deutsch Posted: Mar 25, 2006 2 comments
The German Canton line of speakers has a new flagship: the Vento Reference 1 DC ($30,000). Looking closely at these beautifully finished speakers, I noticed that in the back panel of each the speaker there were about a dozen signatures. Could it be that some FSI visitors have been engaging in some audiophile graffiti? No. These are the signatures of the speaker's designers, including Canton's chief engineer Frank Göbl, and the people who built these specific speakers. I really like that.
Robert Deutsch Posted: Mar 25, 2006 2 comments
Fidelio Records, based in Montreal, has an impeccable—um—record of producing CDs and SACDs of the highest technical and artistic quality. Their latest SACD of the Nemesis percussion ensemble, played back on Verity Parsifal Ovation speakers ($24,000), with a gaggle of Nagra electronics and Esoteric SACD player, made one of the best sounds I heard at the show. Fidelio recording engineer René Laflamme did a comparison for me of the SACD and the backup analog master (Nagra open-reel), and I have to admit I preferred the clarity of the SACD.
Robert Deutsch Posted: Mar 25, 2006 1 comments
Dan Wright of ModWright started out modifying CD/SACD players and D/A converters (I still use the ModWright version of the Perpetual Technologies D/A converter), and his success in this area has encouraged him to come out with products of his own. New at the show was the SWLP 9.0SE prototype phono+line stage preamp (about US$4000).
Robert Deutsch Posted: Mar 25, 2006 3 comments
The big news at this years Festival Son & Image (FSI, aka "The Montreal Show") was the change in venue. After many years at the Delta Hotel in downtown Montreal, the Show moved this year to another downtown hotel, the Sheraton Montreal.
Robert Deutsch Posted: Mar 25, 2006 4 comments
The two most expensive systems at the show, each costing about US$200,000, were the all-McIntosh system, and the system using Pierre Gabriel Grand Master speakers and Jadis electronics/digital source. (Actually, the Pierre Gabriel system was "only" US$180,000, so you can afford a trip to France with what you would save over the McIntosh.) Did they sound impressive? Yes, but, personally, I have trouble relating to any system whose price is so far beyond the reach of ordinary audiophiles. Having said that, it's good to have systems like this at shows, so that people can judge for themselves what they offer in the way of sound quality. M. Gabriel himself was on hand to demonstrate the system featuring his speakers.
Robert Deutsch Posted: Mar 25, 2006 4 comments
As usual with shows of this type, many of the systems demoed at FSI cost tens of thousands of dollars. However, Angie Lisi of Audiopathic, distributor of some stratospherically-priced equipment, made it a point to assemble a relatively affordable yet highly musical-sounding system, consisting of the Manley Stingray integrated amp ($2250), Totem Rainmaker speakers ($1198/pair), and an Accuphase CD player. Oh, did you want to know the price of the CD player? Umm—$6995. When I pointed out to Angie the incongruousness of having this expensive CD player as part of the system, she replied—somewhat sheepishly, I thought—"It was the cheapest CD player I had around."
B&O
Robert Deutsch Posted: Mar 25, 2006 0 comments
Bang & Olufsen, a company that usually gives audio/home entertainment shows a wide berth, had an extensive display, featuring their futuristic-looking omnidirectional speakers. I enjoyed the sound—maybe because they were playing Frank Sinatra.
Robert Deutsch Posted: Mar 25, 2006 1 comments
Linn Products has moved in a major way into multichannel and multi-room systems, but some new products demo'd at FSI showed that they haven't abandoned the part of their customer base that just wants to listen to music in high-quality two-channel, in one room. For these folks, Linn had the Majik line: CD player ($4250), preamp with MM/MC phono stage ($3800), and 100Wpc amplifier ($3100). Very nice, well-balanced sound through Espek speakers ($5800), with an LP12 phono source.

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