Robert Deutsch

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Robert Deutsch Posted: Jun 02, 2006 1 comments
A CD player that combines the transport from a Sony PlayStation, an output section using rare New Old Stock tubes, and no remote control? That’s the DynaStation II CD player ($6000), said to have a cult following in Germany, and now imported by Avatar Acoustics. You can have it somewhat cheaper if you want less esoteric tubes, or pay more if you want even more esoteric ones. The system with Ascendo System E speakers, using the DynaStation II as the source, sounded really good, though.
Robert Deutsch Posted: Mar 27, 2006 0 comments
Aside from a few grumbles about the small size of some of the rooms, the 2006 FSI was a resounding success with exhibitors as well as attendees. Show organizer Marie-Christine Prin has managed to maintain the show's appeal to hard-core audiophiles while broadening the show's coverage to include products for the video/MP3/iPod generation. As always, Marie-Christine and her stalwart assistants, Céline Roy, and Diane Hébert, joined for this show by Sarah Bouhali and Elisa Fernandez, ran the show with grace and efficiency. Merci!
Robert Deutsch Posted: Mar 27, 2006 2 comments
The Elac FS 609 XP-1 is a speaker that has intrigued me since I first saw it, but somehow never got a chance to listen to it. On the Friday, my first day at FSI, I was in the room where they had a pair of these speakers, but, wouldn't you know it, they were not the ones being played. Then, on Sunday morning, I saw Vince Scalzitti, the importer, and said "Vince, do you by any chance..." but he didn't let me finish. "You want to hear the bigger Elacs, right? They're playing in the room next door." And indeed they were. Demo'd by the genial Jack Bakerdjian of Audio Gallery, a Toronto Elac dealer, the FS 609 XP-1 (catchy name, what?) driven by Korato tube electronics sounded quite promising, with a very spacious sound, even though the room was almost certainly too small for them. The FS 609 XP-1 ($17,000) uses an improved version of the famous Heil driver, with an omnidirectional supertweeter on top.
Robert Deutsch Posted: Mar 27, 2006 3 comments
"What did you think of the Sonus Faber/Ayre system?" I always feel like I'm being put on the spot when being asked this kind of question, and I usually say something vaguely positive but noncommittal. "Um, it sounded nice." I had listened to that system only briefly at that point, and had just a general favorable impression. I went back later, listened some more, and came to the conclusion that this was one of the most natural-sounding systems at the show. Not loud and spectacular in an obvious way, just "natural." But then I don't think I've ever heard a non-musical-sounding Sonus Faber speaker, and these Amati anniversarios (to be reviewed by John Atkinson in the May issue of Stereophile) were perfectly complemented by Ayre C-5xe universal disc player (Stereophile's Joint Product of 2005), K-1xe preamp and V-1xe power amp.
Robert Deutsch Posted: Mar 27, 2006 3 comments
The most expensive system at the show, costing about US$200,000, was this all-McIntosh system, based on two of the company's three-chassis monoblock amplifiers, their four-chassis preamplifier, and their speakers with too many drive-units to count. (Okay, there are 110 per channel—40 tweeters, 64 midrange units, and six woofers!)
Robert Deutsch Posted: Mar 27, 2006 0 comments
Manufacturers exhibiting at FSI for the first time have often told me that the Montreal-area audiophiles attending the show seem to be an unusually enthusiastic and knowledgeable group. This impression is confirmed by the existence of the Montreal Audiophile Association. The Association—which always has a booth at FSI—is a highly active one, with over 100 members. They meet twice a month (they rent space in a school for this purpose), one meeting devoted to equipment (eg, talks by audio designers) and the other to classical music (eg, comparison of recordings of piano concertos). Pictured: members Yves Lepage, who is also an occasional contributor to Son & Image magazine, and webmaster Serge Tremblay. A fun pair of guys—I quite enjoyed talking to them.
Robert Deutsch Posted: Mar 27, 2006 1 comments
No show report can be considered complete without at least one picture of an esoteric tube amplifier, and I wouldn't want to break with this tradition. The Wavac HE 833Ver 1.3 is the stripped-down version of the $350,000/pair SH-833 that was reviewed by Michael Fremer and caused some readers apoplexy. This one is a mere $140,000/pair, the lower price reflecting less elaborate power supplies. A bargain, I'm telling you! I have no reason to believe that this would measure any better than the one reviewed by Mikey, but I must say that the sound of the Verity Lohengrins driven by these amps, using a dCS digital source, was—apart from some bass softness, which could even have been room-related-absolutely terrific, certainly one of the best sounds at the show. Go figure.
Robert Deutsch Posted: Mar 25, 2006 2 comments
John Meyer's Newform Research's ribbon/cone hybrids have been around for a while, and, like Bruce Edgar's Edgarhorns, every revision I've heard sounded better than the previous one. The latest R645v3 has undergone some very significant changes: the midbass/bass box is now sealed rather than ported, with additional bracing and damping (Corian top), and the result is much-improved blending with the ribbon and greater transparency throughout the lower midrange. Sold factory direct, $3484 delivered makes the R645v3 an astonishing bargain in today's marketplace. The partnering electronics undoubtedly made a major contribution to the fine sound of the Newforms, and are interesting in their own right: they signal the return to the business of Richard Dolan, whose PM1 preamp was highly regarded in the 1990s. The Newforms were driven by Dolan Audio SMM-120 monoblocks (US$11,500/pair), with a prototype line stage (about US$7500), Shanling CD player source.
Robert Deutsch Posted: Mar 25, 2006 2 comments
Bruce Edgar has been refining his Edgarhorn loudspeakers, available in kit form, for a good number of years now, and I've noticed a steady improvement in the sounds he's been getting at shows. The ones I heard at the Montreal Show were the best-sounding yet.
Robert Deutsch Posted: Mar 25, 2006 2 comments
The German Canton line of speakers has a new flagship: the Vento Reference 1 DC ($30,000). Looking closely at these beautifully finished speakers, I noticed that in the back panel of each the speaker there were about a dozen signatures. Could it be that some FSI visitors have been engaging in some audiophile graffiti? No. These are the signatures of the speaker's designers, including Canton's chief engineer Frank Göbl, and the people who built these specific speakers. I really like that.

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