Not to be outdone by the audiophile crowd, an auto sound manufacturer displayed a huge metallic woofer that dangled from a crane. (The crane could be set to lift loads between 500 lbs and 3 tons.) I thought I had seen everything, but the North Hall of the Las Vegas Convention Center never disappoints!
Octave's new MRE 220 tube monoblock amplifiers ($67,500/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a Octave's new MRE 220 tube monoblock amplifiers ($23,700/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a dCS Scarlatti digital front-end, Clearaudio Ovation turntable with Universal 9" tonearm ($32,000) and Clearaudio Da Vinci cartridge ($5000). Dynaudio's Mike Manousselis played me Sibelius's Finlandia, which showed off the Evidence Platinum's ability to create a large deep soundstage and amazing ability to reproduce a smooth string sound.
Simaudio Moon's Lionel Goodfield, Vice President of Marketing, spent a relaxed half hour discussing amplifiers, cars, and various other topics of mutual interest. Along the way, he introduced the Moon Evolution 860A dual-mono amplifier ($14,000), shown sitting by itself in front of the other Simaudio products. The amplifier delivers 200Wpc into 8 ohms, 400Wpc into 4 ohms, 800Wpc into 2 ohms, the power doubling "all the way down to 1 ohm." It features special output devices made by Motorola for Simaudio. The sound from the Dynaudio C1 Signatures was clear, fast, smooth, and open.
Émile Durkheim (1858-1917) once wrote, "The less limited one feels, the more intolerable all limitation appears" (footnote 1). Although directed at the paradoxical observation that suicide rates are higher in newly prosperous countries than in those mired in poverty, his comment applies equally well to subwoofers.
Paul Stookey, now 74 years young, sounded optimistic, vibrant, and sweet, delivering a solo performance to the audiophile crowd at the Flamingo, as hosted by T.H.E. Show, Cary Audio, and PBN Audio. Somehow Paul has retained all the youthful energy and optimism that characterized his role when was a member of the Peter, Paul and Mary trio. Although I associate him more with the flower child, utopian, flower-child world of the 1960s, celebrating love, sex, freedom and occasionally drugs ("Puff the Magic Dragon"), he easily slipped into the role of audiophile troubador. Although his vocal range had narrowed with the years, his guitar accompaniment was superb.
What does $275,000 buy you these days besides a used Porsche Carrera GT with 20,000 miles on it? Yes, there is now a loudspeaker system with that asking price, which gets you 900 lbs of hardware, including two midrange—tweeter towers, two subwoofers, and two subwoofer amplifiers. Frequency response is rated from 8Hz to 50kHz, and the minimal load impedance is 3 ohms. Furthermore, the Force is made of glass.
Perfect8 Techologies' exhibit suite at the Venetian proved to be one of the most crowded I entered. Perfect's CEO, Jonas Rantila, was introducing his new floorstanding speaker, the Point Mark II Evolution ($115,000/pair). This three-way, speaker features an Air-Motion Transformer tweeter and two midrange drivers mounted on a glass baffle (there's no enclosure for the tweeter or midrange drivers), sitting on a single glass-enclosure housing a pair of 10" subwoofers powered by a 400W, DSP-controlled amplifier hidden within the enclosure. Power for the midrange and tweeter was supplied by a 165 lb, 500Wpc, solid-state Bridge Audio Laboratory (BAlabo) BP-1 Mk.II stereo power amplifier ($88,500). The BP-1's importer, Fred Nadel, told me that the amplifier's output stage runs in class-A for the first 40 watts.
John Atkinson's track-by-track written evaluation in the July 2003 issue of his new Editor's Choice: Sampler & Test CD (Stereophile STPH016-2) drew me like a magnet. Here was a reviewer-editor putting into words his musical perceptions, gathered while he served as the engineer for the various recordings sampled on this compilation. JA's dual roles of writer and engineer merge complementary perspectives, yielding what should be useful descriptions of the sonic values of some of my favorite reference CDs. As I was about to start my review of Piega's new hybrid loudspeaker when I read this article, it was only natural to test whether this Swiss full-range speaker could deliver "what you should hear."
"Larry, I've just come from the Alexis Park." Tom Norton, editor of Ultimate AV" button-holed me. "I think the Pioneer speaker is worth a visit. It's one of the only new things I've found over there." Tom's words rung in my ears. Had to see it!