Stereophile Staff

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Stereophile Staff Posted: Feb 08, 2010 Published: Feb 08, 2009 0 comments
A crime of passion? Depraved indifference to the importance of tuneage? Death by music? The simple fact is that most audiophiles got that way by having too many records. That's right—very few got into this rewarding, non-contact sport because they were aroused by shiny brushed-steel boxes or supersexy speaker grilles. It's because they wanted to hear their piles of music—their Mahler, Monk, or Rick James—sound the best it could. (And, okay, yes: It is cool to show drooling friends your designer gear.)
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Stereophile Staff Posted: Apr 01, 2008 0 comments
Stereophile is partnering with the Festival Son & Image, to be held in Montreal, Canada, Thursday April 3 through Sunday, April 6. The first day is for trade and press only—public admission starts on Friday at 11am. More than 120 brands will be demonstrated in rooms on 11 floors of the Sheraton Centre hotel in downtown Montreal, and the Show's keynote speech is being given by Monster Cable's Noel Lee at 10am on the trade day, Thursday April 3.
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Stereophile Staff Posted: Mar 16, 2008 0 comments
The Home Entertainment Show, promoted by Stereophile, Ultimate AV, and Home Theater magazines, successfully showed off the best in high-end audio and home theater to enthusiasts from 2001 through 2007. However, following its acquisition of the magazines in August 2007, Source Interlink Media decided not to promote the Home Entertainment Show in 2008. Instead, Stereophile is partnering with the Festival Son & Image, to be held in Montreal, Canada, Thursday April 3 through Sunday, April 6. (The first day is for trade and press only.)
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Stereophile Staff Posted: Feb 24, 2008 Published: Feb 26, 2008 0 comments
It starts quietly enough, with a simple falling-fifth motif, but the first movement of Sergei Rachmaninoff's neglected Piano Sonata 1 develops into a work of epic proportions nearly 40 minutes in length, with haunting melodies, massive dynamic contrasts, and lush, sensual harmonies.
Stereophile Staff Posted: Jun 26, 2009 Published: Feb 26, 2008 0 comments
It starts quietly enough, with a simple falling-fifth motif, but the first movement of Sergei Rachmaninoff's neglected Piano Sonata 1 develops into a work of epic proportions nearly 40 minutes in length, with haunting melodies, massive dynamic contrasts, and lush, sensual harmonies.
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Stereophile Staff Posted: Feb 02, 2009 Published: Feb 02, 2008 0 comments
The value of music as a commodity, and as one of mankind's wonders, has never been in such flux. Retail record shops are dying, the former major labels are focused on making records for kids (the same kids they're suing), and the business overall remains wedded to an incredibly short view (get a hit or get out), but the music itself continues to trickle through to those who want it—and, yes, on some level would die without it.
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Stereophile Staff Posted: Dec 09, 2007 Published: Dec 26, 2007 1 comments
Stereophile's seventh CD of Minnesotan male choir Cantus, called with delightful originality Cantus (CTS1207) and recorded at 88.2kHz with 24-bit resolution, is now available from our e-commerce page, for $16.95 plus S&H.
Stereophile Staff Posted: Jun 26, 2009 Published: Dec 26, 2007 1 comments
Stereophile's seventh CD of Minnesotan male choir Cantus, called with delightful originality Cantus (CTS1207) and recorded at 88.2kHz with 24-bit resolution, is now available from our e-commerce page, for $16.95 plus S&H.
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Stereophile Staff Posted: Oct 07, 2007 0 comments
That, somehow, the "absolute sound" of live music is locked up within the grooves or pits of the discs we play and can be retrieved in its entirety if only we had a a good enough playback system is one of the enduring myths in high-end audio. Yet the art of recording is just that, an art, and it is entirely possible that a better playback system will sound worse with some recordings. And with the mainstream press telling would-be audiophiles that low–bit-rate MP3s are of "CD quality" and that even CD is overkill for audiophile sound quality, why would anyone need high-resolution recordings?
Stereophile Staff Posted: Sep 07, 2007 Published: Oct 01, 2007 0 comments
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