A pivoted straight-line-tracking tonearm? The description is far less oxymoronic than it seems, given the arrival of the Schröder LT tonearm ($8900). This fascinating and apparently very well-executed design works by augmenting the main arm pivot with an extra pivot at the base, the latter said to offer exceptionally low resistance to the arm and cartridge as they follow the inward spiral of the groove. The geometric relationship between the two pivots is such that the headshelland the cartridge and stylusmaintain perfect tangency to the groove from beginning to end. Thus the headshell requires no offset angle, which also means that no anti-skating force is required. Very cool.
Most of us know Canada’s Solen Electronique as a manufacturer of well-regarded capacitors (they call them condensateurs up here) and inductors, but they offer a wide variety of parts to manufacturers and hobbyists alike. Here we see a selection of hardware, the likes of which you won’t find at your local Home Depot.
It's a fondly regarded part of every SSI: a single large ballroom given over to small exhibitssome active, most of them passiveof products that are designed and made in Canada. Among the most striking sights in this year's Pavillon du Canada was something that I can describe only as The Big, Orange Turntable, which sat near the center of the floor: unlabeled, unattached to any other components, and apparently unrelated to any known exhibits. Big, Orange Turntable, we salute you.
Here we see Steven Huang of Audio Sensibility waiting on a customer at his SSI display. His Toronto company offers custom cables at sanely low pricesstarting at $129/meter for their entry-level interconnectand sweetens the deal with custom-machined stainless steel (not aluminum, or even aluminium) connector shells and a 30-day money-back guarantee.
My first one-piece stereo—I think I paid $60 for it, including a pair of speakers with pegboard backs—gave me a lot of pleasure when I was young, and I loved it. Everything that came after has been better in every way but one: None has inspired that kind of love. And most have left me wondering if there might be something just a little bit better.
Renowned journalist (and owner of originally Wilson speakers and now Audio Note speakers) Carl Bernstein (left) and reviewer/set-up specialist Michael Trei, seen browsing the 18th floor during the show's first evening.
I was the member of the family on whom the others could depend for technical assistance: mending eyeglass frames, fixing the radio, replacing the lightbulb in the oven, getting the car to idle smoothly. No job too big or too small. House calls a specialty.
The family-owned electronics chain Son X Plus sponsored a number of exhibits at SSI, including this active display of Skech wireless headphones, in a rainbow of colors. I gave them a brief trynot the pink onesand was mildly impressed at the progress being made in Bluetooth audio.
In the old days, when audio-show reports routinely appeared in the print edition of Stereophile, life was easier. I spent my show days visiting exhibitors and listening to new gear, but I decorated those days with record shopping, dining out, and staying up late to visit with friends in the industry. And because hard-copy deadlines always seemed to be at least a few days away, I would wait until I'd returned home before doing any actual writing.
It began innocently enough. In June, Slate.com published a sampling from an exhibit by the photographer Kai Schaefer, in which classic LPs of different eras were partnered with the similarly classic record players on which they might have been played: Tea for the Tillerman on a Dual 1219, Kind of Blue on a Rek-O-Kut Rondine, Sgt. Pepper's on a Thorens TD 124you get the idea. The photos worked as cultural documents, as good-natured kitsch, as surprisingly beautiful and compelling industrial art. I was thoroughly charmed.