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Art Dudley Posted: Aug 22, 2014 2 comments
It's like hearing the name of an old friend and then seeing him, in your mind's eye, as he was when you were both much younger: Whenever talk turns to Boulder, Colorado–based PS Audio, I can't help picturing that company's Model IV preamplifier, of the early 1980s—most likely because that was the preamp I longed to own at the time. (Tragically, I couldn't afford to buy it, so I struggled on with my NAD 1020.)
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Art Dudley Posted: Apr 16, 2013 0 comments
Among the smaller systems I heard at NYAS, this nears the top of my list: the Resonessence Labs Invicta D/A converter ($3990), driving the Music First Audio Baby Reference preamplifier ($6990; see Sam Tellig’s rave in the October 2012 issue), the Wells Audio Innamorata power amp ($6000), and most recognizably, Audio Space’s BBC-approved version of the classic (imagine that word in gold leaf) LS-3/5a monitor (only $1790/pair) and SW-1a woofer towers ($1190), with cable by Audience. This setup had exceptional drive and impact: qualities I associate with good transformers, of which the passive Music First preamp has an abundance.
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Art Dudley Posted: Apr 18, 2013 2 comments
Upon visiting the room of Colleen Cardas Imports, I was impressed by yet another small loudspeaker: the Signature version of the model 1920 mini-monitor ($3450/pair) from British firm MAD (for My Audio Design). The 1920 is described as designer Timothy Jung's take on the classic BBC LS-3/5a theme, and while it didn't sound precisely like that hallowed box, it was pleasing in much the same way when driven by the 65 WpcClass-A Monoblock Reference power amps ($15,500/pair) and Control Preamplifier ($9500) from Pure Audio, a company founded by the previous principals of Plinius. Source components were the Platinum Data CD IV disc transport ($3995) and The Analog D/A converter ($6995) from MSB Technology, while cabling and power-distribution products were by Furutech.
Art Dudley Posted: Nov 17, 2011 0 comments
Given that Quad's founder, the late Peter J. Walker, wasn't around to design the Quad II Classic Integrated, the English firm relied instead on Tim de Paravicini, whose credits include the comparatively recent Quad II-eighty mono amplifiers and QC-twentyfour preamplifier (not to mention his own line of E.A.R./Yoshino electronics and countless other well-regarded products). It's with respect for both men that I say: In turning to Tim de Paravicini, Quad has probably chosen the closest approach to the original.
Art Dudley Posted: Aug 21, 2005 0 comments
"The realistic reproduction of orchestral music in an average room requires peak power capabilities of the order of 15 to 20W when the electro-acoustic transducer is a baffle-loaded moving-coil loudspeaker of normal efficiency." —Peter Walker and D.T.N. Williamson, writing in the Journal of the Audio Engineering Society in 1954
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Art Dudley Posted: Mar 26, 2012 0 comments
There's a nice symmetry in knowing that Liberty Audio Trading has been appointed the new Canadian distributor for Quad Electroacoustics: Years ago, Liberty's founder, the late Nizar Akhrass, was among the first to bring the line to North America. (Taiga LLC continues to represent Quad here in the States.) At SSI Liberty Audio demonstrated the entry-level Quad ESL-2805 ($10,000/pair). John Atkinson will be reviewing the ESL-2805 in the May issue of Stereophile.
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Art Dudley Posted: Apr 14, 2013 1 comments
Colleen Murphy, whose first serious system was built around a pair of Klipschorns, prefers vinyl to all other formats—not just for the superior sound, but for other, less tangible qualities. “It’s almost a ritual,” she said at NYAS 2013. “The inconvenience is one of the things that makes us give ourselves over to it.”
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Art Dudley Posted: Mar 31, 2014 Published: Dec 31, 1969 1 comments
In one of the rooms sponsored by Audio Pathways, the always-impressive yet consistently difficult-to-photograph-in-the-dark Raidho Acoustics C1.1 loudspeakers ($CAD18,000/pair) sounded excellent with a slightly-less-photo-phobic Jeff Rowland Continuum S2 integrated amp ($10,500), set up with Transparent cabling.
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Art Dudley Posted: Mar 25, 2013 0 comments
I thought the Raidho D-1 loudspeaker ($28,000/pair, including stands), was among the most interesting and musically impressive new products at SSI. Raidho, a Danish company known for their work with ultra-lightweight ceramics, has developed a process for bonding to their speaker diaphragms a thin coat of industrial diamond, conferring even greater stiffness and freedom from unwanted resonances. Paired with a Jeff Rowland Aeris D/A converter and Jeff Rowland 625 power amplifier, the Raidhos were impressive on a variety of material. We’ve all heard demonstrations where we came away saying, “I can’t believe they got so much bass out of such little loudspeakers,” but in terms of the sheer quality and scale of that bass, the Raidho/Rowland combination was on another plane altogether.
Art Dudley Posted: May 02, 2014 2 comments
No one can say precisely how or when the ancient 300B triode tube made its cross-kingdom leap to the modern world of consumer audio, but we've got the where pretty much nailed down: It all began in Asia, where the best of the West is sometimes held in reverence rather than left to drown in consumerism's wake. Asia is the final resting place for the great Western Electric cinema systems of the 1940s—and that's where the 300B earned its un-American second act. By the mid-1990s, the tube had captured the hearts of hobbyists who, consciously or not, sensed that the audio refineries of the day had lost the plot, not to mention the body.

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