Robert Deutsch

Sort By: Post Date | Title | Publish Date
Filed under
Robert Deutsch Posted: Jun 03, 2006 0 comments
Shanling is known for the striking industrial design of their tube electronics. Seen in the Music Hall room, the new A500 integrated amp ($6499) maintains the striking looks, but it's solid-state. Lots of nice blue lights, though.
Filed under
Robert Deutsch Posted: Jun 02, 2006 0 comments
Stereophile Assistant Editor/Master Blogger Stephen Mejias (left) and the magazine's self-described "Web Monkey" Jon Iverson (right) seem to be enjoying themselves at the Show.
Filed under
Robert Deutsch Posted: Jun 02, 2006 2 comments
David Wilson seems excited about his new Series 8 Watt/Puppy speaker system, and, having heard the demo, I can appreciate why. The company gets bonus points for listing the music used on a poster outside the door of the dem room.
Filed under
Robert Deutsch Posted: Jun 02, 2006 0 comments
The rebirth of Reference Recordings is one of the feel-good stories of audio. Here’s RR’s Marcia Martin, holding up two of their new releases, from pianist Joel Fan and from Keith Lockhart conducting the Utah Symphony in works by Bernstein.
Filed under
Robert Deutsch Posted: Jun 02, 2006 5 comments
Those who’ve admired the sound of the speakers from TAD, but could not get past the prices, will be interested in the new line from Pioneer, which use trickle-down versions of the TAD drivers and cabinets just slightly less elaborate in resonance-damping characteristics, and much lower prices ($6000 for the S-1EX pair on demo). Designer Andrew Jones is obviously pleased by the sound, as well he might be.
Filed under
Robert Deutsch Posted: Jun 02, 2006 1 comments
A CD player that combines the transport from a Sony PlayStation, an output section using rare New Old Stock tubes, and no remote control? That’s the DynaStation II CD player ($6000), said to have a cult following in Germany, and now imported by Avatar Acoustics. You can have it somewhat cheaper if you want less esoteric tubes, or pay more if you want even more esoteric ones. The system with Ascendo System E speakers, using the DynaStation II as the source, sounded really good, though.
Robert Deutsch Posted: Mar 27, 2006 0 comments
Aside from a few grumbles about the small size of some of the rooms, the 2006 FSI was a resounding success with exhibitors as well as attendees. Show organizer Marie-Christine Prin has managed to maintain the show's appeal to hard-core audiophiles while broadening the show's coverage to include products for the video/MP3/iPod generation. As always, Marie-Christine and her stalwart assistants, Céline Roy, and Diane Hébert, joined for this show by Sarah Bouhali and Elisa Fernandez, ran the show with grace and efficiency. Merci!
Robert Deutsch Posted: Mar 27, 2006 2 comments
The Elac FS 609 XP-1 is a speaker that has intrigued me since I first saw it, but somehow never got a chance to listen to it. On the Friday, my first day at FSI, I was in the room where they had a pair of these speakers, but, wouldn't you know it, they were not the ones being played. Then, on Sunday morning, I saw Vince Scalzitti, the importer, and said "Vince, do you by any chance..." but he didn't let me finish. "You want to hear the bigger Elacs, right? They're playing in the room next door." And indeed they were. Demo'd by the genial Jack Bakerdjian of Audio Gallery, a Toronto Elac dealer, the FS 609 XP-1 (catchy name, what?) driven by Korato tube electronics sounded quite promising, with a very spacious sound, even though the room was almost certainly too small for them. The FS 609 XP-1 ($17,000) uses an improved version of the famous Heil driver, with an omnidirectional supertweeter on top.
Robert Deutsch Posted: Mar 27, 2006 3 comments
"What did you think of the Sonus Faber/Ayre system?" I always feel like I'm being put on the spot when being asked this kind of question, and I usually say something vaguely positive but noncommittal. "Um, it sounded nice." I had listened to that system only briefly at that point, and had just a general favorable impression. I went back later, listened some more, and came to the conclusion that this was one of the most natural-sounding systems at the show. Not loud and spectacular in an obvious way, just "natural." But then I don't think I've ever heard a non-musical-sounding Sonus Faber speaker, and these Amati anniversarios (to be reviewed by John Atkinson in the May issue of Stereophile) were perfectly complemented by Ayre C-5xe universal disc player (Stereophile's Joint Product of 2005), K-1xe preamp and V-1xe power amp.
Robert Deutsch Posted: Mar 27, 2006 3 comments
The most expensive system at the show, costing about US$200,000, was this all-McIntosh system, based on two of the company's three-chassis monoblock amplifiers, their four-chassis preamplifier, and their speakers with too many drive-units to count. (Okay, there are 110 per channel—40 tweeters, 64 midrange units, and six woofers!)

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading