Thank goodness I wasn't shooting with film: It took several frames to get a decent photo of the Da Vinci DAC ($31,000) from the California company Light Harmonic. But I didn't mind spending all that time trying, as the music was superbly tactile and compellingthanks in no small part to amplification from KR Audio Electronics, represented at RMAF by the enduringly gracious Dr. Eunice Kron.
The US company Dupuy Acoustique demonstrated their stand-mounted MTM loudspeaker ($5500/pair) alongsideliterallya new product called the Daisy Reflector, which is said to allow a loudspeaker’s back-wave information to reach the listening area in manner originally intended: without time-delay or phase shift. According to designer Rudy Dupuy, it accomplishes this with a carefully designed and precision-machined core of acoustic foam, covered in fabric. Daisy Reflector prices vary with size; the one shown here is $995.
The DP-77 D/A converter ($4995) from the English firm AMR that had impressed JA at the Atlanta Axpona in April made its New York debut at the Show, playing music files streamed from a German Purist NAS ($3000), with iPad-based controller software from the same firm. Amps were solid-state monoblocks from Absoluta (approximately $14,000/pair), and the loudspeakers were a fascinating design called the Ray ($6000/pair) from the Danish firm Davone, which are shown on the photo. The Ray is a two-way reflex-loaded speaker using coaxial driverit sounded amazingly well-balanced and musical in the smallish room. ASI room-tuning accessories were used throughout.
This whole thing started up again when I tried to improve the phono-input section of my main systemnot to enhance its performance (although you might expect that to happen), but to provide a fairer, more flexible context for evaluating new cartridges.
Giuseppe Verdi gave the world more than two dozen operas, some good sacred music, and one string quartet. He also provided the young Arturo Toscanini with one of his first big breaks—conducting the singing of "Va pensiero" at his burial procession—and gave the flagship consumer product from England's dCS Ltd. its name. That the latter two gestures were posthumous and unwitting does nothing to diminish their poetry.
Hop hop hop! Who is Richard the bunny visiting today? It’s the Oracle Audio Technologies room, where veteran designer Jacques Riendeau introduced a relatively affordable new turntable called the Paris. Available in a variety of configurationsand colorsthe fully-loaded version of the Oracle Paris offers an acrylic-and-aluminum platter (plus Delrin record clamp), a sophisticated suspension system, a new Oracle-designed carbon-fiber tonearm, and an Oracle MC cartridgeall for $3150 without the cartridge or $5000 with. I was impressed with the Paris samples on display, and Jacques Riendeau has promised that a review sample will follow in short order.
Distributor Audio Plus Services made a fine, impactful, and well-balanced sound with the Focal Electra 1038 Be loudspeaker ($13,499). Driven by the impressive Devialet D-Premier integrated amplifier ($15,995), connected with Crystal Cable Reference loudspeaker cable ($6000 for a 3m pair), and fed from a MacBook running iTunes with Audirvana, this system did a good job on a version of Copland’s Fanfare for the Common Man of unknown origin, in which kettledrums in particular really sounded like kettledrums, and not merely a very large inner-tube being struck with the blade of a shovel.
This Devialet D-Premier D/A integrated amplifier seemed to be flashing its own price: $16.5k, for which the lucky owner gets 240Wpc, sleek styling, and a great deal of up-to-date technology, including 192/24 WiFi capability. I had hoped to learn more about the D-Premier (and the impressive Focal loudspeakers it was driving), but the pleasant young fellow who was running the booth couldn't make himself understood over the very loud playback levelsand the latter finally drove me from the room. John Atkinson will be reviewing the Devialet D-Premier, which he says combines a highly linear class-A amplifier with a class-D output stage in a topology somewhat similar to the late Peter Walker's "current dumping" circuit, in a summer issue of Stereophile.
One could suggest that, having reviewedand admiredthe DeVore O/96 loudspeaker, I am predisposed to enjoying the newest model in that product line, the less expensive but similarly sensitive O/93 ($8400/pair). But even that wouldn’t explain my gut-level positive response to Tsege Mariam Gebru’s solo piano work The Homeless Wanderer (LP, Mississippi Records MRP-025) on the DeVore-fronted system in one of five rooms sponsored by Montreal dealer Coup de Foudre.
One of the many rooms sponsored by Montreal retailer Coup de Foudre was dedicated to the new DeVore Fidelity Gibbon 88 loudspeaker ($5000/pair), which replaces the Super 8 in DeVore's line. The 88 uses an entirely new woofer, which designer John DeVore says was influenced by the recent work he did on the DeVore Orangutan model; technical distinctions include a paper (instead of plastic) cone and a larger motor overall than its predecessor, with double the voice-coil travel. Consequently, sensitivity is up in the Gibbon 88, to approximately 91dB.