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Robert Deutsch Posted: Jan 11, 2011 1 comments
I think it was at least a couple of years ago that I first heard that Atlantic Technology—a speaker manufacturer that I associate more with value-for-money than cutting-edge products—was working on a patent-pending technology that combines reflex, acoustic suspension, inverse horn, and transmission line approaches to bass loading. Dubbed Hybrid Pressure Acceleration System (H-PAS), this is said to combine the best aspects of each approach, with deep bass extension, good system sensitivity, and reasonable enclosure size.

Well, the patent has been granted, and the floor-standing AT-1 ($2500/pair) is the first speaker to utilize the H-PAS approach. (According to Atlantic’s Peter Tribeman, they have licenzed H-PAS to five other companies—which he understandably declined to name.)

Having listened at CES to a pair of AT-1s, in a system that included top-of-the line Halo by Parasound electronics, I’m convinced that they’re on to something with this technology. The AT-1 is a modestly-sized floorstander, with two 5¼” woofer/midrange drivers, and yet it generated bass of such extension, power, and control that left me and others who attended the demo shaking their heads in disbelief. The sound was otherwise fine, too: tonally well-balanced (the bass was there only when it was on the recording), and a precisely-defined soundstage. Most impressive.

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Robert Deutsch Posted: Jan 11, 2011 0 comments
In defining what is the maximum cost of “mid-priced” speaker, which was my assignment at the Show, I had tentatively settled on $10,000/pair. Jeff Joseph Audio’s Perspective, still undergoing tweaking, at a projected price of $11, 800/pair, exceeds that self-imposed maximum, but the speaker sounded so good, and Jeff Joseph was so obliging in hamming it up, that I just had to include it in my blog and take Jeff’s picture. JA, you can write up a sub-$10k speaker in return.
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Robert Deutsch Posted: Jan 11, 2011 0 comments
Veteran CES-goers often refer to the Las Vegas Convention Center (LVCC) as “the Zoo”—a term that I don’t think applies very well. In the zoos that I’m familiar with, the animals are not crowded closely together (as people are during CES), and they’re not there because of choice—which people are, even though they may grumble about it. I normally spend about half-a-day at the LVCC—I refuse to call it “the Zoo”—which gives me a chance to catch up on what’s happening in mass-market consumer electronics. And it sometimes allows me to discover the occasional product that could easily have been exhibited in the hallowed halls of high-performance audio in the Venetian.

Case in point: the Titan Series Telesto ($7999/pair) and Tigro ($9500/pair) floor-standing loudspeakers from Earthquake, a company that until now has specialized in subwoofers. According to Earthquake President and designer of these speakers, Joseph Sahyoun, these are speakers that he actually designed several years ago, but could not build them because he was not able to get overseas the kind of molded cabinet construction that he felt was essential to get the results he wanted. The cabinets of these speakers are now made in the USA, and the drivers are also made in-house. The speakers were on passive display, so I can’t comment on the sound, but the design certainly looks like a serious effort, with a lot of attention to detail.

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Robert Deutsch Posted: Jan 07, 2011 Published: Jan 08, 2011 5 comments
Monster Cable press conferences are always fun to attend, Noel Lee (left) demonstrating the enthusiasm that I’m sure has been a major contributor to his company’s success in the business. His son, Elbert, who did some of the presentations, looks like a chip of the old block. Sure, Monster's press conferences have a strong blow-your-own-horn element, but that’s true for all press conferences.

And they had a lot of new products to introduce. I’ll leave the description of these products to my colleague, Jason Victor Serinus, whose show report assignment is accessories, but I’ll note that Monster is introducing a line of car-care products.

For the record: the swag from Monster was a Micro HDMI-to-HDMI cable. I don’t have anything that can use this, so I passed on it.

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Robert Deutsch Posted: Jan 07, 2011 0 comments
CES Unveiled turned out to have little of interest to Stereophile readers—except those who are general technical geeks. (Not that there’s anything wrong with that!) Most of the products on display involved mobile computing, computer peripherals, etc., and the exhibits were simple table-top setups. Major CES exhibitors like Sony and Panasonic were conspicuous by their absence. Samsung just had some of their small digicams. I guess the high performance audio community decided to pass on this event, and it makes sense: what makes these products special can’t be evaluated by just looking at them.
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Robert Deutsch Posted: Jan 07, 2011 0 comments
“CES Unveiled” is the name of an event that’s presents a sort of preview of CES itself, featuring products that had been given awards for innovation. It takes place on the day before the CES Press Day, two days before CES is open. I normally don’t get to Las Vegas early enough to attend, but I did this time, so I thought I would check it out.

I got there nearly an hour before the four o’clock opening of CES Unveiled, and there were already hundreds of people—all accredited members of print or internet media or bloggers—waiting to get in. Were they expecting to get some valuable swag (promotional item), like an iPad? I checked at the entrance, and, indeed, there was some swag that was to be given to each person attending: not quite an iPad, but an external battery for an iPhone/iPod. Hmm. . .I recently bought an iPhone 4. I could use a battery for it. But there was no way I would wait that long. I wandered away, and came back at about a quarter to four. The line was then much longer, and I still ended up waiting about three-quarters of an hour before I got in. And—guess what—all the iPhone batteries were gone. I’m told they had 800 of them. Total attendance of the "CES Unveiled" event must have been over a thousand. It’s going to be a busy CES. . .

But I did get a little gift: an iPhone 4 case in shocking pink. Now I just have to find someone I can give it to.

Robert Deutsch Posted: Nov 15, 2010 0 comments

Does spending more money on audio equipment get you better sound? Some audiophiles assume that anything that costs more must be better—and that if it's relatively inexpensive, then it can't be any good. Others hold the opposite view: expensive components can't possibly be worth their prices, and those who manufacture them—and audio journalists who report on them—must be charlatans.

Robert Deutsch Posted: Apr 16, 2010 0 comments
A few years ago, I had a phone call from a marketing organization. I was asked, as a member of the audiophile press, to participate in a survey dealing with the "images" of various brands of loudspeakers.
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Robert Deutsch Posted: Mar 31, 2010 1 comments
The Stereophile Ask the Editors session at Shows—in which John Atkinson (left), Art Dudley (center), Stephen Mejias, and I fielded questions from the audience at SSI—in something that I enjoy a lot, and so, I know, do JA, AD, and SM. Through the years, I've learned that it's almost impossible to anticipate what the questions will deal with. And that was certainly true this time. The questions covered a wide range of topics: why are there so few active speakers on the market; why doesn't Stereophile review more vintage equipment; what system that we've heard (at the show or elsewhere) represents to us audiophile nirvana; music recorded in what format will be reproducible a thousand years from now; why is the interest in high quality audio less popular now than it was a few decades ago; has loudspeaker quality improved through the years; and many more. All thoughtful, interesting questions.
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Robert Deutsch Posted: Mar 31, 2010 8 comments
Take a dCS Scarlatti digital front end ($68,000), combine it with a pair of Nagra VPA tube amplifiers ($20,000/pair, pictured), and a pair of the new Verity Audio Amadis loudspeakers ($29,995) and you'll have a pretty good-sounding system, right?

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