Robert Deutsch

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Robert Deutsch Posted: Oct 01, 2012 0 comments
Last year's TAVES involved a partnership of Suave Kajko and Simon Au, both from the Toronto area, as well as Michel Plante and Sarah Tremblay, organizers of the well-established Montreal Salon Son & Image (SSI). Michel and Sarah also brought with them most of their staff from SSI. Suave and Simon were new to "show" business, so when it was announced that Michel and Sarah were not going to be involved in this year's show, there was some concern. Would these Torontonians have the élan, the savoir faire, the je ne sais quoi needed to run a show like TAVES.

Mais oui! It was a great show!

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Robert Deutsch Posted: Oct 01, 2012 0 comments
John Atkinson reviewed the Acapella High Violoncello II speaker—an esoteric item with a horn-loaded midrange and ion tweeter—two years ago. His conclusion: "This admittedly expensive German speaker really is one of the finest-sounding speakers I have had the pleasure of using."

How expensive? $80,000/pair. Is that too much for you? Well, TAVES 2012 had a demo of the Acapella Violin 1, which is a "mere" $45,000/pair. In a system with Audio Research Reference electronics, the Acapella Violin 1s sounded magnificent.

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Robert Deutsch Posted: Sep 30, 2012 3 comments
The Audio Zone Eliminator speakers ($8900/pair) have a distinctly DIY look, aimed at providing maximum performance with no concession to decor. Bass and midrange are both horn-loaded, the bass using a reproduction of the Electro-Voice DX-15 driver, the midrange a Selenium D330 compression driver, and a Fostex supertweeter. Claimed sensitivity is an astonishing 120dB. The Audio Zone Eliminator is built to order. Audio Zone also offers a variety of amps and preamps (active and passive), at what seem like very reasonable prices (eg, 50W Op-Amp Integrated, $1595), all made in Canada.

I'm a great admirer of Quad electrostatics. . .

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Robert Deutsch Posted: Sep 29, 2012 0 comments
Location, location, location. Although there are more factors that go into a successful audio/video show, unless the location and the venue are right, it's really an uphill battle. The organizers of the Toronto Audio Video Entertainment Show recognized that unless the show is in location that's convenient and has a venue that's attractive, only the most devoted audio/videophiles will attend.

They got it right by selecting the King Edward Hotel, a luxury hotel in downtown Toronto, with many restaurants nearby, and also close to theaters. All right, so parking is expensive, but the King Edward is steps from the subway, so it's easily accessible by public transit.

Robert Deutsch Posted: Aug 31, 2012 Published: Sep 01, 2012 2 comments
One of my formative audiophile experiences was the first time I heard electrostatic speakers. I walked into an audio store and heard music played by a live jazz combo. But where were the musicians? I saw none, though I did notice a couple of room-divider panels in the part of the store where the music seemed to be coming from. Eventually, it dawned on me that these must be loudspeakers—but they sounded like no other speakers I'd ever heard, and nothing like the Advents I had at home.
Robert Deutsch Posted: Aug 20, 2012 0 comments
I'm a great fan of the musical theater: musicals, operetta, and opera, more-or-less in that order. A typical summer vacation for my wife and me involves driving from Toronto to the East Coast, stopping off to see musicals (and some plays) at places like the Barrington Stage Company in Pittsfield, MA, the Goodspeed Opera House in East Haddam, CT, the Paper Mill Playhouse in Millburn, NJ, , and the Ogunquit Playhouse in Ogunquit, ME. The Glimmerglass summer opera festival, near Cooperstown, NY, is not far from the route we usually take, but I never thought of visiting it because my impression has been that they specialize in performances of modern and obscure operas, which are not quite our cup of tea.

My discovery of the fact that Glimmerglass has greatly expanded the range of its offerings came about through sheer serendipity. . .

Robert Deutsch Posted: May 30, 2012 3 comments
Integrated amplifiers are hot. I don't mean in the literal sense—although having a preamplifier and stereo power amplifier in the same chassis usually results in higher running temperatures—but in the metaphorical one. Once viewed as the type of component that no serious audiophile would consider buying, integrated amps have made a comeback in popularity and prestige. Consider: the October 2006 "Recommended Components" issue of Stereophile listed 29 integrated amps, whereas the October 2011 issue lists 40. Stereophile's 2010 Amplification Component of the Year award went to an integrated amp, the Audio Research VSi60, beating out a host of heavy-hitter preamps and power amps. The 2012 Stereophile Buyer's Guide lists 400 integrateds.
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Robert Deutsch Posted: Mar 26, 2012 0 comments
As you can see in the picture, Angie loves Jeff Rowland Design Group products, such as the Aeris DAC/preamp ($12,000), which made its debut at SSI 2012. The Aeris features a substantial external power supply, and has the usual array of inputs, including the now-mandatory USB.
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Robert Deutsch Posted: Mar 26, 2012 3 comments
This year's SSI included a Canada Pavilion exhibit, honoring Canadian manufacturers of audio products. One of these was Simaudio. This was my first chance to get a close look at the Signature version of their 600i 125Wpc integrated amp. It's $14,200 in ultra-shiny gold finish that's a photographer's nightmare. I mentioned to Simaudio's Lionel Goodfield my difficulty in getting a decent photo of the 600i Signature, and he said that it took their professional product photographer several hours of fiddling with various lighting accessories to get a product picture that they could use. That made me feel better.
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Robert Deutsch Posted: Mar 26, 2012 0 comments
Gala-Solo is a Canadian speaker company that intends their products to be suitable for both the pro and audiophile markets, the "M" that's part of each speaker model's name standing for both "Monitor" and "Music." The M3 ($3600/pair) is a two-way, three-driver system, using pro drivers. The 6.5" bass drivers from PHL France feature a patented "intercooler" process. The tweeter, pictured above, from Acoustics Beyma (Spain), has an aluminum diaphragm and voice-coil. Rated sensitivity is 94dB, and the maximum level is 116dB. It was pointed out to me that this maximum level specification is particularly important: some speakers may produce 94dB for a 1W output, but, unlike the M3, they won't play much louder than that without distorting.

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