Flying Mole Electronics is the whimsical name of a company that makes some compact, relatively inexpensive, and, from what I heard in their room, very good-sounding audio electronics. How compact? Well, just look at the picture of their CA-S3 integrated amp, with a CD box next to it for scale. The amplifier is described as "proprietary bi-phase PWM," with an output of 20Wpc, and sells for $850. The larger—but still compact—CA-S10 ($1500) puts out 100Wpc. Both are claimed to have a tube-like sound. The little CA-S3 did a good job driving both a custom system based on JBL components and a more conventional bookshelf-sized speaker from Von Schweikert.
Canadian Totem Acoustic specializes in manufacturing loudspeakers that are small is size and price but big in sound. Perhaps no speaker of theirs exemplifies this better than the cheapest model in the line: the $450/pair Dreamcatcher. Here’s designer Vince Bruzzese with the Dreamcatcher.
"Joseph and Cardas must be stopped! Don’t let them win best sound again! Give someone else a chance!" That was the bit of tongue-in-cheek "reverse psychology" stated on buttons handed out by Jeff Joseph. The upgraded speakers at the show were the RM7XL ($2299/pair) and the RM22XL ($3199/pair).
Shanling is known for the striking industrial design of their tube electronics. Seen in the Music Hall room, the new A500 integrated amp ($6499) maintains the striking looks, but it's solid-state. Lots of nice blue lights, though.
Ask the Editors: the view from the stage. The questions this year did not include the usual ones about which exhibits people liked the most, recommendations about tweaks, and why Stereophile doesn’t do blind testing in all reviews. Instead, there were questions about things like intellectual property rights, the future of various audio formats, and whether multichannel represents a worthwhile enhancement of the music-listening experience. Very polite and friendly.
In the Show's ongoing HE Luminaries series, Jim Thiel, founder of Thiel Audio, talked to John Atkinson about his ideas on speaker design, and the evolution of his speakers through the years, including the new CS3.7, which made its debut at HE2006.
VTL announced a major upgrade to their TL-7.5 Reference Linestage Preamplifier (current gain technology, with dramatically lower noise floor), which is now the TL-7.5 Series II. They also have an upgraded version of the MB-450 monoblocks and a new 250Wpc MB-185. Pictured: VTL’s Bea Lam with the system that featured the TL-7.5/MB-450 combo driving Wilson Sophia 2s. Lovely sound.
The rebirth of Reference Recordings is one of the feel-good stories of audio. Here’s RR’s Marcia Martin, holding up two of their new releases, from pianist Joel Fan and from Keith Lockhart conducting the Utah Symphony in works by Bernstein.