One of my favorite Charles Rodrigues cartoons, originally published in Stereo Review and reprinted in the book Total Harmonic Distortion (Perfectbound Press, 1988), shows a customer in the soundroom of an audio dealer, auditioning a pair of speakers. This is no ordinary soundroom: the floor, walls, and ceiling are completely covered with irregularly shaped boxes, apparently an extreme form of acoustical treatment. The salesman is saying, "Of course, you realize that it won't sound exactly the same in your living room, sir..."
Asked to name the top three drawbacks of electrostatic loudspeakers, the knowledgeable audiophile will listnot necessarily in this orderrestricted listening area, inability to play loud, and limited bass extension. Although the last criticism can still be applied to the new MartinLogan CLX (its claimed bass 3dB point is 56Hz), the speaker's design has gone a major way toward addressing the other two criticisms.
Component supports take a variety of forms: squishy, rubbery things; hard, pointed things; ball bearings (loose or constrained); air or liquid bladders, etc. The Spike component supports, imported by Divergent Technologies, were a new one for me: they use magnetic levitation. Now, I'm familiar with platforms using this principle, but these are individual component feet, each with opposed magnetic components. A box of these "Spikes" contains four such feet, and the price for the total is CN$200. I was surprised that magnets could be made strong enough in this small size to be able to support equipment of substantial weighthich they apparently can.
It did not require great perspicacity to predict that SSI2009 would not be as well attended as last year's show. Things are tough all over. In any case, as I write this, on Saturday evening on a train en route to Torontoyes, I manage to catch the train this time!the show still has another day to go, and, as Michel Plante, with Sarah Tremblay the SSI's organizers, admitted, what often makes or breaks a show like this is the Sunday attendance.
Like many Stereophile readers, I read with great interest, and a certain amount of incredulity, Jason Victor Serinus's rather gushing CES report on the Sennheiser HD800 headphones. Now, I have a lot of respect for JVS's opinionswe share an appreciation of opera and other vocal music, and we're both great fans of Fritz Wunderlichbut, reading his report, part of me was intrigued and another part was thinking "Come on, Jason, these are just headphones, what's the big deal?"
Is it just my perception, or do people who are looking through bins of LPs have a kind of happy excitement about them? The vinyl-buying folks at SSI sure seemed to be a really happy lot. Selecting CDs seems to be a much more matter-or-fact endeavor. And I can't imagine anyone getting too excited about the act of buying a new hard drive for their music server.
The Pierre Gabriel speakers usually demonstrated at the Montreal show are normally humongous affairs, and, with partnering equipment by Jadis, the system price may leave you with little change from a $500k bill. I was surprised, then, to see a relatively modest-lookingbut still very-good-soundingspeakers playing in the Pierre Gabriel/Jadis room.