The Pierre Gabriel speakers usually demonstrated at the Montreal show are normally humongous affairs, and, with partnering equipment by Jadis, the system price may leave you with little change from a $500k bill. I was surprised, then, to see a relatively modest-lookingbut still very-good-soundingspeakers playing in the Pierre Gabriel/Jadis room.
All right, so maybe I should have followed the recommendation that passengers should get to the train station at least 30 minutes before departure. But, really, does anyone but terminally obsessive-compulsive individuals do that? The train going from Toronto to Montreal was scheduled to leave Toronto at 9:30am. I was planning to be at Union Station in Toronto by 9:15. But with this and that, and delays here and there, when I got to the Via Rail ticket office to exchange my computer printout for the actual ticket it was 9:29 by their clock.
PS Audio's Power Plant Premier is a high-end product that takes the regeneration approach in providing audio/video gear with the cleanest AC possible. But not everyone can afford to spend $2195 on such a product, and although the new amplifier design that forms the basis of the Premier is relatively efficient, it does use power, and concern about conservation of the planet's energy resources might lead one to prefer a passive approach to power-line treatment. PS Audio's line of Power Centers provides such an alternative. The model I had for review was the Quintet Power Center, which differs from the Duet Power Center only in having five pairs of receptacles to the Duet's two.
Determining whether an idea is brilliant or off the wall is often a matter of perspectiveand of looking at the results that follow from the idea. Take the notion of AC regeneration. AC is what comes from the wall socket, courtesy a network of power-generation plants, and it's specified as having a certain voltage and frequency, with the amount of current limited by fuses or circuit breakers in the electrical panel of the house or apartment. Audio componentsother than those powered by batteriesare designed to convert this alternating current (AC) to direct current (DC), then produce variable AC that drives the speakers to produce a facsimile of that signal. In short, AC provides the raw material used by audio components to do their job.
A psychological theory (footnote 1) that I've always been fond of is the one that proposes the perceptual/personality dimension of Sharpening vs Leveling. As defined by the early Gestalt psychologists, Sharpening is an exaggeration of differences, Leveling a minimization of differences. In visual-perception research on this topic, when test subjects were presented with an asymmetrical figure, some later recalled it in ways that exaggerated the figure's asymmetry (Sharpeners), while others minimized or eliminated it (Levelers).
John Atkinson opened Saturday afternoon's "Ask the Editors" session with a brief introduction in French—which got applause from the audience—but the rest of the session was conducted en anglais, and the quality of questions from the audience was easily up to best that I've experienced at such sessions at the Home Entertainment shows. The questions covered a wide range, dealing with topics such as the cost of producing LPs and SACDs, advances in loudspeaker technology, the sonic quality and pricing of cables, how to allocate resources in assembling a system, and discussion of what systems had particularly impressed us at the show. I think I can speak for John Atkinson, Wes Phillips and John Marks (as well as myself) in saying that we had a good time and were most impressed with the level of interest and dedication to good sound showed by the audiophiles participating in this event. Here's a picture of the Stereophile crew, taken just after the "Ask the Editors" session (from left to right): John Marks, yours truly, Wes Phillips, and John Atkinson.
Tosh Goka of Divergent Technologies always manages to assemble a good-sounding system at shows, and this year's FSI was no exception. The speakers were the Reference 3A Grand Veenas ($8000/pair, which seems very reasonable for the technology and the sound), with Antique Sound Labs electronics and EMM Lab CD/SACD player.