Art Dudley
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RMAF 2012
Art Dudley Oct 18, 2012 1 comments
A pivoted straight-line-tracking tonearm? The description is far less oxymoronic than it seems, given the arrival of the Schröder LT tonearm ($8900). This fascinating and apparently very well-executed design works by augmenting the main arm pivot with an extra pivot at the base, the latter said to offer exceptionally low resistance to the arm and cartridge as they follow the inward spiral of the groove. The geometric relationship between the two pivots is such that the headshell—and the cartridge and stylus—maintain perfect tangency to the groove from beginning to end. Thus the headshell requires no offset angle, which also means that no anti-skating force is required. Very cool.
SSI 2013
Art Dudley Mar 22, 2013 0 comments
Most of us know Canada’s Solen Electronique as a manufacturer of well-regarded capacitors (they call them condensateurs up here) and inductors, but they offer a wide variety of parts to manufacturers and hobbyists alike. Here we see a selection of hardware, the likes of which you won’t find at your local Home Depot.
SSI 2014
Art Dudley Apr 01, 2014 0 comments
It's a fondly regarded part of every SSI: a single large ballroom given over to small exhibits—some active, most of them passive—of products that are designed and made in Canada. Among the most striking sights in this year's Pavillon du Canada was something that I can describe only as The Big, Orange Turntable, which sat near the center of the floor: unlabeled, unattached to any other components, and apparently unrelated to any known exhibits. Big, Orange Turntable, we salute you.
SSI 2014
Art Dudley Apr 01, 2014 0 comments
Here we see Steven Huang of Audio Sensibility waiting on a customer at his SSI display. His Toronto company offers custom cables at sanely low prices—starting at $129/meter for their entry-level interconnect—and sweetens the deal with custom-machined stainless steel (not aluminum, or even aluminium) connector shells and a 30-day money-back guarantee.
Art Dudley Mar 18, 2008 0 comments
My first one-piece stereo—I think I paid $60 for it, including a pair of speakers with pegboard backs—gave me a lot of pleasure when I was young, and I loved it. Everything that came after has been better in every way but one: None has inspired that kind of love. And most have left me wondering if there might be something just a little bit better.
NY Audio & AV 2012
Art Dudley Apr 16, 2012 0 comments
Renowned journalist (and owner of originally Wilson speakers and now Audio Note speakers) Carl Bernstein (left) and reviewer/set-up specialist Michael Trei, seen browsing the 18th floor during the show's first evening.
Integrated Amp Reviews
Art Dudley Jun 24, 2007 0 comments
I was the member of the family on whom the others could depend for technical assistance: mending eyeglass frames, fixing the radio, replacing the lightbulb in the oven, getting the car to idle smoothly. No job too big or too small. House calls a specialty.
SSI 2014
Art Dudley Mar 29, 2014 0 comments
The family-owned electronics chain Son X Plus sponsored a number of exhibits at SSI, including this active display of Skech wireless headphones, in a rainbow of colors. I gave them a brief try—not the pink ones—and was mildly impressed at the progress being made in Bluetooth audio.
As We See It
Art Dudley Aug 28, 2012 Published: Sep 01, 2012 27 comments
In the old days, when audio-show reports routinely appeared in the print edition of Stereophile, life was easier. I spent my show days visiting exhibitors and listening to new gear, but I decorated those days with record shopping, dining out, and staying up late to visit with friends in the industry. And because hard-copy deadlines always seemed to be at least a few days away, I would wait until I'd returned home before doing any actual writing.
As We See It
Art Dudley Nov 30, 2013 Published: Dec 01, 2013 11 comments
It began innocently enough. In June, Slate.com published a sampling from an exhibit by the photographer Kai Schaefer, in which classic LPs of different eras were partnered with the similarly classic record players on which they might have been played: Tea for the Tillerman on a Dual 1219, Kind of Blue on a Rek-O-Kut Rondine, Sgt. Pepper's on a Thorens TD 124—you get the idea. The photos worked as cultural documents, as good-natured kitsch, as surprisingly beautiful and compelling industrial art. I was thoroughly charmed.
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