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Art Dudley Posted: Mar 26, 2013 0 comments
Audio Note has long been a believer in high-torque turntables, having brought to market a number of belt-drive designs that use multiple motors (à la the original Voyd). One of the less expensive such models in their line, the twin-motor TT Two ($3500), has now been upgraded, with a plinth made from the same veneered Russian-birch plywood as the company's well-regarded loudspeakers. (The sample here is in Rosewood.) And external power supply ($2400) is also available, either at the time of initial purchase or as a subsequent upgrade, providing greater electronic stability and easy speed selection. Seen with the TT Two are the Arm Three V2 captured-unipivot tonearm ($2000) and an Audio Note Io-I moving-coil cartridge ($4100)—which, for SSI, drove an S4L silver-wired transformer ($6200).
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Art Dudley Posted: Apr 13, 2012 0 comments
The New York Audio and AV show (wait a minute: Doesn’t the A in AV already stand for Audio?) takes place at the famed Waldorf=Astoria from 3:00pm to 8:00pm today, from 10:00am to 6:00pm Saturday, and from 10:00am to 5:00pm on Sunday). Yesterday I was weary from traveling (I arrived here by train from Philadelphia), so it wasn’t until this morning that I noticed the carpet pattern outside the door of my room: a William Morris-style bunny. I’m clearly in the right place.
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Art Dudley Posted: Apr 01, 2014 1 comments
I have experienced my first cable demo in French. The very animated and enthusiastic Bruno Delorimier conducted a Nordost interconnect comparison for an appreciative audience of Quebec audiophiles, using a pair of Dynaudio Confidence C1 loudspeakers ($8500/pair, plus $600 for stands), and all SimAudio Moon electronics. Going from Nordost's Blue Heaven ($350/1 meter pair) to their monofilament-technology Heimdall (ca $800/1 meter pair), the differences in rhythmic nuance and sheer touch—in favor of the Heimdall—were apparent, regardless of language.
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Art Dudley Posted: Mar 28, 2014 0 comments
I’ve reported from Salon Son et Image almost every year since joining Stereophile in 2003, and as much as I enjoy the show itself, my favorite part remains the evening before the opening day. That’s when, in accordance with an informal tradition, members of the industry and the press gather together at the Hilton Bonaventure’s hotel bar—which also happens to serve the best food of any hotel bar in my experience—to shake the dust of the town from our boots, as it were. Pictured here, from left to right, are Peter McGrath (Wilson Audio), Mike Manousselis (Dynaudio), Lionel Goodfield (Simaudio), Keith Pray (publisher, Stereophile), Philip O’Hanlon (On a Higher Note), and Costa Koulisakis (Simaudio).
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Art Dudley Posted: Mar 24, 2012 0 comments
New at SSI was Rethm's first foray into amplifier design: a 16Wpc single-ended integrated amp called the Gaanam ($7750), built around the Russian 6C33C tube and featuring an outboard power supply, 6922-based preamp stage, and an all-transformer driver stage. Using a Lector CD player and Rethm's own all-silver speaker cable ($1250 for an 8' pair), the combination of Maarga speakers and Gaanam amp sounded spacious, clean, well textured, and very tactile, with fine bass extension and bass color; my impression was that the consistently large crowd of listeners in this room agreed.
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Art Dudley Posted: Mar 24, 2012 0 comments
Rethm, most of whose distinctive loudspeaker designs have been designed and built around full-range Lowther drivers, has now switched to a driver design of their own—which, like Rethm's loudspeakers themselves, are manufactured in India. The Rethm Maarga ($8750/pair) supplements a 6" version of that new driver with an isobaric pair of powered, 6.5" paper-cone woofers.
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Art Dudley Posted: Apr 06, 2011 0 comments
This looks like Jonathan Halpern, owner of the New York distribution firm Tone Imports, but it’s really the devil. Every time JA and I attempted to leave the Coup de Foudre room in which products by DeVore, Leben, EMT, Box Furniture, and Brinkmann were being demonstrated, the devil coaxed us to stay, just by playing one! more! song! We finally broke temptation’s chains and left to the strains of James Brown’s “Sex Machine”: JA and I had to literally back our way out of the room. Carefully.
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Art Dudley Posted: Apr 01, 2014 1 comments
The photography used in the display materials associated with Totem loudspeakers are of consistently very high quality. That said, during my stroll through the Pavillon du Canada at this year's SSI, I finally noticed something about the people in those photos: They are exclusively female, and they are almost always barefoot. As a male who is as ignorant of the principles of the psychology of marketing as he is hesitant to go barefoot anywhere but the beach, the bath, and the bed, I am puzzled (but not troubled).
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Art Dudley Posted: Mar 23, 2012 0 comments
Munich-based T+A, which is distributed in North America by Dynaudio, displayed a prototype of their forthcoming DAC 8 D/A converter, which is projected to sell for under $3000. Built around dual 32-bit Burr-Brown DAC chips, the DAC 8 offers a choice of true balanced or single-ended operation, with all proprietary digital filter designs and sampling rates up to 192kHz.
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Art Dudley Posted: Mar 26, 2012 4 comments
So another SSI has come and gone. On the downside, the trade-only day was slow, a surprising number of SSI stalwarts—Legacy, Luxman, Vivid, Reference 3a, Ocellia, AvantGarde, and Antique Sound Lab among them—were missing in action, and the blue-wig thing is getting kind of old. On the up side, there was good traffic on the consumer days, the food and drink were great—even on-site at the Hilton—and the Coup de Foudre party was a blast (thank you, Graeme, Jennifer, et al). I was genuinely impressed by several new products, especially the Michael Tang tonearm, AudioQuest Dragonfly USB DAC, LM Audio 211IA integrated amp, Audio Note DD 4.1x CD player, and Naim NDS two-box network player. And, best of all, it was good to see some old friends, many for the first time since SSI 2011. It was a busy, fun time, a sort of a four-day moment, and I congratulate organizers Michel Plante and Sarah Tremblay for succeeding once again.

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