Kalman Rubinson
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Kalman Rubinson, Sam Tellig Oct 15, 2002 0 comments
I have a way of grating on people's nerves. Ask Marina, my wife. She calls it my "mean streak."
Kalman Rubinson Jun 28, 2010 Published: Mar 28, 2010 0 comments
For the past few years, PSB Speakers International has been replacing its older lines with new models designed in Canada, and assembled in China from Chinese-made components. Judging from the reception here of PSB's Synchrony One and Imagine T, it's clear that the new models combine advanced performance with true economy. Now, with the new Image line, we see the result of trickling all this down to less expensive products.
Sam Tellig, Kalman Rubinson Jun 12, 2009 2 comments
If you have more than six or seven bucks to spend, you might consider the Imagine T floorstanding speaker from PSB Loudspeakers ($2000/pair). A year ago, John Atkinson reviewed PSB's Synchrony One speaker ($4500/pair; Stereophile, April 2008, Vol.31 No.4). The Imagine series is the next line down, and also includes center, surround, and bookshelf models. John Marks flipped over the Imagine B minimonitor in his column in the February 2009 issue.
CES 2014
Kalman Rubinson Jan 12, 2014 0 comments
PSB had already shown its neat little powered desk-top speaker, the Alpha PS1 but, now, they have completed a 2.1 system by adding the Sub Series 100 Compact Powered Subwoofer, which Stephen Mejias will be reviewing in the March issue of Stereophile. The combination, placed, appropriately, on a desk top, sounded amazingly well balanced and full with good bass on several tracks that were played. It displayed none of the usual muddy bass that one usually associates with table placement and, when listened to seated or standing a few feet away, offered really big and open sound. The combination, called the Alpha-1-100, comes at a special price of only $499.
Recording of the Month
Robert Baird, Kalman Rubinson Sep 25, 2012 Published: Oct 01, 2012 1 comments
Patricia Barber: Nightclub & Modern Cool
Nightclub
Premonition 90763-1 (2 LPs). Patricia Barber, prod.; Michael Friedman, exec. prod.; Jim Anderson, eng.; Bob Ludwig, mastering; Doug Sax, mastering (LP). AAA? TT: 51:20
Performance ****
Sonics *****

Modern Cool
Premonition 90761-4 (BD-A). Patricia Barber, prod.; Michael Friedman, exec. & surround prod.; Jim Anderson, eng. & surround eng. Robert Gatley, asst. surround eng. ADD? TT: 67:49
Performance ****
Sonics *****

Much as the music world at large supremely values so-called original compositions (as if . . . but then that's a discussion for another day), it takes a special talent to make a song written by someone else—in common parlance, a cover—your very own. Take Burt Bacharach and Hal David's "Alfie," from the 1966 film with Michael Caine in the title role. Recorded for the soundtrack by Cilla Black, and later cut by everyone from Babs and Bill Evans to the Delfonics and Sarah Vaughan—not to mention a pair of laughably bad versions from Cher—the song is nothing if not overexposed. Bacharach's own soaring arrangement for the film sticks in the world's collective head. For lesser performers, that alone would be more than enough to keep them well clear of trying to cover it.

Kalman Rubinson Jul 23, 2006 0 comments
I am a Revel junkie. Their Ultima Studios have been my reference loudspeakers for years, and I've spent many happy hours with their Performa F-30s and Ultima Gems. They're all great speakers. When the original Gem was launched, it was made clear that all the corporate and economic weight of Revel's parent company, Harman International, was behind the development of this new line. When I visited Revel some years back, I saw cutting-edge design and development, in-house manufacturing of the most critical parts under the tightest scrutiny, and quality control of nearly compulsive meticulousness. All of this was reflected in the speakers' prices, which were reasonable for their quality and performance.
Kalman Rubinson May 09, 2000 0 comments
I visited the Revel room on the last day of the January 1999 CES, expecting another dynamic demo of their Ultima line. Instead, I found a pair of floorstanding Performa F30s connected to a rack full of the best Mark Levinson electronics. Deeply impressed by the dynamics and clarity of this first model in the new Performa line, I called Revel's Kevin Voecks as soon as I got back to New York City, but was told that another Stereophile reviewer had already got first dibs on the F30. Would I be interested in one of the other Revels? Well, yes, sure, but...
Kalman Rubinson Dec 31, 2000 0 comments
The Revel Ultima Studios came to me by chance. I'd wanted to review Revel's high-value Performa F-30—see my May 2000 report—but the Studio was offered instead. By the time a pair of Studios had arrived, however, the F-30s were also on their way, and the Studios were put on the back burner. Because of the mix-up, I thought the Studios would be freebies—just listen for a while and send 'em back. I am now obliged to do the honest thing and fess up in public: Many months have passed and the Studios are still here.
Kalman Rubinson Mar 22, 2008 1 comments
This is my fourth review of a Revel loudspeaker, and I was even more excited by the arrival of the Ultima Studio2s ($15,999/pair) than I was when their predecessors, the original Ultima Studios ($10,799/pair when first reviewed; $15,000/pair when last listed in "Recommended Components"), were delivered in 2000. (See my review in the December 2000 Stereophile, Vol.23 No.12.) After all, the Studios were my reference speakers for years and, along with the larger Ultima Salons, were statement products that were the product of the talented designer Kevin Voecks and the considerable resources of Harman International, parent of Revel as well as of JBL and Infinity. Over the years, I've also reviewed Revel's Performa F30 (May 2000, Vol.23 No.5) and Concerta F12 (July 2006, Vol.29 No.7), each outstanding at its price point. If, after all these years, Voecks and his team were ready to reconsider their statement products, they should be something special.
Kalman Rubinson Jul 20, 2003 0 comments
Last January, the Stereophile website conducted a poll asking readers what they thought was their audio system's weakest link . The results indicated that 24% thought that their room was the most problematic component. What this says is that, though often accused of being obsessed with hardware, we audiophiles are aware of what a potent effect the speaker-room setup has.
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