Stereophile Staff

Sort By: Post Date | Title | Publish Date
Filed under
Stereophile Staff Posted: Aug 29, 1999 0 comments
Flat frequency reponse in an audio component is good, right? Well, maybe not always, explains J. Gordon Holt in Down With Flat! JGH: "Many times in past years I have been impressed by the incredible flatness of the measured high-end response of some speakers. . . . In every such case, I have been equally amazed at how positively awful those loudspeakers sounded—so tipped-up at the high end that I could not enjoy listening to them."
Filed under
Stereophile Staff Posted: Aug 22, 1999 0 comments
It's no secret that audio publications around the world have been shrinking or disappearing of late. John Atkinson writes in his September 1999 "As We See It" that although the trend has certainly affected Stereophile's girth, steps have been taken to fatten the audiophile content of every issue. Read his analysis of the situation in "Closer Together Covers?"
Filed under
Stereophile Staff Posted: Aug 15, 1999 0 comments
Last week, GlobalNet Systems announced that violinist Itzhak Perlman has joined its subsidiary On-Line Entertainment Network as consultant and advisory boardmember. The company says that Mr. Perlman will consult on its acquisition and production of live classical-music events and the licensing of master catalogs of recorded classical music. He also joins an advisory board that will advise on future trends and opportunities for the company. The company intends to add other major artists to its advisory board in coming months.
Filed under
Stereophile Staff Posted: Aug 15, 1999 0 comments
Wes Phillips explains that Adcom is one of those companies that is easy to take for granted. "To break through our complacency, Adcom would have to produce an outright unlistenable turkey—or a product that raised the bar so high that any audio manufacturer would get a hernia just thinking about raising it again."
Filed under
Stereophile Staff Posted: Aug 08, 1999 0 comments
Tonal accuracy vs. soundstage? "Achieving an optimum balance between the two philosophical extremes of recording is where much of the art lies. It also begs the question, of course, of why it's impossible to have both: a recording with a virtual-reality sense of imaging that also captures all the sound without any coloration." While recording the Sonata CD for Stereophile, John Atkinson wrestles with every recording engineer's dilemma. Read about the struggle to capture Robert Silverman performing Liszt's monumental B-Minor Piano Sonata and the ultimate solution in "Fate, I Defy You," added this week to the archives.
Filed under
Stereophile Staff Posted: Aug 08, 1999 0 comments
Last week, USA Digital Radio, a developer of In-Band On-Channel Digital Audio Broadcast (IBOC DAB) technology, announced an "aggressive" field-test campaign at 12 radio stations across the country. The company will be conducting the digital tests under experimental licenses issued by the Federal Communications Commission (FCC). With most equipment already installed, according to USA Digital Radio, test efforts are currently underway at several stations.
Filed under
Stereophile Staff Posted: Aug 01, 1999 0 comments
While recording the Encore CD for Stereophile, John Atkinson had to decide: "Should I add some artificial reverberation?" After much gnashing of teeth, he plowed ahead. Read about the process in "Encore," an in-depth look at the recording techniques, the artists, and the music.
Filed under
Stereophile Staff Posted: Jul 25, 1999 0 comments
While decidedly "niche products," as Martin Colloms describes them, single-ended (SE) tube amplifiers have still found a happy home in many audiophile systems. But a trap awaits those who wish to evaluate the differences between an SE and a solid-state or push-pull tube amplifier, or between two SE amps. In "The Unseen Variable," Colloms digs to the bottom of this complicated matter.
Filed under
Stereophile Staff Posted: Jul 25, 1999 0 comments
The age of digital music downloads has begun in earnest. On July 20, EMI Recorded Music announced that it has signed a deal with Digital On-Demand and its subsidiary, RedDotNet Inc., to make the EMI catalog available for downloading to kiosks in music stores. The kiosks will be equipped with CD "burners" where customers can copy EMI recordings not in stock in the stores. They will also be able to print out the original cover art and liner notes. Discs can be copied at high speed in 5 to 15 minutes using RedDotNet's technology, the announcement noted.
Filed under
Stereophile Staff Posted: Jul 18, 1999 0 comments
Internet music retailer CDnow has formed a partnership with Sony Corporation and Time Warner to build a music and video retailing behemoth. The July 13 announcement came in the wake of online bookseller Amazon.com's recent move into the music market. With the backing of corporate giants Sony and Time Warner, CDnow could be able to mount a challenge to the growing presence of Amazon, which is also expanding into toy sales and consumer electronics.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading