Robert Deutsch

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Robert Deutsch Posted: Jun 03, 2006 0 comments
In the Show's ongoing HE Luminaries series, Jim Thiel, founder of Thiel Audio, talked to John Atkinson about his ideas on speaker design, and the evolution of his speakers through the years, including the new CS3.7, which made its debut at HE2006.
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Robert Deutsch Posted: Jun 03, 2006 0 comments
A gaggle of Clearaudio turntables. "They’re only a fraction of the ones that are available," said Garth Leerer of US importer Musical Surroundings.
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Robert Deutsch Posted: Jun 02, 2006 5 comments
Those who’ve admired the sound of the speakers from TAD, but could not get past the prices, will be interested in the new line from Pioneer, which use trickle-down versions of the TAD drivers and cabinets just slightly less elaborate in resonance-damping characteristics, and much lower prices ($6000 for the S-1EX pair on demo). Designer Andrew Jones is obviously pleased by the sound, as well he might be.
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Robert Deutsch Posted: Jun 02, 2006 1 comments
A CD player that combines the transport from a Sony PlayStation, an output section using rare New Old Stock tubes, and no remote control? That’s the DynaStation II CD player ($6000), said to have a cult following in Germany, and now imported by Avatar Acoustics. You can have it somewhat cheaper if you want less esoteric tubes, or pay more if you want even more esoteric ones. The system with Ascendo System E speakers, using the DynaStation II as the source, sounded really good, though.
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Robert Deutsch Posted: Jun 02, 2006 0 comments
Stereophile Assistant Editor/Master Blogger Stephen Mejias (left) and the magazine's self-described "Web Monkey" Jon Iverson (right) seem to be enjoying themselves at the Show.
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Robert Deutsch Posted: Jun 02, 2006 2 comments
David Wilson seems excited about his new Series 8 Watt/Puppy speaker system, and, having heard the demo, I can appreciate why. The company gets bonus points for listing the music used on a poster outside the door of the dem room.
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Robert Deutsch Posted: Jun 02, 2006 0 comments
The rebirth of Reference Recordings is one of the feel-good stories of audio. Here’s RR’s Marcia Martin, holding up two of their new releases, from pianist Joel Fan and from Keith Lockhart conducting the Utah Symphony in works by Bernstein.
Robert Deutsch Posted: Mar 27, 2006 3 comments
"What did you think of the Sonus Faber/Ayre system?" I always feel like I'm being put on the spot when being asked this kind of question, and I usually say something vaguely positive but noncommittal. "Um, it sounded nice." I had listened to that system only briefly at that point, and had just a general favorable impression. I went back later, listened some more, and came to the conclusion that this was one of the most natural-sounding systems at the show. Not loud and spectacular in an obvious way, just "natural." But then I don't think I've ever heard a non-musical-sounding Sonus Faber speaker, and these Amati anniversarios (to be reviewed by John Atkinson in the May issue of Stereophile) were perfectly complemented by Ayre C-5xe universal disc player (Stereophile's Joint Product of 2005), K-1xe preamp and V-1xe power amp.
Robert Deutsch Posted: Mar 27, 2006 3 comments
The most expensive system at the show, costing about US$200,000, was this all-McIntosh system, based on two of the company's three-chassis monoblock amplifiers, their four-chassis preamplifier, and their speakers with too many drive-units to count. (Okay, there are 110 per channel—40 tweeters, 64 midrange units, and six woofers!)
Robert Deutsch Posted: Mar 27, 2006 0 comments
Manufacturers exhibiting at FSI for the first time have often told me that the Montreal-area audiophiles attending the show seem to be an unusually enthusiastic and knowledgeable group. This impression is confirmed by the existence of the Montreal Audiophile Association. The Association—which always has a booth at FSI—is a highly active one, with over 100 members. They meet twice a month (they rent space in a school for this purpose), one meeting devoted to equipment (eg, talks by audio designers) and the other to classical music (eg, comparison of recordings of piano concertos). Pictured: members Yves Lepage, who is also an occasional contributor to Son & Image magazine, and webmaster Serge Tremblay. A fun pair of guys—I quite enjoyed talking to them.

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