Barry Willis

There's a certain commercial symbiosis between audio companies and public performance spaces. Tokyo has its Yamaha Hall; New York has its Avery Fisher Hall (1, 2), named for the hi-fi pioneer whose products were among the best available in the early 1960s.

Two-channel lives: Once the bread-and-butter of electronics retailers everywhere, the two-channel receiver has become all but extinct. Rotel America is making a valiant effort to save this endangered species with its new RX-1052, a remote-controllable 100Wpc unit claimed to offer "audiophile-grade sonics"—it includes a phono preamp, and a "massively overbuilt" power supply—with versatile four-area multiroom/multizone capabilities and basic video-switching features. Whole-house system integration is made easier via three IR links and 12V trigger outputs. An RS-232 interface connects to touchscreens and other media controllers, and provides an upgrade path for the unit's firmware. Available with either matte black or black-and-silver front panels, the RX-1052 goes on sale in October at a suggested price of $899.

Ashland, OR cable maker, TARA Labs, was raided by a combined force of federal agents and local police, acting on a warrant issued after investigators found sufficient evidence that the company may have mislabeled some of its products as "Made in USA."

The music industry may be going the way of the dinosaur, but if so, it's going to go down with its army of lawyers fighting all the way to the bitter end.