Art Dudley

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Art Dudley Posted: Apr 16, 2012 0 comments
Renowned journalist (and owner of originally Wilson speakers and now Audio Note speakers) Carl Bernstein (left) and reviewer/set-up specialist Michael Trei, seen browsing the 18th floor during the show's first evening.
Art Dudley Posted: Jun 24, 2007 0 comments
I was the member of the family on whom the others could depend for technical assistance: mending eyeglass frames, fixing the radio, replacing the lightbulb in the oven, getting the car to idle smoothly. No job too big or too small. House calls a specialty.
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Art Dudley Posted: Mar 29, 2014 0 comments
The family-owned electronics chain Son X Plus sponsored a number of exhibits at SSI, including this active display of Skech wireless headphones, in a rainbow of colors. I gave them a brief try—not the pink ones—and was mildly impressed at the progress being made in Bluetooth audio.
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Art Dudley Posted: Aug 28, 2012 Published: Sep 01, 2012 27 comments
In the old days, when audio-show reports routinely appeared in the print edition of Stereophile, life was easier. I spent my show days visiting exhibitors and listening to new gear, but I decorated those days with record shopping, dining out, and staying up late to visit with friends in the industry. And because hard-copy deadlines always seemed to be at least a few days away, I would wait until I'd returned home before doing any actual writing.
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Art Dudley Posted: Nov 30, 2013 Published: Dec 01, 2013 12 comments
It began innocently enough. In June, Slate.com published a sampling from an exhibit by the photographer Kai Schaefer, in which classic LPs of different eras were partnered with the similarly classic record players on which they might have been played: Tea for the Tillerman on a Dual 1219, Kind of Blue on a Rek-O-Kut Rondine, Sgt. Pepper's on a Thorens TD 124—you get the idea. The photos worked as cultural documents, as good-natured kitsch, as surprisingly beautiful and compelling industrial art. I was thoroughly charmed.
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Art Dudley Posted: Apr 01, 2014 0 comments
On my second day in Montreal I had an enjoyable conversation with Jean Barbeau of Solen Electronique, the Quebec manufacturing company whose capacitors and other passive components remain popular with hundreds of manufacturers (including the vintage-inspired Shindo Laboratory). Monsieur Barbeau, who co-designed the fine-sounding loudspeaker project being demonstrated in Solen's SSI room, observed that more and more young listeners have been approaching Solen in recent months for DIY parts and advice—"A very healthy trend."
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Art Dudley Posted: Mar 24, 2012 0 comments
Loudspeaker specialists Magico were on hand with their recent Q3 ($38,950/pair), which boasts a 90dB sensitivity rating and 5 ohm nominal impedance: not quite SET territory, but easily the California firm's most sensitive speaker yet. Magico rep and fellow bluegrass fan Irv Gross put the Q3 through its paces for me; I was impressed with its speed, scale, drama, and sheer grip—not only in the lowest frequencies but all the way up through its well fleshed-out treble range.
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Art Dudley Posted: Mar 31, 2014 0 comments
Presumably someone snapped-up this show special, seen in the second room of Montreal retailer Son Idéal: a Rega RP40, which is the 40th Anniversary edition of the Rega RP3, complete with the reddest mat in existence. Son Idéal offered it for $CAD1199, instead of the usual $CAD1699.
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Art Dudley Posted: Mar 31, 2014 0 comments
Bring me the head of anyone who says the Harbeth Monitor 40.1loudspeaker isn't a great rock 'n' roll loudspeaker! As Montreal retailer Son Idéal proved—proved, I tell you—the biggest Harbeths are very satisfying on the classic album Led Zeppelin III, especially with the assistance of a Rega RP10 record player with Rega Apheta cartridge; Rega Aria phono preamp; Rega Saturn-R CD player; and Pathos T.T. integrated amplifier.
Art Dudley Posted: Apr 20, 2009 0 comments
I know from conversations with other reviewers that this sort of thing happens all the time: Something new comes along—a product from a company we've never heard of, a technology we've never encountered before, whatever—and when we're impressed, we end up wondering if the thing is really as good as we think. We're insecure, just like you (footnote 1).

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