Interest in super-efficient, horn-loaded, compression-driver loudspeakers has grown in the past few years, fueled in part by a renewed fascination among many hobbyists with low-powered, single-ended triode tube amplifiers. But staring down the maws of two Tubby the Tubas is not every audiophile's idea of a good time—even when the resulting sound is spectacularly fast, coherent, and extended.
Thirty years have not diminished the beauty and elegance of Oracle's Delphi turntable. In my opinion, it still ranks among the best-looking turntables ever made. I bought an original Mk.I, used, in 1982, and very positively reviewed the Delphi Mk.V in the December 1997 Stereophile.
In its three decades the Delphi has undergone many upgrades both technical and aesthetic. Not surprisingly, so has the price. The Mk.II Delphi sold for $1250 in 1986; the Delphi Mk.VI with Turbo power supply and dedicated power cord now sells for $8500, which, in today's market, I think is reasonable for what you get. The review sample came with an Oracle/SME 345 tonearm ($3100) and a Benz-Micro Thalia high-output MC cartridge ($1700), for a total cost of $13,300or $11,600 for just 'table and arm.
Wilson Audio Specialties' David Wilson likes to say that you should build a stereo system from the speakers down. Of course he does—he sells speakers. But that doesn't mean he's wrong. So recently, when offered an inexpensive new product for review, I decided it would be a good test of Wilson's theory. I tried driving Wilson's $45,000/pair MAXX2 speakers with Outlaw Audio's RR2150, a $599 stereo receiver.
Thirty years ago, the upstart audio company NAD revolutionized the manufacturing of consumer-electronics components by "internationalizing" the process. Instead of physically making products, NAD hired a project team in one location to design a product that was then built at a sub-contracted factory located elsewhere. The arrangement allowed NAD to go into business with relatively little capital outlay and low overhead. Other companies have since copied this ingenious business model, and, as transportation and communication have improved, doing so has become easier and more efficient. It has brought prices down and quality up—mostly in the low and middle segments of the high-end audio and video markets.
According to Parasound's founder and CEO, Richard Schram, the Halo JC 3 began as a phono-preamp retrofit for the JC 2 line stage, with separate small circuit boards for each channel. The smaller the board, the better, Schram says, so as to attract less noise than do larger boards, whose many copper traces can act as antennas.
If compact discs are so damned dynamic and vinyl is so dynamically limited, why do they sound just the opposite? Why do LPs sound so "live," so explosive, so "there," and CDs so dead? Even the best CDs usually sink to second-rate when you switch to their vinyl versions. I've heard it, you've heard it. Only those in deep denial, those who refuse to listen, don't. They'd rather read the published specs and consider the actual listening some kind of mass delusion among Luddite LP fans.
Before the advent of big-screen projection televisions, manhood was measured more conventionally: by the size of one's crate-sized, boat-anchor-heavy, brushed-aluminum-fronted power amplifiers. Those days are long gone.
The devil's in the details, so here's one detail you should know going in: The El Diablo, a deceptively modest-looking, casket-like, compact, three-way loudspeaker from Danish firm Peak Consult, will cost you a penny less than $65,000/pair. Why? Yes, the dollar's continued slide has alarmingly driven up the price of imported audio gear, but even so...
Does the modern audiophile want a sleek, compact, powerful, remote-controlled, microprocessor-driven, two-channel integrated amplifier? Perreaux Industries, based in New Zealand, thinks so. They've designed all that, plus good looks and impressive build quality, into the R200i. Despite its relatively small size—4.1" tall by 16.9" wide by 13.4" deep—the R200i packs a punch. It's rated at 200Wpc into 8 ohms and 360Wpc into 4 ohms, yet it weighs just a fraction under 30 lbs.
Playback Designs was founded less than three years ago. However, with the release in 2008 of its MPS-5 Music Playback Systema slim, full-featured SACD/CD player and DAC that costs $15,000 and is built in the USthe company has since established itself as a significant player in high-performance digital audio.