My first one-piece stereo—I think I paid $60 for it, including a pair of speakers with pegboard backs—gave me a lot of pleasure when I was young, and I loved it. Everything that came after has been better in every way but one: None has inspired that kind of love. And most have left me wondering if there might be something just a little bit better.
Renowned journalist (and owner of originally Wilson speakers and now Audio Note speakers) Carl Bernstein (left) and reviewer/set-up specialist Michael Trei, seen browsing the 18th floor during the show's first evening.
I was the member of the family on whom the others could depend for technical assistance: mending eyeglass frames, fixing the radio, replacing the lightbulb in the oven, getting the car to idle smoothly. No job too big or too small. House calls a specialty.
In the old days, when audio-show reports routinely appeared in the print edition of Stereophile, life was easier. I spent my show days visiting exhibitors and listening to new gear, but I decorated those days with record shopping, dining out, and staying up late to visit with friends in the industry. And because hard-copy deadlines always seemed to be at least a few days away, I would wait until I'd returned home before doing any actual writing.
It began innocently enough. In June, Slate.com published a sampling from an exhibit by the photographer Kai Schaefer, in which classic LPs of different eras were partnered with the similarly classic record players on which they might have been played: Tea for the Tillerman on a Dual 1219, Kind of Blue on a Rek-O-Kut Rondine, Sgt. Pepper's on a Thorens TD 124you get the idea. The photos worked as cultural documents, as good-natured kitsch, as surprisingly beautiful and compelling industrial art. I was thoroughly charmed.
Loudspeaker specialists Magico were on hand with their recent Q3 ($38,950/pair), which boasts a 90dB sensitivity rating and 5 ohm nominal impedance: not quite SET territory, but easily the California firm's most sensitive speaker yet. Magico rep and fellow bluegrass fan Irv Gross put the Q3 through its paces for me; I was impressed with its speed, scale, drama, and sheer gripnot only in the lowest frequencies but all the way up through its well fleshed-out treble range.
I know from conversations with other reviewers that this sort of thing happens all the time: Something new comes alonga product from a company we've never heard of, a technology we've never encountered before, whateverand when we're impressed, we end up wondering if the thing is really as good as we think. We're insecure, just like you (footnote 1).
At present, my writing chores are divided between two fields: domestic audio and lutherie. Having invested considerable time in both, and having by now met a number of builders who are distinguished in one or the other, I can say with all confidence that the best share a simple, single point of view: Everything makes a difference.
Sony Electronics launched their new SS-AR2 loudspeaker ($20,000/pair), seen here with the X600.5 mono amplifiers from Pass Labs. The SS-AR2 is a three-way, four-driver floorstander that’s crafted from select Japanese maple laminate (the front baffle) and Finnish birch plywood (the remainder of the cabinet). Twin aluminum-cone woofers are said to extend bass response down to 42Hz.