Art Dudley
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Art Dudley Sep 23, 2010 0 comments
One more word for unhappy consumers, in any marketplace, who confuse praise for the new with rebuke for the old: 20 years on, I continue to admire the best qualities of my Linn Sondek LP12 turntable (itself not the first LP12 I've owned). I smile to think of all the records I enjoyed during those two decades.
Art Dudley Oct 18, 2010 0 comments
If you've followed their story here and elsewhere, you probably know that Tokyo's Shindo Laboratory (footnote 1) has a reputation for defying the two most monolithic of all high-end audio commandments.
Art Dudley Listening
Art Dudley Nov 21, 2010 0 comments
The English public may not like music, but they absolutely love the sound it makes.—Sir Thomas Beecham

Just as car magazines are filled with descriptions of how fast their subjects don't go and how surely they don't stop, magazines such as ours are filled with descriptions of how neutrally our subjects don't play tones, and how precisely they don't place images in space.

Art Dudley Dec 20, 2010 9 comments
When you play recorded music, you have before you a work of art with almost no physical existence at all; reconstituting it requires electricity, which will itself imitate the musical continuum represented by the bumps in the groove or the zeros in the datastream. When you listen to recorded music, you are listening to your household AC, and better AC equals better playback. That sounds obvious to me and you, even as it sends the technocodgers into paroxysms of puritanical indignation.
Art Dudley Listening
Art Dudley Jan 25, 2011 4 comments
At the start of my teaching career, I discovered that it was more difficult to maintain order in a sixth-grade classroom early in the day than at any other time. First thing in the morning the kids were noisy and aimless, and banging my open palm on the chalkboard for their attention worked only once. So I gave my students that which most children crave, consciously or un-: a simple, clear explanation of what I expected of them.

What I expected of them—in the short term, at least—was this: They were required to answer three new questions, written for their benefit on that still-vibrating chalkboard, at the beginning of each and every school day. If the children didn't hand in their answers before the first-period classes began, I would not accept their homework from the night before, thus earning them a score of nothing. On the other hand, a good record of correct or at least entertaining answers to those morning questions would, I promised, be used to nudge upward any borderline report-card grade at the end of each quarter.

Art Dudley Listening
Art Dudley Mar 04, 2011 Published: Feb 04, 2011 1 comments
Now I remember why I'm no longer a car enthusiast. I haven't got the time.

In my youth, when I wasn't driving my beloved car, I was washing it. Polishing it. Waxing its engine compartment. Spraying Armor All on its hoses and bushings. Cleaning its interior vents with cotton swabs, and its shifter boot with Lexol. I did all of my own maintenance and some of my own repairs—those of the latter that didn't require specialized tools, at least—and I kept the car covered with a car cover I bought from a mail-order house, along with lots of other crazy junk.

Art Dudley Listening
Art Dudley Mar 25, 2011 3 comments
That was called "love" for the workers in song;
probably still is, for those of them left.
—Leonard Cohen

It started around 1950, as postwar economies boomed and commercial radio stations multiplied like bunnies: Broadcasters needed reliable, high-quality turntables, so Garrard Engineering and Manufacturing—an offshoot of Garrard & Co., England's first Crown Jeweler—took up the challenge. They brought their considerable engineering talent to bear on a new design, invested in the personnel and facilities required to make the thing, and released the model 301 motor unit in 1953. It was a huge success—and, strangely enough, it still is.

SSI 2013
Art Dudley Mar 25, 2013 3 comments
Despite its unfortunate physical resemblance to an electric shoe-shine machine, the Leedh E loudspeaker sounded open and airy during my visit to the room sponsored by Conceptas Sound and Engineering. I was prevented, by the language barrier, from learning anything about the E or its companion Lua brand electronics, including prices; one of two people running the room handed me some information sheets, but the other person snatched them away. I requested and was given more, but my moment of triumph was dashed when I saw that all of the literature was in French. All I have deciphered from it so far is that the Leedh E weighs less than “a dozen kilos” (I think), and one of its drivers is 17cm in diameter.
News
Art Dudley Oct 26, 2011 6 comments
Late last month, New York City's In Living Stereo underwent two major changes: They made a short move, from a modestly sized storefront to a much larger one—2 Great Jones Street in the East Village—and they went from being a hi-fi shop to being a hi-fi and record shop. On a recent visit to their new digs I was impressed with the latter: While some hi-fi shops limit their music commitment to just a few racks of 200-gram LPs—commendable in and of itself, of course—In Living Stereo has built an entire record loft and filled it with hundreds of well-chosen new and used LPs. (I took it upon myself to lighten their inventory while I was there.)
NY Audio & AV 2012
Art Dudley Apr 14, 2012 2 comments
This beautiful Stellavox tape deck, restored by Charles King, was used in the Robyatt exhibit to play recordings provided by the Tape Project. It sounded wonderful.
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