Art Dudley

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Art Dudley Posted: Mar 30, 2014 0 comments
Ontario-based Kevro International, which distributes Monitor Audio loudspeakers and British-built Cyrus electronics in the US and Canada, demonstrated a system using a pair of Monitor Silver 10 loudspeakers ($2700/pair in gloss finish) and a stack of Cyrus amplification and digital components (total price approximately $12,000). Apart from lacking a bit of bass weight—surprisingly, given the speakers' size and the sheer amount of bass-driver real estate), the sound was smooth, spacious, and open, with very good melodic flow and momentum.
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Art Dudley Posted: Dec 11, 2008 0 comments
If home-gallows prices keep coming down, people won't go to public executions anymore. The home brothel has reduced the amount of cash American men spend each year on banging strangers. And thanks to the home sweatshop, the CEOs of all the major clothing manufacturers have been forced to take pay cuts. (I mean, come on: It was either that or something totally unimaginable, like shipping American jobs overseas, or cutting healthcare benefits for the rank and file.)
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Art Dudley Posted: Apr 16, 2012 0 comments
Seen outside one of Innovative Audio's demonstration rooms (L–): Luke Manley and Bea Lam of VTL, Peter McGrath of Wilson Audio, and Elliot Fishkin, proprietor of Innovative Audio.
Art Dudley Posted: Jan 25, 2004 Published: Jan 01, 2004 0 comments
Like most people, I'm not interested in long, windy essays about audio reviewing, having barely enough time and interest for audio itself. But I do perk up when the debate turns to the audio reviewer's purpose in life: Should I write about everything that crosses my path, or should I limit my attention to those products that interest me, and that stand a chance of being good?
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Art Dudley Posted: May 16, 2014 5 comments
The first bit of music I heard at the Munich show—officially known High End 2014—was utterly lacking in soundstage depth, imaging precision, and transparency: It was actual music, courtesy of the Bavarian brass/accordion ensemble Unterbiberger Hofmusik, who performed just inside the main entranceway of the Munich MOC. (To the surprise of everyone, the morning dawned too cold for an outdoors performance.) It was a big, colorful beginning to this uniquely big, colorful show.
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Art Dudley Posted: May 17, 2014 14 comments
How good does it get? I think I’m closer to having an answer to that one.
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Art Dudley Posted: May 20, 2014 1 comments
I had the opportunity to review, in our June 2012 issue, the sweet-sounding Allnic A-5000 DHT amplifier. Yet it wasn't until the Munich show that I had the chance to meet its very genial designer, Kang Su Park, seen here with David Beetles, the international distributor for Allnic Audio Arts.
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Art Dudley Posted: May 20, 2014 5 comments
I began my Friday with a direct assault upon one of the MOC's three atria: expansive, beautifully lit spaces, each resembling a boulevard of swanky shops, with café seating at the center and rows of glass-fronted listening rooms on the farthest side. Again, the effect is not unlike an audio-centric Champs Elysée on an especially pleasant day. Times three.

First stop was Dali Acoustics, where the sound of a mandolin—it was Steve Strauss's "Jennie Mae"—led me toward Dali's floorstanding Rubicon 8 (€2399/pair, seen on the far left in the photo above).

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Art Dudley Posted: May 21, 2014 2 comments
Pressed to guess which manufacturer had the greatest number of products on display at High End 2014, I'd name Pro-Ject Audio Systems, who apparently brought with them a different record player for every day of the month: different styles, different prices, different colors, different (apparent) points of view.
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Art Dudley Posted: May 22, 2014 0 comments
High End 2014 drew over 18,000 audio enthusiasts and record lovers to the historic city of Munich, a corner of whose Marienplatz district is seen in the photo above. It presented the wares of 452 exhibitors, representing over 900 distinct brands. I was in attendance every minute of its first three days; I went home on its fourth and final day, bringing with me the certainty that High End 2014 was, in almost every meaningful way, the finest audio show of my experience. This wasn't a show about old men dodging furtively in and out of overdark, overloud rooms in a down-on-its-luck hotel: High End 2014 was about seeing the audio world's most important people and products in a single setting, the beauty and spaciousness and size of which reflected very well indeed on our industry.

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