After the Nubble, we switched cars and I got to ride in the rear right seat of a Continental Flying Spur with a "Comfort" package. That means better leather, a rear-seat entertainment package (including DVD player and noise suppressing headphones with a Bentley logo) and a lumbar-massaging seat, which really made being driven an even better experience.
Yeah, that's a shock to anybody who has ever seen any of those commercials on late-night TV. But here's the thing, this Claire Hoffman article from The Los Angeles Times is a wonderful piece of participatory journalism.
Like many perpetually adolescent, emotionally-stunted hipsters, I had a radio show at the campus station back in the day. Crafting a show that had flow was an arcane artone that is virtually impossible to experience on commercial radio stations with limited play lists. Therefore, it was an art that, once mastered, would be of almost no practical use. It certainly wasn't going to get you a good paying job.
I've been fascinated by AMC's summer series Mad Men. Its depiction of 1960 America is revelatory—even though I was alive then, if only eight. And, as Ellen Feldman observes, it's not just the details that make it so powerful, it's a throwback in terms of character development and, dare I say it, pacing. Although AMC has commercials, it doesn't observe the same rhythm other channels do, so some scenes develop for 11 or 12 minutes before a break.
My friend Jeff gave me a copy of the new CD remaster of this David Byrne/Brian Eno disc—and it's great. Now Byrne and Eno, "in keeping with the original spirit of the album," offer listeners access to the original multitrack recordings and a chance to remix them through a Creative Commons license. They also offer a chance for the remixes to be posted in a daily Top 20, as chosen by the site moderators.