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Kalman Rubinson Posted: Feb 18, 2007 0 comments
The last Classé power amplifier I reviewed, back in November 2004, was the imposing Omega Omicron monoblock ($20,000/pair), which made glorious sound with the Revel Ultima Studio speakers. But things change. First, my reference speakers are now B&W 802Ds. Second, my system now has three front speakers, supplemented by two B&W 804S speakers for surround sound. While a quintet of Omicrons would undoubtedly be dandy, five such monoliths would take up so much space that I'd be wondering about their effects on the room's sound. With so many channels, it seemed time to investigate whether a multichannel amp could carry the load.
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Kalman Rubinson Posted: Jan 12, 2014 2 comments
Bowers & Wilkins and Classé were showing their wares in an elegant suite in the Mirage and there I finally got to see and hear Classé's first venture into class-D amplification, the CA-D200 (above). It certainly looked worthy of the family name and, via B&W 805D speakers and driven by the latest version of the CP800, it produced a lovely sound, discernible even in this unfamiliar space.
Kalman Rubinson Posted: Nov 21, 2004 0 comments
Non-audiophile friends and relatives raised their eyebrows when they saw the Classé Omega Omicron monoblocks. Not only is the Omicron more expensive than any other amp I've used; at 108 lbs, it's heavier than some of the speakers I've used. The Omicron is Classé's next-to-top-of-the-line amp in its Omega series, but is still definitely a "statement" product. Brian Damkroger reviewed the Omicron's big brother, the Omega Mono, in the July 2003 Stereophile. I refer you to that review for a more detailed description of the Omicron's basic circuitry.
Kalman Rubinson Posted: Apr 11, 2004 Published: Jun 01, 1999 0 comments
Usually, I review a component after it has impressed me at a show or in a store. Though this approach reduces the possibility of a bad review—I pre-select based on real experience—it does not minimize the possibility of disappointment. This makes me a sort of stand-in for the consumer who would like to take something home for a real shakeout, and only then decide to buy it or send it back.
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Kalman Rubinson Posted: Jan 11, 2015 0 comments
Magnepan demonstrated their new .7 speaker with the Conrad-Johnson MF2275 ($3850).
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Kalman Rubinson Posted: Jan 13, 2015 0 comments
I visited the Kevro room to get another listen to the Monitor Audio Silver 8 speakers that I reviewed in January. However, I found that Kevro was bringing Cyrus electronics back to the US. The offerings were all in the tidy and familiar half-shoebox format that permits Cyrus devices to stack so neatly.
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Kalman Rubinson Posted: Jan 14, 2014 0 comments
When I asked for something new and under $2000 at the Dali room, I was shown their new Kubik Free speaker ($1295/pair). This active compact single-stereo speaker with Bluetooth, USB, optical (up to 24/96) and analog was not exactly what I was looking for even though it did sound pleasant by itself. However, I was won over when it was demonstrated with its optional Kubik Xtra ($695) passive mate to produce some really spacious and open stereo sounds. Sure, adding the matching Sub 1 ($695) puts it over $2000 but the contribution to the sound was substantial. The Kubik system looks like and has the features of a life-style system but it is definitely a Dali.
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Kalman Rubinson Posted: Jan 16, 2015 2 comments
While his multipurpose integrated amp lurked in the background, I took immediate notice of Dan D'Agostino's hulky 6U form-factor multichannel amplifier, the Cinema Standard. Available with two ($12,000) and three ($15,000) channels, it offers 250Wpc into 8ohms and doubles down to 500 into 4 and 1000 into 2, at 0.1% total harmonic distortion! Now that's dynamic headroom.
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Kalman Rubinson Posted: Jan 14, 2014 1 comments
Over at T.H.E Show at the Flamingo, and surrounded by booths offering all sorts of discs and their supporting paraphernalia, I came upon Darin Fong's table of laptops and headphones but he was not selling any of those. His company, Darin Fong Audio, is offering a software program called "Out Of Your Head" which reprocesses stereo and multichannel sources so that you can hear them as you would over a loudspeaker-based system. This is similar, in intent, to the marvelous Smyth Realiser that I reviewed in November 2010, but, at just $149, is much more affordable. Like the Smyth, it supports multiple presets (acoustic environment files) although it is not personalized to the user's own HRTF. It was also quite effective. There is free trial version on the website.
Kalman Rubinson Posted: Dec 24, 2014 6 comments
A decade or two ago, I stumbled on a surprising demo room at an audio show. I don't recall most of the equipment, but I do remember a pair of Paradigm Studio 20 speakers at one end, their crossover entrails dangling free, connected to the rest of the system by a multiplicity of wires. At the other end, among the usual electronics, was a PC whose screen was a crazy quilt of graphs and menus that constantly twinkled in response to the ministrations of DEQX's Kim Ryrie. He seemed totally absorbed, but looked up and proudly offered to show me what he was doing. When I told him that I was familiar with the Paradigms, he played some music that sounded just fine. Then he clicked his mouse. The sound was transformed from the familiar to the fabulous. I was dumbfounded. "What have you done?"