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Kalman Rubinson Posted: Apr 24, 2016 2 comments
Some of my recent delights have come from recordings by BMOP, the Boston Modern Orchestra Project, under the direction of Gil Rose. So I was thrilled to hear that BMOP had recorded their highly praised performance of David Del Tredici's Child Alice, a sprawling romantic work for soprano and orchestra. Please go to www.kickstarter.com/projects/bmopsound/david-del-tredici-child-alice now and we will all be able to enjoy Child Alice. . .
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Kalman Rubinson Posted: Jan 12, 2014 Published: Dec 31, 1969 3 comments
Another big name makes the move into wireless speakers with Focal's announcement of the Easya. It is a floor-standing 2½-way system which comes as a pair, with its hub/controller and remote control, for just $1799. Available colors are a snazzy gloss white or black and it sports an inverted-dome tweeter and a pair of 5" polyglass-cone drivers. Inputs are TosLink, coax and USB inputs as well as analog. Better yet, it sounded like a Focal . . . but, look Ma, no wires!
Kalman Rubinson Posted: Mar 24, 2017 11 comments
When it comes to Focal loudspeakers, I've been a lurker. For decades now, their demonstrations at audio shows have been memorable—a highlight was when, several years ago, I got Focal to play a powerful percussion track through a pair of their Grande Utopias at very high volume on a show's last day. Just to hear and feel how this mammoth system could deliver clarity and impact was awe-inspiring, and it was underscored by seeing folks from all the neighboring rooms quickly entering to enjoy it with me. It has also been a continuing pleasure to relax and listen to music with Stereophile's former Senior Editor, Jonathan Scull through his Focal Utopias, which he purchased in 1998. Alas, the years have turned, speakers have come and gone, and I had not yet had any Focal speakers in my own system. (Bob Deutsch seemed always to get the jump on me!)
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Kalman Rubinson Posted: Jun 19, 2004 Published: Jun 01, 2004 0 comments
When PR guy Adam Sohmer first told me about the Fosgate Audionics FAP V1, I thought that the impressive-looking device would be the first all-tube preamp-processor—heck, the first tube anything—in my multichannel system. Then I looked closer at the user's manual I'd downloaded from Fosgate's website. Hmmm. No Dolby Digital, no DTS—just Dolby Pro Logic. Of course, the FAP V1 is Jim Fosgate's signature expression of Dolby Pro Logic, and I guess that counts for something. But the more I thought about it, the more interesting a prospect the FAP V1 seemed.
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Kalman Rubinson Posted: Jan 14, 2014 0 comments
At the Furutech room, the news was about the latest ADL device, the GT40 Mk.II of which they said "The master of all trades just mastered another. . .DSD." That's right, their all-singing, all-dancing, multitasking GT40, reviewed by Art Dudley in September 2011, now adds DSD file playback to its playbook. That, of course, includes up to 24/192 PCM DAC and ADC, MM/MC phono input and a potent headphone amp. At $729, a small box to rule them all.
Kalman Rubinson Posted: May 25, 1999 0 comments
In Stereophile's "Recommended Components," most full-range Class A speakers—and even some in Class B—are behemoths. Some are tall, some are wide, some are deep, and some are just plain big. Most of us would find such no-compromise devices physically imposing and visually distracting in our listening rooms. Putting aside the infamous "Spousal Acceptance Factor," how can you ignore such speakers' presence and concentrate on the music?
Kalman Rubinson Posted: Dec 16, 2011 3 comments
The very first amplifier I bought was a Harman Kardon PC-200, aka The Prelude. It was a 10Wpc integrated, but I chose it over the competition for some of the same reasons that the HK 990 has appealed to me. Almost all amps back in the1960s had a plain cake-pan chassis with tubes, capacitors, and transformers studding the top. Integrated amps had the standard four knobs on the front for input selection, volume, bass, and treble. The HK PC-200 had an enclosed black chassis cage that formed a graceful cowl over the brushed-copper front panel and the six matte-black knobs: for Input selection (with three phono turnover settings), Volume, Bass, Treble, Loudness contour, and Treble rolloff. In addition, it had a Rumble Filter switch. The PC-200 was not only more beautiful than the rest of the push-pull competition powered by EL84 tubes, it also had more useful features. (Take that, you fans of the Grommes Little Jewel!). Over the decades, H/K products have always been stylish and innovative, but in today's fractured marketing world, most such creative energies are applied to audio/video receivers and lifestyle products.
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Kalman Rubinson Posted: Jul 01, 2014 2 comments
New York's CE Week occurs every June and is a miniature version of the January CES held in Las Vegas. The proportional representation of serious audio gear is similar but, given the small number of total exhibits, audio pickings are usually very thin. This year, however, there was more audio buzz than ever before.
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Kalman Rubinson Posted: Sep 15, 2006 6 comments
Athena Technologies has been known for surprisingly high-value speakers tailored for home theater. At CEDIA, they unveiled a new LS Series, with the audiophile's taste in mind. The line features cabinets with curved sides so that the profile tapers at the rear, fiber-glass cones and aluminum-dome tweeters. The top-of-this-line, LS-500B is only $350 each! If the voicing is as stated and the finish quality is as remarkable as the floor samples, this line could have a huge market impact.
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Kalman Rubinson Posted: Jan 13, 2015 0 comments
Nelson Pass's introductory claim was modest: "Pass simply added some input selection and level control to the front end to turn these amplifiers into new integrated models." What I saw were two impressive integrated amps that are clearly derived from the larger Point 8 amps.

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