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Larry Greenhill Posted: May 14, 2007 0 comments
Krell Industries' new Modulare Duo loudspeaker system was the one active exhibit in their suite, playing music from an excellent sampler of audiophile favorites. Todd Eichenbaum, shown standing next to the $35,000/pair, 300 lb system, explained that the separate woofer and satellite units were made of machined billet aluminum, as with Krell's original LAT-1 speaker system, but the Modulare’s drivers and passive crossover circuitry have been designed for higher current handling. The low-frequency cabinet contains three 8" aluminum-cone woofers, while the satellite section marries a 1" ScanSpeak ring-radiator tweeter, and a 6.5" aluminum-cone midrange driver.
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Larry Greenhill Posted: Jan 13, 2013 2 comments
Lamm Industries introduced the new LP-1 Signature dual-mono phono preamplifier ($32,790), with two separate chassis power supplies. Each channel uses two high-transconductance triodes without feedback. The new phono preamplifier was used in a system with Lamm ML-3 amplifers ($159,490), an LL-1 preamplifier ($42,790), connected to a pair of Wilson Audio MAXX3 speakers ($69,500/pair) with Kubala-Sosna cables throughout. Music was played on a Kronos turntable ($32,000) fitted with a Graham Phantom II Supreme tonearm ($6000) and a ZYX Universal II cartridge ($8,495). Vladimir Lamm was also using two pairs of his ML2.2 monoblocks ($37,290/pair) to drive a pair of Verity Audio Lohengrin loudspeakers ($120,000/pair) in an adjoining room. The sound in both rooms was spacious, smooth, dynamic, and full.
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Larry Greenhill Posted: Jan 15, 2015 1 comments
Lamm Audio used two ML3 Signature amplifiers ($139,490) and two ML2.2 amplifiers ($37,290) to power a pair of Verity Audio Lohengrin IIS loudspeakers ($120,000) in one of the Venetian's largest exhibit rooms.
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Larry Greenhill Posted: Jan 12, 2008 0 comments
It's always fun to drop in to the Burmester Suite. When Dieter Burmester, the firm's founder (left), and Udo Besser, the CEO (right), are not working on the latest sound system updates to the 1.2 million Euro Bugatti Veryon 16.4 supercar, they build massive loudspeakers and amplifiers for home consumers and audiophiles.
Larry Greenhill Posted: Dec 03, 2008 Published: Mar 03, 2001 0 comments
The roadster's throbbing rumble became a roar as the tachometer soared above 4 grand. Like a giant hand, its thrust jammed me back into the seat. Racing along low to the ground, feeling every curve and bump, I began to understand: the automotive virtues of smoothness and insulation had been swapped for firm road grip and the ability to transmit to the driver each jolt and curve in the surface below. Long before I'd climbed into the driver's seat of Porsche's Boxster S, I had known about its low-end snort and speed—the main reasons I was considering a lease—but I had not known about its ability to join sensation and purpose in such an intense bond.
Larry Greenhill Posted: Dec 18, 2005 0 comments
Street buzz is a force to reckon with. When an audiophile whispers to me that a piece of new equipment sounds unusually good, I'm interested. When two manufacturers of other equipment independently tell me "You've got to listen to this speaker," I get excited.
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Larry Greenhill Posted: May 15, 2007 5 comments
Patrick Chu, creator and designer of the $80,000/pair, two-way, Mandarin Supreme loudspeaker, explained that the products’ name is a synthesis of two words: Loimin means "delightful understanding" and Chay means "ateliar or studio." The frequencies from 750Hz upwards are handled by a 1" tweeter loaded with a 19" horn comprised of alternating layers of cherry and oak wood. The bass, which is rated down to 22Hz, is handled by 10" and 12" woofers. This composite was by far the least active speaker material I've come across. Rapping it with my knuckles was like tapping on granite. The woofer enclosure was made of concrete with a cloth covering. I didn't ask about the loudspeaker's weight because I didn't want to know. The nominal impedance is 8 ohms, and the voltage sensitive a very high 92dB. Although I didn't audition any familiar reference recordings, the speaker had a dynamic sonic texture with a midrange emphasis.
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Larry Greenhill Posted: Jan 17, 2013 0 comments
I sought out Manley Labs, manufacturer of tube amplifiers and preamplifiers, at CES. The system in their room included a Music Hall mmf-2.2le turntable, the Chinook phono stage that impressed Michael Fremer last August ($2250), a Steelhead phono preamplifier ($8000), a pair of Snapper monoblock 100Wpc tube amplifiers ($7650/pair), which use four EL34 output tubes, driving Neat Acoustic Ultimatum XLS speakers. EveAnna Manley mentioned after the show that she was working on a secret, prototype1 DAC that promises "to beat all comers." I greatly enjoyed the audio I heard in the Manley Labs room at CES. I had to agree with the saying on the rug that appears at every Manley abs exhibit: "Tubes Rule!"
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Larry Greenhill Posted: Jan 16, 2013 4 comments
McIntosh's exhibit area in the Venetian Towers was busier than usual when I entered, and I soon found out why. Whereas most manufacturers in high performance audio were content to introduce one or two products, McIntosh seemed determined to introduce many, many new products. I could not mention them all, but Ron Cornelius, McIntosh's Product Manager, helped me focus on four products he felt of greatest interest to audiophiles. First, he showed me McIntosh's new Digital Preamplifier ($2500, above). This featured a new ESS DAC chip that operates its 8 channels in differential balanced mode for improved resolution. It includes a headphone amplifier, and four digital inputs: two optical, one coax, and one high-speed, asynchronous USB port.
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Larry Greenhill Posted: Jan 09, 2008 14 comments
"Our Asian and Pacific clients were strongly requesting it," said Mark Levinson's Walter Schofield, VP of Sales and Marketing, "so we designed an amplifier in the older Mark Levinson tradition with external heats."


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