Robert Deutsch
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SSI 2010
Robert Deutsch Mar 28, 2010 15 comments
Nordost's Lars Kristensen can always be relied on to give an enthusiastic and instructive demonstration, and so it was at SSI 2010. I missed the first part of the demo, but I was there for what I was most interested in: the effects of the Quantum Qx2 ($1700) and Qx4 ($2700) Resonant Technology "power purifier" devices that Art Dudley has written about. I can't say that I really understand the technical explanation of how these devices work, but the demonstration showed that they certainly do work, the sound—which without the Quantum devices was actually better-than-average—acquired greater dynamic freedom, sharper imaging, and the soundstage became more spacious.
SSI 2010
Robert Deutsch Mar 28, 2010 3 comments
The Focal Electra 1037 Be that was reviewed by Michael Fremer a while back has been superseded by the Electra 1038 Be II ($13,500/pair). The major change is the upgrading of the beryllium tweeter to the level of the units used in the Utopia series. There is also the inevitable crossover change, and the manufacturing of the midrange and woofer drivers has been made more precise. Here's Daniel Jacques of Audio Plus/Plurison, the North American Focal importer, with the Electra 1038 Be II.
SSI 2010
Robert Deutsch Mar 28, 2010 4 comments
Simaudio had two product introductions at the show that conform to this approach: the Moon 400M is a 400Wpc fully balanced mono power amp selling for $2995 each, and the Moon 350P preamplifier (also fully-balanced), $1995 without phono stage and CN$2795 with. Dynaudio had the new Focus 220 Mk.II floorstander ($3600/pair) and the DM 2/6 ($800/pair). The DM 2/6 is the least expensive Dynaudio speaker, and although the drivers are not quite at the level of their more expensive brethren, Dynaudio's Mike Manousselis told me that they're still made in the same factory in Denmark, and follow the core Dynaudio technical quality. Lionel Goodfield (Simaudio) and Mike Manousselis look pleased with their new products.
SSI 2010
Robert Deutsch Mar 28, 2010 1 comments
Simaudio, represented in my photo by Lionel Goodfield (left) and Dynaudio, represented by Mike Manousselis (right) often exhibit together, an arrangement that seems to represent the friendly relationships between people in these companies as well as the synergistic relationships between the products. They certainly sound good together, and both companies seem to be guided by a desire to offer not necessarily the cheapest possible products, but ones that offer high quality combined with good value.
SSI 2010
Robert Deutsch Mar 28, 2010 11 comments
May Audio Marketing, owned and managed by Nizar Akhrass, has been a purveyor of audiophile recordings and accessories since . . . well...shortly after Thomas Edison demonstrated the newfangled device called the phonograph. Or at least so it seems. He and his family are still at it, and, in a move that will be applauded by the audiophile community, the organizers of SSI presented Nizar and his wife Alice with a Lifetime Achievement Award at the opening night reception. Well-deserved, I'd say.
SSI 2010
Robert Deutsch Mar 28, 2010 1 comments
"Oh ho they're playing my song
Oh yeah they're playing my song
And when they're playing my song
Everybody's got to
Sh Sh Sh"
SSI 2010
Robert Deutsch Mar 28, 2010 5 comments
As a fan of electrostatics—I used to own KLH Nines and original Quad 57s—I was intrigued by the favorable reports of the King Sound Prince II full-range electrostatics in both the 2010 CES and the Axpona show reportss, and was pleased to find out King Sound listed on the list of exhibitors at SSI 2010. It was one of the few exhibits that I actually sought out rather than just allowing myself to find it in the course of walking the show floor. And I was most impressed. The sound—with electronics from McAlister, a company that I'll be writing about in a separate blog entry—had the clarity and lack of "speaker" coloration that reminded me of the KLH Nines and Quads, but the speaker seemed to be able to play louder than than these classic 'static designs. The retail price of $6500/pair seems very reasonable. I think I've found my next speaker to review. Or maybe the King II, which is just being introduced—but it may be too big for my room.
SSI 2010
Robert Deutsch Mar 28, 2010 5 comments
Barrie, Ontario, about an hour's drive from Toronto, with a population of about 130, 000, is not a city that I associate with the design and manufacture of high performance audio equipment. It doesn't have even a single "real" audio store, just Best Buy, etc. But, as I found out at SSI 2010, Barrie is the home of McAlister Audio, maker of the OTL-195 monoblock amplifier and a prototype preamp. The designer is Peter McAlister, who produced his first prototype output-transformerless power amp ten years ago. The OTL-195 puts out 150W, and appears to be a very sophisticated design: fully balanced, able to drive 4 ohm loads, a circuit that tracks the signal level in the driver stage and modulates the control grids of output tubes, and various other circuit refinements. The OTL-195 is hand-built by Peter McAlister himself, and utilizes high-quality parts. The price is $8500/pair. As I mentioned in the blog posting below, the King Sound Prince IIs sounded great driven the McAlister OTL-195s.
SSI 2010
Robert Deutsch Mar 26, 2010 0 comments
Faithful readers of these show report blogs may recall that last year I missed the Toronto–Montreal train I was scheduled to take, and had to wait two hours for the next one. This year, I was determined that history was not going to repeat itself, and I ended up getting to the train station nearly an hour before the train's departure. Maybe next year I'll find a happy compromise. . .
SSI 2010
Robert Deutsch Mar 26, 2010 6 comments
Shows like SSI are about the cutting edge in audio, with the latest and (purportedly) greatest on display and demonstration. Given this, I always get a kick out of spotting a piece of equipment that just does not seem to belong in such august company. This Sanyo JCX 2600K stereo receiver is from another era—circa 1978–1981 according to the ever-helpful Google search. Looks like it's in great shape. I spotted it on a shelf in an area of the show where they were setting up racks of LPs for sale. What was it doing there? I have no idea. Wonder how it compares sonically with the latest-and-greatest?
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