From the September 1992 issue, Corey Greenberg checks in with a review of the Dynaco Stereo 70 II power amplifier. According to CG, "Panor's Stereo 70 II reissue looks similar to a vintage Dyna, but contains several circuit additions claimed to improve the original design's performance."
"Whole-house entertainment systems" and "ease of use" may be anathema for many audiophiles, but they bring joy to the lives of many music lovers—as they seem to do for manufacturers with a keen eye on the bottom line.
Twenty years ago, the introduction of the compact disc put the music world on a new path. Not long after its debut, Meridian Audio Ltd. launched the world's first audiophile CD player, the MCD. That player and others that followed drew audiophiles into the digital age.
In a landmark special feature, Chris Dunn & Malcolm Omar Hawksford thoroughly dissect the vicissitudes of the digital interface and jitter in Bits is Bits? The authors note, "The theoretical performance obtainable from the 16-bit linear PCM format sampled at 44.1kHz is superior to any analog sources available to the consumer."
Warner Music Group rebounds: WMG announced Thursday August 19 that it was near completion of a major corporate restructuring, a move expected to save as much as $250 million annually. WMG had originally projected savings of $60 million per year. Earlier this year, the company was acquired by an investment consortium led by Edgar Bronfman, Jr., scion of the Seagram family of Montreal and former chief of Universal Music.
In his report on the MartinLogan Depth powered subwoofer, Larry Greenhill laments, "Reviewing subwoofers is a lonely job that brings no respect." But can the Depth upset one of LG's longstanding prejudices to earn his respect?
Paul Bolin notes, "Bankers and doctors bought McIntosh, not 'serious' audiophiles. So ran the conventional wisdom." While reviewing the McIntosh MC501 monoblock power amplifier, PB discovers that conventional wisdom can be anything but wise.
Back in June of 1992, Lewis Lipnick auditioned one of the era's benchmark products, the Cello Palette Preamplifier. LL comments, "The Palette Preamplifier gives the listener a glimpse of what performers experience every day on stage: total immersion in the music."