The unusual Miyajima Shilabe moving-coil cartridge ($2800) came to my attention through a friend, and I obtained one from the importer, Robin Wyatt of Robyatt Audio, a music lover and dedicated audiophile who imports gear as a sideline, and who lives nearby in New Jersey.
Ontario-based Kevro International, which distributes Monitor Audio loudspeakers and British-built Cyrus electronics in the US and Canada, demonstrated a system using a pair of Monitor Silver 10 loudspeakers ($2700/pair in gloss finish) and a stack of Cyrus amplification and digital components (total price approximately $12,000). Apart from lacking a bit of bass weightsurprisingly, given the speakers' size and the sheer amount of bass-driver real estate), the sound was smooth, spacious, and open, with very good melodic flow and momentum.
If home-gallows prices keep coming down, people won't go to public executions anymore. The home brothel has reduced the amount of cash American men spend each year on banging strangers. And thanks to the home sweatshop, the CEOs of all the major clothing manufacturers have been forced to take pay cuts. (I mean, come on: It was either that or something totally unimaginable, like shipping American jobs overseas, or cutting healthcare benefits for the rank and file.)
Like most people, I'm not interested in long, windy essays about audio reviewing, having barely enough time and interest for audio itself. But I do perk up when the debate turns to the audio reviewer's purpose in life: Should I write about everything that crosses my path, or should I limit my attention to those products that interest me, and that stand a chance of being good?
For whatever reason I didn't hear many word-of-mouth recommendations as I wandered the halls during the first two days of SSI; the few that did break through the haze pointed to two products: the Eclipse TD-M1 desktop loudspeakers in one of Coup de Foudre's rooms, and the Muraudio Domain floorstanding loudspeakers ($58,000 per pair): about as different as different can be. Just as I discovered with the Eclipses, the Muraudio speakers deserved the buzz.
The first time I heard a PHY driver was in an enclosure designed and made by Ocellia Audio, 15-odd years ago. During the years since then, Ocellia head Samuel Furon has continued to refine his complex, intentionally thin-walled designs, and the line has expanded to include some new models. The latest of these is the Calliope.21 Signature ($14,000 as shown, with configurations of this model starting at $9900), which was demonstrated at SSI with an Ocellia Quero integrated amp ($14,000), prototype Ocellia Quero phono preamp (price TBD), and a vintage Platine Verdier turntable with EMT 997 tonearm and Ocellia-modified Denon 103 cartridge.
Strange that I should travel 1800 miles to hear products that are designed and manufactured less than two hours from my home. Happily, the McIntosh experience at RMAF was worth the effort, especially inasmuch as the hallowed brand distinguished itself by playing real music as opposed to audiophile chestnuts. (Think of it!) I especially enjoyed some selections from the Beatles' Anthology 3 collection, played via JRiver software on an HP laptop, through a McIntosh C50 preamp ($6500) and MC452 amp ($7500), along with the McIntosh MEN220 room-correction system ($4500, which includes the microphonebut not the standseen in this photo). Rounding out the system were the company's recent XR100 speakers ($10,000/pair): certainly the best McIntosh loudspeakers I have yet to hear.
In the fall of 2005, while the People's Republic of China continued to hold political dissidents in prison without due process, the US government wiretapped its citizens with impunity, tensions rose on the border between Chad and Sudan, Israeli citizens annexed thousands of acres of land from poor Palestinian farmers, Saudi Arabia executed more petty thieves and adulterers in the name of Allah, Russia "lost" a few more tons of nuclear armaments, and the polar icecaps continued to recede as the levels of preventable greenhouse emissions climbed out of control, a small band of middle-aged men took to the Internet to express their seething outrage.