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J. Gordon Holt Posted: Feb 17, 1985 0 comments
One of the things that distinguishes a dedicated audiophile from Joe Q. Public is that he has some notion of what audio fidelity is all about.
John Atkinson J. Gordon Holt Posted: Oct 25, 1988 0 comments
From time to time in this column, I have alluded to what appears to be a loss of direction in high-end audio. It's not that the state of the audio art has stopped advancing; the technology is improving in many ways, as is obvious every time we listen to a new preamplifier or cartridge or loudspeaker that has better this, that, or the other thing than anything which has come before. The problem is that these improvements don't really seem to be getting us anywhere. And I believe the reason for this is that the audio community no longer agrees about where audio is supposed to be going in the first place.
J. Gordon Holt Posted: Jan 01, 1971 2 comments
After a number of years of equipment reviewing, one gets rather blasé about "compact" loudspeakers. The appearance of yet another one that looks like hundreds of others and embodies no radically new innovations to pique one's curiosity is likely to be greeted with a passionate Ho-Hum.
J. Gordon Holt Posted: Apr 02, 2015 Published: Oct 01, 1978 2 comments
Despite the myriads of technological breakthroughs announced month after month with tedious regularity by manufacturers of pickups, amplifiers and loudspeakers, there are only five developments in the 101-year history of audio reproduction (footnote 1) that we would call truly revolutionary. We will doubtless offend many by stating that Edison's phonograph was not one of them. It was the starting point, it was not a turning point. Emile Berliner's disc was revolutionary, in that it changed the whole format of sound reproduction, and made possible true mass production of recordings (footnote 2).
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Larry Archibald J. Gordon Holt Posted: Jun 01, 2007 Published: Apr 01, 1986 0 comments
The rumors have been flying, and his arrival is imminent—a couple weeks after you read this—so it's time our readers know: John Atkinson, for the last four years Editor of Britain's prestigious Hi-Fi News & Record Review, is joining the staff of Stereophile as Managing Editor and International Editor.
J. Gordon Holt Posted: Dec 01, 2008 Published: Apr 01, 1987 0 comments
As the person who "invented" subjective testing, I have followed with great interest the many articles in the mainstream audio press which purport to prove that none of us can really hear all the differences we claim to hear, particularly those between amplifiers. My reaction has usually been: "Why didn't they invite me to participate? I would have heard the differences under their double-blind listening conditions." I could make that assertion with supreme confidence because I had never been involved in any such test.
J. Gordon Holt Posted: May 11, 2009 Published: Oct 11, 1985 0 comments
Is it possible to make a $700 "mainstream-audio" power amplifier sound exactly like a high-priced perfectionist amplifier? Bob Carver, of Carver Corporation, seemed to think he could, so we challenged him to prove it.
Larry Archibald Anthony H. Cordesman J. Gordon Holt Posted: Jan 04, 2010 Published: Sep 04, 1985 0 comments
Now that Stereophile's reporting on the 1985 Summer Consumer Electronics Show has ended (I hope!), I would like to express strong dissent with its style and content. In fact, I believe that most of it should never have appeared in print.
J. Gordon Holt Posted: Nov 25, 2009 Published: Apr 25, 1988 0 comments
About 2200 years ago, a Greek writer named Antipater of Sidon compiled a list of the seven wonders of the world, which included a 100'-high statue of the Sun god Helios, erected next to the harbor of Rhodes on the Aegean sea. A of S called it the Colossus of Rhodes, for an obvious reason. Now there's a new Colossus, the derivation of whose name is a little less obvious, but which could justifiably be included in any contemporary listing of the seven wonders of the audio world.
J. Gordon Holt Posted: Apr 08, 2010 Published: Oct 08, 1983 0 comments
A persistent complaint from some of our readers concerns our seeming preoccupation with exotic components. (Presumably what they mean are scarce, unusual, or hard-to-find components, because "exotic" really means "from a foreign country," and there is sure as hell nothing hard-to-find about a Panasonic receiver.) "Why," you ask, "do you devote so much space to reports on components we can't buy from our local audio discounter? Why can't we have more reports about products from the old, established, reliable companies like KLH, Harman/Kardon, Electro-Voice and Sansui, whose stuff we can listen to at a local dealer before we commit our hard-earned dollars to a purchase?" One subscriber even cancelled his subscription because of this, claiming that the unavailability of the products we review makes our reports "irrelevant." Well, he had a point, but not a very good one.

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