The last few years at our annual Home Entertainment Show, many readers have come up to me and asked: "How do you select which speakers to review?" In my case, most candidates are either new products that have impressed me when demonstrated at our HE Shows, or new products from manufacturers whose designs have impressed me in the past. Occasionally, editor John Atkinson gets wind of a speaker and asks if I'd like to review it. But once in a while, a manufacturer reads a rave review of a competing product that makes his or her blood boil.
As I've lately had the pleasure of reviewing some impressive tubed components, I asked myself why I hadn't ever reviewed anything from VTL Amplifiers. My history with VTL goes back to the 1986 Consumer Electronics Show in Chicago (wouldn't it be great if CES returned to that city?), where Vacuum Tube Logic cofounder Luke Manley and his father, the late David Manley, made a big splash with David's preamps and amplifiers. To publicize the fact that amps were designed and made in Britain, the Manleys wore the cheesiest Union Jack T-shirts I'd ever seenthe kind they sell in those cheap tourist traps in Piccadilly Circus. When I recently ribbed Luke about those shirts, he admitted that "They fell apart as soon as we returned home." I told him that I hoped his products were more rugged.
A while back, I received an e-mail from The Kid (Stephen Mejias): "I've been listening to and enjoying the Wharfedale 10.1 loudspeakers ($350/pair) for a couple of months. I wrote about them for my March and April issue columns, but they are good enough for a complete review. Are you interested?"
Hmm . . . so The Kid is now assigning me equipment reviews? "Sure, why not?"
The day after the Wharfedales arrived, The Kid sent me another e-mail: "Have you unpacked them yet? They are so pretty!"
In a recent email, a reader, having read my review of the Monitor Audio Silver RX6 loudspeaker in the June 2012 issue, said that he'd like to see it compared with the similarly priced Wharfedale Diamond 10.7 ($1299/pair) and Epos Elan 10 ($1000/pair). That sounded interesting. The floorstanding 10.7 is the flagship model of Wharfedale's Diamond series, six models up from the Diamond 10.1 bookshelf (which I reviewed in reviewed in July 2011) and featuring the same dome tweeter. And the Epos Elan 10 essentially replaces the Epos M5i, which I reviewed in February 2011, and which has served as my reference bookshelf speaker ever since. I requested samples of both. (My review of the Epos Elan 10 is scheduled to appear in the February 2014 issue.)
As a musician who has studied of all forms of acoustic and electric keyboard instruments, I have played the gamut of keyboards, from gems to disasters. I think the most significant keyboard developments of the 20th century were the Hammond organ, the Fender Rhodes electric piano, and the Moog synthesizer. These instruments were notable not for their ability to replicate the sound of acoustic instruments, but for the new timbres and textures possible with them, which have since become permanent parts of our musical vocabulary. I have now played an instrument that may prove one of the most significant keyboard designs of the 21st century: the Yamaha AvantGrand N3.