Art Dudley

Sort By: Post Date | Title | Publish Date
Art Dudley Posted: Aug 01, 2013 1 comments
Writing is easy. See? I just did it. Three whole sentences, written between breakfast and lunch. (I had to pause and think about one of them.) Payday, here I come.
Art Dudley Posted: Sep 13, 2013 Published: Sep 01, 2013 9 comments
Volti Audio's Vittora, a borrowed pair of which now sit at the far end of my listening room, is a great loudspeaker and, at $17,500/pair, a seriously great value. After a few weeks with the Vittora, I find myself convinced by the naturalness, momentum, and force that it found in every record I played: This is surely one of the finest horn-loaded speakers made in the US.
Filed under
Art Dudley Posted: Feb 01, 2004 Published: Jan 01, 2004 0 comments
When some people record music, they make an effort to record the ambient sound of the hall or other performing space along with it. On the other side of the coin, some engineers work to capture only the sounds of the performers, so the recordings they make sound comparatively dry. And, of course, there are engineers who don't make an effort one way or the other, and whose work contains whatever hall sound does or does not come their way by accident.
Art Dudley Posted: Oct 01, 2013 2 comments
Whether the subject is hi-fi equipment, films, restaurants, power tools, or condoms (see the April 2005 "Listening"), reviewing should be off-limits to the perennially unhappy. I'm reminded of that dictum by the flap over the recent film Identity Thief, which was savaged by reviewer Rex Reed—not because the film is weak, but because its star, Melissa McCarthy, is heavy. Reed, whose career as the Paul Lynde of film reviewing was punctuated by a starring role in a flop called Myra Breckenridge, mentioned in his review McCarthy's size not once but numerous times, thus exposing himself as a bullying hack who wields his harshest criticisms not when they are merited but as unconscious expressions of his own personal anguish. Hate speech of any sort is the crayon of the unhappy; that is doubly true of people who write for a living.
Filed under
Art Dudley Posted: Nov 07, 2013 2 comments
Whenever I'm moved by an artist whose work I've never before heard or seen, my first impulse is to wonder: What else has this person done while I slumbered in ignorance?
Filed under
Art Dudley Posted: Dec 05, 2013 2 comments
Memory mitigates adversity.—Lucius Lactantius (ca 240–ca 320 AD)

Pity the aging perfectionist, the happy diversions of whose younger days—washing records, oiling turntables, leveling equipment racks, cleaning tube pins—have now become hated chores. And this from a man who used to redo his Roksan Xerxes setup every few months, just for "fun."

Art Dudley Posted: Jan 04, 2014 2 comments
If you travel along Route 20 in upstate New York, you might see the hitchhiker my family and I refer to as the Old Soldier—so called because this slightly built man, whose age could be anywhere from 55 to 90, is always dressed in a military uniform from some long-ago campaign. When we first saw him, his topcoat suggested a recent return from Chateau-Thierry; in more recent sightings, the old man has taken to wearing the trim khakis and sharply creased legionnaire cap of the late 1940s—chronological zigzagging that made me think, at first, that this traveler was aging in reverse.
Art Dudley Posted: Jan 28, 2014 Published: Feb 01, 2014 17 comments
Domestic audio is based on two simple processes: transforming movement into electricity and electricity back into movement. Easy peasy.

Audio engineers have been doing those things for ages. Have they improved their craft to the same extent as the people who, over the same period of time, earned their livings making, say, automobiles and pharmaceuticals? I don't know. But if it were possible to spend an entire day driving a new car from 50 years ago, treating diabetes and erectile dysfunction with the treatments that were available 50 years ago, and listening to 50-year-old records on 50-year-old playback gear, the answer might seem more clear.

Filed under
Art Dudley Posted: Mar 12, 2014 4 comments
In the wake of my October 2013 "Listening" column and its negative take on the Pete Riggle Woody tonearm (footnote 1), I was surprised and gratified by the offer of another new arm: a gesture of trust not unlike sending one's children to a sleepover at Casey Anthony's house. The supplier was Phillip Holmes, of Texas-based Mockingbird Distribution (footnote 2), and the new tonearm was the Abis SA-1, the design and manufacture of which was commissioned by the Japanese firm Sibatech, itself a distributor of dozens of high-end audio brands, including Zyx, Mactone, Zerodust, and, perhaps most famously, Kondo.
Filed under
Art Dudley Posted: Apr 07, 2014 0 comments
"Perhaps we can shed some light on your problem in a new segment exploring pre-adolescent turmoil. I call it . . . 'Choices.'"—Sideshow Bob, The Simpsons

"For us, unlike other manufacturers, there are not degrees of clean. Our entry-level machine is as good as our top of our line when it comes to cleaning records; in between, it's just a matter of choices." Thus spoke Jonathan Monks, who inherited from his father, the late Keith Monks, an audio-manufacturing legacy built upon the world's first commercially produced record-cleaning machine.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading