I think it's fair to say that Bryston is one of the more conservative manufacturers of audio electronics, with solid engineering and avoidance of anything that smacks of fads or esoteric tweaks. It then comes as a convincing endorsement of power-line conditioners as a product category that the Canadian company now distributes the new Torus power-line conditioners. Based on hefty toroidal transformers from Plitron, these are aimed at the pro as much as the audiophile market; the top-of-the-line A5AB delivers up to 100 amps and weighs 220 lbs. Bryston’s James Tanner seems quite pleased with it.
Esoteric's two-box (transport plus D/A converter) SACD player, feeding A70 amps (not sold in the US), an Audio Research Reference 3 preamp, and a pair of Aerial Acoustics 20T speakers combined to produce one of the smoothest, most musical sounds I heard at the show.
Some think that the high-end audio business is a competitive, cut-throat endeavor, leading to animosities, but this picture of (l–r): EveAnna Manley (Manley Labs), Dennis Had (Cary Audio) and Kevin Deal (Prima Luna) shows that it isn't always that way, at least for purveyors of tube equipment.
Gingko Audio is a manufacturer I'm familiar with as a maker of component supports, but they also make a loudspeaker: the unusually named and unusual-looking Tubulous ($2450/pair). The enclosure consists of a pressed-paper tube, and there are three midrange/woofers inside, with a tweeter mounted on top. Very clean, transparent sound.
Prima Luna, Dutch maker of affordable tube electronics, had two new monoblock amplifiers: the EL34-equipped Model 6 and the KT88'd Model 7. What's particularly interesting is that the Model 7 can also be used with EL34s, so the indecisive audiophile can get a Model 7 with an extra set of EL34s, and, voilà! For the tube cost of $160 you effectively have a different amplifier.
Final Sound, the Dutch maker of electrostatic speakers, has been revamping their entire line, with increased sensitivity and reliability being among the claimed results. I was quite taken with sound of the top-of-the-line Model 1000i ($10,000/pair).
Sony's pre-Show press conference made little reference to sound quality, and SACD did not get even a mention. However, Sony's display did show their latest SACD player and the new MDR-V900HD headphones ($249), which have claimed frequency response extending to 80kHz. These 'phones sounded exceptionally smooth and well-balanced. Comfortable, too.
It's been 10 years since Balanced Audio Technology (BAT) introduced their first products: the VK-5 line-stage preamplifier and the VK-60 power amplifier. (I reviewed both in the December 1995 Stereophile, Vol.18 No.12.) The success of these and other BAT products has allowed designer Victor Khomenko (the "VK" of the model designations) and partner Steve Bednarski to quit their day jobs at Hewlett-Packard; they were joined by Geoff Poor as a partner to handle the sales end of the enterprise. BAT's current lineup includes several preamps, phono stages, a CD player, and tube as well as solid-state amplifiers. The top of BAT's preamp range is the VK-51SE, which costs $9000; their top tube power amp is the VK-150SE monoblock ($17,000/pair); if you want their best phono stage, the VK-P10 will set you back $8000.
For those who frequent the audio discussion groups on the Internet, the method by which Stereophile selects products for review seems to be a continuing source of fascination and conjecture. Supporters of fledgling manufacturers—whose products these Webcrawlers just happen to own—rail against the rule that products to be reviewed in the magazine must have at least five US dealers. Some suggest that Stereophile's selection of review products is all about catering to advertisers and friends in the industry, a process that seems intended to exclude their favorite products from consideration.