Art Dudley

Sort By: Post Date | Title | Publish Date
Filed under
Art Dudley Posted: Nov 21, 2010 0 comments
The English public may not like music, but they absolutely love the sound it makes.—Sir Thomas Beecham

Just as car magazines are filled with descriptions of how fast their subjects don't go and how surely they don't stop, magazines such as ours are filled with descriptions of how neutrally our subjects don't play tones, and how precisely they don't place images in space.

Art Dudley Posted: Dec 20, 2010 9 comments
When you play recorded music, you have before you a work of art with almost no physical existence at all; reconstituting it requires electricity, which will itself imitate the musical continuum represented by the bumps in the groove or the zeros in the datastream. When you listen to recorded music, you are listening to your household AC, and better AC equals better playback. That sounds obvious to me and you, even as it sends the technocodgers into paroxysms of puritanical indignation.
Filed under
Art Dudley Posted: Jan 25, 2011 4 comments
At the start of my teaching career, I discovered that it was more difficult to maintain order in a sixth-grade classroom early in the day than at any other time. First thing in the morning the kids were noisy and aimless, and banging my open palm on the chalkboard for their attention worked only once. So I gave my students that which most children crave, consciously or un-: a simple, clear explanation of what I expected of them.

What I expected of them—in the short term, at least—was this: They were required to answer three new questions, written for their benefit on that still-vibrating chalkboard, at the beginning of each and every school day. If the children didn't hand in their answers before the first-period classes began, I would not accept their homework from the night before, thus earning them a score of nothing. On the other hand, a good record of correct or at least entertaining answers to those morning questions would, I promised, be used to nudge upward any borderline report-card grade at the end of each quarter.

Filed under
Art Dudley Posted: Mar 04, 2011 Published: Feb 04, 2011 1 comments
Now I remember why I'm no longer a car enthusiast. I haven't got the time.

In my youth, when I wasn't driving my beloved car, I was washing it. Polishing it. Waxing its engine compartment. Spraying Armor All on its hoses and bushings. Cleaning its interior vents with cotton swabs, and its shifter boot with Lexol. I did all of my own maintenance and some of my own repairs—those of the latter that didn't require specialized tools, at least—and I kept the car covered with a car cover I bought from a mail-order house, along with lots of other crazy junk.

Filed under
Art Dudley Posted: Mar 25, 2011 3 comments
That was called "love" for the workers in song;
probably still is, for those of them left.
—Leonard Cohen

It started around 1950, as postwar economies boomed and commercial radio stations multiplied like bunnies: Broadcasters needed reliable, high-quality turntables, so Garrard Engineering and Manufacturing—an offshoot of Garrard & Co., England's first Crown Jeweler—took up the challenge. They brought their considerable engineering talent to bear on a new design, invested in the personnel and facilities required to make the thing, and released the model 301 motor unit in 1953. It was a huge success—and, strangely enough, it still is.

Filed under
Art Dudley Posted: Mar 25, 2013 3 comments
Despite its unfortunate physical resemblance to an electric shoe-shine machine, the Leedh E loudspeaker sounded open and airy during my visit to the room sponsored by Conceptas Sound and Engineering. I was prevented, by the language barrier, from learning anything about the E or its companion Lua brand electronics, including prices; one of two people running the room handed me some information sheets, but the other person snatched them away. I requested and was given more, but my moment of triumph was dashed when I saw that all of the literature was in French. All I have deciphered from it so far is that the Leedh E weighs less than “a dozen kilos” (I think), and one of its drivers is 17cm in diameter.
Filed under
Art Dudley Posted: Oct 26, 2011 6 comments
Late last month, New York City's In Living Stereo underwent two major changes: They made a short move, from a modestly sized storefront to a much larger one—2 Great Jones Street in the East Village—and they went from being a hi-fi shop to being a hi-fi and record shop. On a recent visit to their new digs I was impressed with the latter: While some hi-fi shops limit their music commitment to just a few racks of 200-gram LPs—commendable in and of itself, of course—In Living Stereo has built an entire record loft and filled it with hundreds of well-chosen new and used LPs. (I took it upon myself to lighten their inventory while I was there.)
Filed under
Art Dudley Posted: Apr 14, 2012 2 comments
This beautiful Stellavox tape deck, restored by Charles King, was used in the Robyatt exhibit to play recordings provided by the Tape Project. It sounded wonderful.
Filed under
Art Dudley Posted: Mar 30, 2014 0 comments
When I return home from Montreal I'll be able to tell my 16-year-old daughter, truthfully, that I listened to Lorde's "The Royals" on a very good system, the value of which rivals the expected cost of her first two years of college. Included in this Coup de Foudre-sponsored system were a Luxman DA-06 D/A converter ($5000), Luxman C 900 preamp ($19,000), the big Luxman M 900 stereo amp ($19,000), and Vivid Giya G3 loudspeakers ($40,000), used with Cardas cables.
Filed under
Art Dudley Posted: Apr 23, 2015 5 comments
If you look at it from a distance and squint a little, Luxman's Classic CL-38u preamplifier ($4200) could almost be mistaken for that most classic of all classic hi-fi products, the Marantz Model 7C control center. The aluminum front panels of both models have, at their centers, a row of four distinctive toggle switches, flanked on each side by four control knobs. Even more noticeable are the stylish wood enclosures—standard on the Luxman, optional on the Marantz—which make both preamps appear ready for duty at the Playboy Mansion, ca 1963, or perhaps an appearance in a Life photo essay titled "At Home with Steve McQueen."

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading