Jonathan Scull
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Fine Tunes
Jonathan Scull Mar 18, 2001 0 comments
This month, "Fine Tunes" offers a grab-bag of useful and inexpensive tips for the impecunious tweaker searching for better sound.
Fine Tunes
Jonathan Scull Apr 29, 2001 0 comments
I get mail. Boy do I get mail! But I love hearing about and sharing some of the tips'n'tweaks from all you Victims of the Musical Quest. I can't help myself. Neither can you, I understand. Come to me. [sob]
Fine Tunes
Jonathan Scull May 26, 2001 0 comments
"J-10, tweakoman," began the e-mail from one of Stereophile's Web mavens and a contributor to "Industry Update," the estimable Barry Willis, "hockey pucks are the cure for what ails you."
Fine Tunes
Jonathan Scull Jun 22, 2001 0 comments
Paul Kelly (pkell4@earthlink.net) recently sent me a most interesting e-mail titled "Cones, Stones, & Groans." I'll share it with you now, as I gave "Sean" (bigfoot1@corecomm.net) a chance to expound on cones and how they work under equipment in the February "Fine Tunes." After reading through all the "Fine Tunes" archived on the Stereophile website (I thank him for his positive remarks), Paul wrote:
Fine Tunes
Jonathan Scull Jul 19, 2001 0 comments
I have to remember how seriously audiophiles follow Stereophile. Reader David Zappardon's (davida@gscyclone.com) e-mail to me began with "Hello, my friend." But I have to admit to feeling some guilt when he yowled that he'd wasted two fruitless hours of his time looking for the silver-bearing conductive grease I'd mentioned in the October 2000 "Fine Tunes."
Fine Tunes
Jonathan Scull Aug 09, 2001 0 comments
Thanks to all the "Fine Tuners" out there who filled the room early on Sunday morning at the Home Entertainment 2001 Show in May for my "Fine Tunes Clinic." And thanks to Victor Tiscareno of Audio Prism/Red Rose Music for the "technical stiffening." I applaud all your intelligent curiosity, questions, and tales of woe and success. Let's do it again.
Fine Tunes
Jonathan Scull Sep 23, 2001 0 comments
Last month I wrote about lasers of various pedigrees, so useful in marking walls to the sides and behind the listening position to ensure that your loudspeakers are toed-in, level, and equidistant from the sweet spot for best soundstage, imaging and focus. Using small Avery stick-'em labels makes this a snap. I've converged the tweeter axes of my JMlab Utopias somewhere about a foot into the wall behind the rearmost of our two listening chairs, and use two Studio Traps and a single Argent RoomLens between the speakers to cancel and damp the near-rear-wall reflections. With just a jiggle of the chair back or forward, suddenly I'm there.
Fine Tunes
Jonathan Scull Oct 12, 1998 0 comments
In the September 1998 installment of "Fine Tunes," I wrote about the benefits of using nearfield listening to minimize your room's effect on the sound of your system. What you hear at the listening position should be first-arrival sounds from the speakers rather than chaotic reflections—in-phase and out—from the room. Allen Perkins of Immedia, importer of Audio Physic speakers, has written a white paper entitled "Principles and Techniques of Speaker Placement." It's provided to all purchasers of Audio Physic speakers. Essentially, it's a primer on nearfield loudspeaker placement (footnote 1).
Fine Tunes
Jonathan Scull Oct 21, 2001 0 comments
Kathleen and I went to France for a week to visit her brother.
Fine Tunes
Jonathan Scull Nov 18, 2001 0 comments
This episode of "Fine Tunes" is mainly about the care and feeding of speaker drivers. Before I launch into some of the tweaks—a few fairly wild and wacky—sent in by readers, here are two from my own experience.
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