Kalman Rubinson

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Kalman Rubinson Posted: Aug 09, 2004 0 comments
McIntosh Laboratory unveiled for the press three new products that they will be showing at CEDIA next month. They are the MX135 A/V Control Center (already shipping), the MVP861 Universal Player, and the MC207 7-channel Power Amplifier, all with McIntosh's signature design and cosmetics.
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Kalman Rubinson Posted: Jan 14, 2014 0 comments
SVS showed two new subwoofers, both based on a newly-developed 12" driver that features dual ferrite magnets, a reinforced Nomex spider, a long-throw rubber surround and tinsel leads integrated into the cone to eliminate tinsel slap and improve reliability. Each is also powered by a amplifier, the Sledge STA-500, rated at 500W continuous and it incorporates a DSP engine with an array of filters, controls for volume, gain and phase as well as a frequency-dependent limiter/compressor to control driver behavior. Both driver and amp come in a compact sealed design, the SB-2000 ($699, right above) with a FR of 19-240Hz and in a larger, more powerful ported design, the PB-2000 ($799, left above). During a brief audition, even the smaller SB-2000 seemed more than capable of filling the demo room with powerful, tight bass.
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Kalman Rubinson Posted: Jan 12, 2014 0 comments
The name Tannoy is, of course, synonymous with "Dual Concentric" and their classic designs were in full display and demonstration. Off to the side, however, they were showing their new Precision range of more affordable designs, which are based on a new implementation of the Dual Concentric concept in a 6" driver that incorporates a wide-band tweeter.
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Kalman Rubinson Posted: Mar 27, 2013 18 comments
There has been a lot of buzz lately generated by show demonstrations of DSD recordings played directly from files and as the opportunity to download DSD files is expanding. The reactions of our writers have ranged from "impressive," to an "epiphany," to my own delight reported in the upcoming May issue of Stereophile. The hardware used has been mostly professional (Sonoma workstation) or semi-professional (Mytek Stereo 192-DSD) or, at the very least, costly enough for the unconvinced to hesitate. Now, in one fell swoop, Oppo has made this possible at no cost at all for those of us who own an Oppo BDP-103 or BDP-105.
Kalman Rubinson Posted: Nov 19, 2005 0 comments
NHT's Xd system is what audiophiles have been saying they want: a matched loudspeaker system that optimizes the performance of its components for a real-world domestic listening environment. But with their dollars they've voted against just such systems for years. If we put our money where our mouths are, active speaker systems such as Meridian's DSP or those used in recording studios would dominate the High End.
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Kalman Rubinson Posted: Jun 28, 2004 0 comments
The NHT Xd DSP powered speaker demo was held at the Plaza Hotel in New York City last week and representatives from NHT and its supporting cast, DEQX and PowerPhysics, opened by explaining the philosophy behind the new product and the essential components they each contributed (also see previous).
Kalman Rubinson Posted: Nov 20, 2009 1 comments
I have reviewed and owned so many Paradigm speakers that they feel almost like members of the family. I've owned the v.2 and v.3 versions of the Reference Studio 60, and reviewed the v.3 version in Stereophile (in December 2004, Vol.27 No.12). My long and intimate relationship with this speaker is founded on the best of reasons: We are extremely compatible. The Studio 60, in all its incarnations, is large enough to be used as a full-range speaker with nearly any program material, and yet is compact enough to be easily accommodated in my relatively small Connecticut listening room. It neither looms over me nor disappears into the space. Used as a center-channel speaker, it's just short enough to clear my line of sight to the video display. Finally, and despite inevitable price creep over the last decade, the Studio 60 still comes in under $2000/pair—my line in the sand for a reasonably priced system.
Kalman Rubinson Posted: Dec 19, 2004 0 comments
I am biased in favor of Paradigm loudspeakers. I've used them for 10 years; they offer good sound and good value, properties they share with a number of other Canadian makes who have taken advantage of Canada's National Research Council facilities in Ottawa. In fact, the first components I bought specifically for what is now my multichannel system were Paradigm Esprit/BP speakers, which had impressed me at a Stereophile show. When I took the step into multichannel and found that there wasn't a matching center-channel speaker for the Esprits, I replaced them with Paradigm's Reference Studio/60 v.2s. But while the smaller Reference Studio/20, and the larger Studio/100 have both been reviewed in Stereophile, the Studio/60 had not. The release of the v.2's successor, the Reference Studio/60 v.3 ($1699/pair), was an opportunity to fill that gap.
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Kalman Rubinson Posted: Sep 04, 2011 3 comments
Today's New York Times carries a brief obituary notice of the passing of audio innovator, Peter Pritchard, on August 23 in Austin, Texas at the age of 83. Peter founded Audio Dynamics Corporation in New Milford, CT in the early 1960's. His original ADC-1 ("Tip mass: 0.6 mg. Compliance. 20x10–6cm/dyne, all directions. Playing weight: 1 gram or less in top quality arms") was a breakthrough product. Indeed, all ADC pickups were notable for their extremely high compliance and low tracking forces and he pursued this approach through a series of successful designs including the well-known ADC-10, ADC-25 and XLM cartridges. They were all based on his "induced magnet" principle, which derived from the older GE variable-reluctance cartridges that had been game-changers for affordable magnetic phono pick-ups in the 1950s.
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Kalman Rubinson Posted: Aug 15, 2005 0 comments
In this, its 50th year of company operations, Phase Technology announced and demonstrated a new type of loudspeaker system. The series, named dARTS for Digital Audio Reference Theater System, is obviously aimed at the custom-install, home-theater market, but the components and concepts are applicable to music reproduction in any number of channels. As described by PT's director of sales and marketing, Tony Weber, the dARTS system is (1) modular and (2) actively powered and equalized by DSP, incorporating Audyssey's MultiEQ XT for digital room correction.

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