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Art Dudley Posted: Mar 07, 2013 9 comments
Let's say you're lucky enough, or just plain old enough, to have bought a copy of Truman Capote's In Cold Blood on January 12, 1966. Let's say you're lucky enough or just plain smart enough to have held on to it and kept it in perfect shape for the past 47 years. And let's say it was one of the first 500 copies, which the author signed. If so, congratulations: For once in your life, even the smuggest collector can't claim that his copy of a book is "better" or more valuable than yours.
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Art Dudley Posted: Apr 09, 2013 3 comments
Beethoven understood the pathos of the gap between idea and realization, and the sense of strain put on the listener's imagination is essential.—Charles Rosen

Bass, like sex, is something most young men desire in excess: To the novice, quantity trumps quality, and as long as he can hear from his playback system the deepest sounds of an orchestral bass drum or five-string electric bass (low string tuned to B-0 or C-1), he is completely satisfied.

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Art Dudley Posted: May 06, 2013 4 comments
Monday, January 14, was a difficult day for the abandoned amusement park that is my body. In the morning, I packed two Lamm ML2.2 amplifiers into their wooden crates and wrestled them outside for collection by some unlucky air-freight courier. After that, I backed up my car to the tiny front porch of our house so I could unload a pair of 1966 Altec Valencia loudspeakers I'd collected the day before: in excess of 100 pounds each, just like the crated Lamms, but considerably larger.
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Art Dudley Posted: Jun 19, 2013 Published: Dec 31, 1969 1 comments
Swiss Precision: The Story of the Thorens TD 124 and Other Classic Turntables (2007), by Joachim Bung (reviewed in April 2008) also tells the story of Fritz and Marie Laeng, the couple who founded Lenco, Switzerland's other turntable company. Thanks in equal parts to Fritz's engineering talents and Marie's business acumen—her idea to sell turntables through a popular book-and-record club is remembered as the company's turnaround point—Lenco swiftly became one of the most successful and well-regarded makers of hi-fi turntables through the 1960s and early '70s. Then, almost as swiftly, Lenco went from having three factories in two countries to vanishing from the scene with scarcely a trace . . . but that's another story for another day.
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Art Dudley Posted: Jul 01, 2013 2 comments
The closest I've come to airing my thoughts about live vs recorded music was in the "As We See It" of the December 2005 Stereophile, "Resistance Is Futile," in which I put as many miles between the two as I could. I described live performances as works of art that exist only at the time and place of their making, variables from which their ultimate impact can never be separated; and music recordings as works of art in their own right, albeit ones that require a great deal more from the listener in order to succeed to their fullest. People respond more positively to live music not because it sounds more real, but because they understand, consciously or not, that any performance is a once-in-a-lifetime event.
Art Dudley Posted: Aug 01, 2013 1 comments
Writing is easy. See? I just did it. Three whole sentences, written between breakfast and lunch. (I had to pause and think about one of them.) Payday, here I come.
Art Dudley Posted: Sep 13, 2013 Published: Sep 01, 2013 10 comments
Volti Audio's Vittora, a borrowed pair of which now sit at the far end of my listening room, is a great loudspeaker and, at $17,500/pair, a seriously great value. After a few weeks with the Vittora, I find myself convinced by the naturalness, momentum, and force that it found in every record I played: This is surely one of the finest horn-loaded speakers made in the US.
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Art Dudley Posted: Feb 01, 2004 Published: Jan 01, 2004 0 comments
When some people record music, they make an effort to record the ambient sound of the hall or other performing space along with it. On the other side of the coin, some engineers work to capture only the sounds of the performers, so the recordings they make sound comparatively dry. And, of course, there are engineers who don't make an effort one way or the other, and whose work contains whatever hall sound does or does not come their way by accident.
Art Dudley Posted: Oct 01, 2013 2 comments
Whether the subject is hi-fi equipment, films, restaurants, power tools, or condoms (see the April 2005 "Listening"), reviewing should be off-limits to the perennially unhappy. I'm reminded of that dictum by the flap over the recent film Identity Thief, which was savaged by reviewer Rex Reed—not because the film is weak, but because its star, Melissa McCarthy, is heavy. Reed, whose career as the Paul Lynde of film reviewing was punctuated by a starring role in a flop called Myra Breckenridge, mentioned in his review McCarthy's size not once but numerous times, thus exposing himself as a bullying hack who wields his harshest criticisms not when they are merited but as unconscious expressions of his own personal anguish. Hate speech of any sort is the crayon of the unhappy; that is doubly true of people who write for a living.
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Art Dudley Posted: Nov 07, 2013 2 comments
Whenever I'm moved by an artist whose work I've never before heard or seen, my first impulse is to wonder: What else has this person done while I slumbered in ignorance?


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