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Kalman Rubinson Posted: Mar 07, 1999 0 comments
I first saw and heard SimAudio's Moon amp and preamp at WCES two years back, and something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos.
Kalman Rubinson Posted: Sep 02, 1999 0 comments
"Gotta get my hands on these!"
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Kalman Rubinson Posted: Dec 09, 1997 0 comments
In just a few years, Sonic Frontiers has evolved from a parts and kit vendor to a full-line audio manufacturer (footnote 1). Their initial offerings were well received, but their kit origins were apparent in the layout and cosmetics of their products. While SF still offers kits (like their high-value Assemblage DAC-2), the new line of vacuum-tube electronics has world-class construction, design, and packaging. This generation of SF equipment is evidence of their advanced evolution, even though their constructor genome can be detected in the use of audiophile-preferred, as opposed of OEM, components.
Kalman Rubinson Posted: Nov 01, 2013 5 comments
Sonus Faber is an iconic Italian high-end company whose loudspeakers have always evinced innovative technical design, superb construction, spectacular appearance, and great sound. I was intrigued with the design and performance of their stand-mounted Extrema (reviewed by Martin Colloms in the June 1992 Stereophile, Vol.15 No.6), which combined a proprietary soft-dome tweeter and a mineral-loaded polypropylene-cone woofer with an electrodynamically damped but passive KEF B139 driver that occupied the entire rear panel.
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Kalman Rubinson Posted: May 02, 2014 11 comments
I've said it before and I'll say it again: High-end audio is the tail of the dog that is the consumer audio business. We have little leverage in determining where the technology is going, even though we undoubtedly know more about it than the average buyer. On the other hand, after the mainstream has determined where it's going (or thinks it's going), the high-end business must accept that, and try to optimize it for those of us who care deeply about getting the best sound. The ubiquitous iPod and its fellow MP3 players kicked off the playing of music files and allowed listeners to carry around their music wherever they went.
Kalman Rubinson Posted: Jul 11, 2011 2 comments
Every few years, it seems, Sony offers a statement product. Sometimes they do it to define a new product category—the SCD-1 introduced to the world the SACD/CD player. Sometimes they do it because they can, as with the outstanding ES SS-M9 and ES SS-M9ED loudspeakers, enthusiastically reviewed by John Atkinson in Stereophile in September 1996 and August 2001, respectively. So when I heard that Sony would introduce a special new speaker at a "by invitation only" event at the 2011 Consumer Electronics Show last January, my interest was piqued. I've always kicked myself for not buying a pair of ES SS-M9s ($3500) when I could have. The ES SS-M9EDs were even better, said JA—and, at $16,000/pair, a lot more expensive. Now, a decade later, Sony has decided to make another "statement."
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Kalman Rubinson Posted: Jan 12, 2014 0 comments
SOtM is a manufacturer of specialized audio devices for general and for PC applications. I am familiar with them because I am using their highly regarded tX-USBexp as the USB output for my own server/streamer. At CES, they showed a new sHP-100 headphone amp and USB DAC ($600, left) which has an analog volume control, USB, coaxial, optical, and analog inputs, a headphone output and analog line outputs, and supports 24bit/192KHz PCM, DSD playback. To its right is their neat little sMS-100 wireless streamer ($449), which supports up to 32/384kHz PCM and DSD via USB.
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Kalman Rubinson Posted: Sep 16, 2006 0 comments
While we have been salivating for months in anticipation of the impending release of the floorstander, the CS3.7 that Wes Phillips blogged about on Thursday, Thiel teamed a pair of them with 3 of the new SCS4 small LCR speakers (and a pair of SS-1 subs) in one of the most musical setups at the show. The SCS4 utilizes a single coaxial driver in a remarkably rigid and resonance-free enclosure. The front panel is an aluminum casting and the other panels are doubly-laminated 1" MDF. As a single source, this can be oriented vertically (as shown) or horizontally as a center channel without phase interactions. At only $1000 each, this matched sweetly with the CS3.7s.
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Kalman Rubinson Posted: Jan 14, 2014 0 comments
New compact streaming devices were popping up all over the Venetian and, to little surprise, there was something unusual at Cambridge Audio, one of the pioneers in this product category. Borrowing its name from CA's amazingly small speaker line, the Minx Xi ($999) is really a wireless compact music system in a box. Of course, it will stream all the usual lossy and lossless formats via UPnP at up to 24/96 and access many streaming services including Pandora and Rhapsody, It will also communicate with smartphones, tablets and other wireless devices by Wi-Fi or Bluetooth. Standard digital and analog inputs are provided. However, in addition to a line level subwoofer output, the Xi has a 40Wpc (8 ohms) stereo power amp and a headphone jack. Pretty slick stuff.


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