There were lots of turntables at the show, but the one that intrigued me the most was the Calibre Mk.101, from Audio Excellence, the Toronto-area dealer, which is making its first foray into the turntable business. The Calibre Mk.101 has a with a marble plinth, 1.5" thick acrylic platter, AC motor with speed regulation, high-quality polished bearing, and looks elegant without being ostentatious. The price of $1999 includes a good-quality arm, with further arm upgrades available. Audio Excellences stated aim in introducing the Calibre Mk.101 is "the best reproduction of records at the lowest price possible—making turntables we would own."
dCS is known for its superb-sounding but stratospherically-priced digital source components—prices in the $50k+ range for a transport/DAC combination. While their new Puccini one-box CD/SACD player won't be a candidate for Budget Component of the Year, its $22,000 price represents low end for dCS. But don't start spending all the money you've saved by buying the Puccini rather than the more expensive dCS offerings: there is a matching external clock component upgrade that will be available in the near future. No price has been determined yet, but you can be sure that it will not be in three figures.
What's an audio show without a party? Sponsored by Stereophile, the party on the first day of the show was for the exhibitors, trade visitors, and the press, and featured the Quebec rock group Give, with lead singer Caroline St. Louis.
I've heard demonstrations of Lyngdorf's digital room correction components before, and had been impressed by it, but never as much as at the demo held at this year's FSI. Adrian Low, whose Toronto store, Audio Excellence, is a dealer for Lyngdorf, played a recording of a male voice that was so bloated in the midbass as to be virtually unlistenable. That was with the Lyngdorf room correction bypassed. The sound was totally transformed when the room correction circuitry was engaged: the midbass boom, endemic to the smaller rooms on the Sheraton's upper floors, was gone, and while it was still clear that the performer was too close to the mike, producing the proximity effect that's a well-known consequence of this sort of miking, it sounded much more natural.
"Cinema—musique—beaux-arts." That's what it says on Mario Boisvert's business card. His Montreal store, Le Ren Art Bleu, sells LPs, CDs, original art, and Blu-ray discs. How is that for diversification? He had some of each at FSI—with just about the lowest priced I've seen for Blu-ray discs.
GamuT makes electronics as well as speakers, and they introduced a new model at the show. The Si100 is a $120Wpc integrated, similar in design—and, they claim, sound—to their $11,000 Di150, but priced at $6200. (I was going to say "only," but, of course, $6200 is still a good bit of change for most people.)
KEF showed their $140,000/pair Muon "concept" loudspeaker in a suite at the Hilton at the 2008 CES, but my assignment for the show report blog was electronics, so I so I passed on visiting the KEF suite. Big mistake! As the show went on, I heard several of my Stereophile colleagues raving about the KEF Muon, but by that time it would have been too inconvenient to go back the Hilton. But when I heard that KEF would be demonstrating the Muon at FSI, I was sure to check them out.
After seeing $140,000 speakers, it's always good to encounter products that really are affordable by almost any standard. I expect these $250/pair Scandyna Micropod SE speakers to say "Take Me To Your Leader," and I'd like to have a pair if only because they're just so cute. No idea of the sound, but they have an impeccable pedigree, with links to the legendary B&W Nautilus.
One of the things I look forward to at these shows is a visit to the Wilson Audio room, and the chance to listen to master recordings made by Peter McGrath. The system at this year's FSI, in the room sponsored by dealer Coup de Foudre, featured the WATT Puppy 8s and Watchdog subs, VTL TL-6.5 preamp and MB-450 amps, with Nordost interconnects and Transparent speaker cables. (I guess they didn't want to be accused of favoritism when it came to cable choice.) As usual, the sound was clean and dynamic, with a deep soundstage, and voices sounding very natural. Peter played a recording he had made of Renee Fleming singing Richard Strauss's Four Last Songs heartbreakingly beautiful. Luke Manley (VTL, left) and Peter McGrath (Wilson, right) are looking appropriately pleased.
Never mind all those fancy audio components; this is all you need. Well, maybe not if you're the typical Stereophile reader or FSI attendee. This RCA console stereo (model SFA 1091) is circa-1968, and I note that it's "All Transistor." It was a part of a display of vintage audio equipment at FSI from the Emile Berliner exhibit at the Montreal Musee des Ondes.